Mandy Patinkin, Amy Irving, Barbra Streisand in Yentl
To date, only four women have received Academy Award nominations in the Best Direction category. Barbra Streisand isn't one of them.
[For the record, the four are: Lina Wertmüller for Seven Beauties (1976), Jane Campion for The Piano (1993), Sofia Coppola for Lost in Translation (2003), and winner Kathryn Bigelow for The Hurt Locker (2009).]
Streisand was considered a strong contender for the Best Direction Oscar shortlist for both the cross-dressing, feminist, period religious musical Yentl (1983) and the psychotherapy melodrama The Prince of Tides (1991). However, she was bypassed both times. Her omission led some to assert that the Academy of Motion Picture Arts and Sciences' Directors Branch is composed of not only pedantic snobs, but sexist pigs as well.
If so, back in early 1984 they weren't the Academy's only pedantic pigs. Despite a Golden Globe win for Best Director, Streisand didn't receive a single Oscar nomination for Yentl, a film she also co-adapted and co-produced, in addition to being its bespectacled androgynous star.
At the film's Jerusalem premiere, when a reporter asked her why Yentl didn't do better at the Oscars, Streisand replied, “In Hollywood, a woman can be an actress, a singer, a dancer – but [they] don't let her be too much more.”
Yentl, the tale of a young Jewish woman who disguises herself as a man in order to enter religious training, ended up winning one Oscar out of its five nominations: Best Original Song Score/Adaptation Score for Michel Legrand, Alan Bergman, and Marilyn Bergman. That's better than how the film fared at the Razzies, where it lost all three of its nominations, including a Worst Actress nod for Streisand.
“'Hello, gorgeous,' said Barbra Streisand to her Oscar in 1969, the year she won it as Best Actress for Funny Girl. (In 1977, she won another as cowriter for Best Song.) Since then it's been 'Hasta la vista, baby,' for the most famous hunk of celebratory hardware in the world and the multitalented, steel-willed actress-singer-producer-writer-director,” reported Newsweek at the time.
“Director – there's the rub and the snub. When the nominations for the 1991 Academy Awards were released last week by the Academy of Motion Picture Arts and Sciences, The Prince of Tides was cited for seven nominations: best picture, best actor (Nick Nolte [right]), best supporting actress (Kate Nelligan), best adapted screenplay (Pat Conroy and Becky Johnston), best art direction, best cinematography, best original score. But no nomination [sic] for Streisand, its director and the driving force behind the movie, which has grossed $62 million since its opening on Christmas Day.” [Streisand did receive a nomination as one of the Prince of Tides producers.]
This time around, Streisand's absence from the Best Direction category was even more glaring because, after all, her film did receive a Best Picture nod – and Streisand herself had been one of the five nominees for the Directors Guild Award.
Streisand reportedly watched the Oscar nominations' announcement live while in London, later telling Variety that “I'm trying not to take it too personally. It's hard because I don't want to be bitter. I don't take it as a personal affront. I look at it as a larger problem.” In reference to Warren Beatty's Best Direction win for his pet project Reds, she added, “It's as if a man is allowed to feel passionate commitment about his work, and a woman is allowed to feel passionate commitment only about a man.”
Ultimately, The Prince of Tides failed to win a single Academy Award.
Streisand quotes: Inside Oscar by Mason Wiley and Damien Bona.
Note: The “Biggest Oscar Snubs” series isn't a reflection of my personal tastes. Instead, the “snubs” are listed according to the furor they generated at the time. Sometimes I agree with those who called the Academy nuts; other times I'm in full agreement with those Academy members who cast their vote for somebody else.