***We're looking for contributors***

'Rebecca' 1940: Alfred Hitchcock Oscar Winner Returns to Brazilian Screens

Rebecca 1940 Joan Fontaine Judith Anderson creepy lesbian housekeeper'Rebecca' 1940: Joan Fontaine as the 'successor' and Judith Anderson as the creepy lesbian housekeeper, madly in love with her deceased mistress.

'Rebecca' 1940: Alfred Hitchcock Best Picture Oscar winner back on Brazilian screens

Based on Daphne Du Maurier's 1938 novel, Alfred Hitchcock's first Hollywood movie, Rebecca (1940), has briefly returned to Brazilian screens in summer 2016.

Since yesterday, Aug. 11, restored 2K digital copies of the Best Picture Academy Award winner starring Oscar nominees Laurence Olivier and Joan Fontaine are being presented in 12 Brazilian cities. Handled by the newly formed Celeste, an alternative film distribution company based in the northeastern city of Fortaleza, the screenings are scheduled to last at least one week.

Among the cities showing Rebecca 1940 are São Paulo, Curitiba, Salvador, Fortaleza, and Rio de Janeiro. (In Rio, one show per evening at downtown's historic Odeon theater – about 45 km from the Olympic Village and where Rebecca debuted in Brazil in 1942).

'Rebecca, The Unforgettable Woman'

Renamed Rebecca, The Unforgettable Woman (“Rebecca, a Mulher Inesquecível”) for the Brazilian market back in the early 1940s, Hitchcock's mystery-psychological drama tells the story of a young, timid Englishwoman of humble background, the unnamed narrator “I” de Winter (Joan Fontaine), who recalls her time in Manderley, the Cornwall country mansion of her new husband – and recent widower – Maximilian “Maxim” de Winter (Laurence Olivier).

As the new mistress of the manor, the second Mrs. de Winter must cope not only with her seemingly unfathomable husband – warm and amorous one day; cold and detached the next – but also with both the memory of the beautiful and commanding first Mrs. de Winter, Rebecca, and the creepy housekeeper Mrs. Danvers (Best Supporting Actress Oscar nominee Judith Anderson), who remains passionately devoted to her mysteriously deceased mistress.

'Rebecca' plagiarism

For Rebecca, Daphne Du Maurier borrowed liberally from Charlotte Brontë's 1847 novel Jane Eyre. Less well known is that Du Maurier also borrowed quite liberally from Brazilian author Carolina Nabuco's 1934 novel A Sucessora (“The Successor”), which, though set in Rio de Janeiro in the 1920s, has a suspiciously similar plot and group of characters.*

Now, an actual (well, at least apparent) coincidence was the 1940 release of Warner Bros.' All This and Heaven Too, which, though set in mid-19th century France and based on Rachel Field's novel (itself based on the true story of her great-aunt, Henriette Deluzy Desportes), also has several elements in common with Jane Eyre.

Directed by Anatole Litvak, the Best Picture Oscar nominee starred Bette Davis as the governess enamored of her master (instead of Miriam Hopkins, who was dying to play the part), Charles Boyer as a French-accented Rochester type, and Gone with the Wind actress and Best Supporting Actress Oscar nominee Barbara O'Neil as Boyer's pathological wife.

* Predating both A Sucessora and Rebecca was the Guy Chantepleure (literally, “Guy Singscries,” pseudonym for Jeanne-Caroline Violet-Dussap) Jane Eyre-inspired Gothic novel Malencontre, which also happens to feature a trusted housekeeper – but nothing like A Sucessora's Juliana or Rebecca's Mrs. Danvers. Ten years after its publication in 1910, Malencontre was turned into a movie directed by pioneer woman filmmaker Germaine Dulac.

A 1952 Argentinean film version of Malencontre, La de los ojos color del tiempo (“The One with Eyes the Color of Time”), starred Carlos Thompson and Mirtha Legrand, in addition to Zoe Ducós as a housekeeper inspired the 1940 Rebecca's Mrs. Danvers. Luis César Amadori directed and wrote the adaptation.

Rebecca 1940 actress Joan Fontaine first and only Oscar winner directed by Alfred Hitchcock'Rebecca' 1940 actress Joan Fontaine went on to play roles similar to the second Mrs. de Winter in 'Suspicion' (1941) – becoming the first and only Oscar-winning performer in a movie directed by Alfred Hitchcock – and 'Jane Eyre' (1943).

'Jane Eyre' actresses

And here's another coincidence of sorts: Three years after Rebecca, Joan Fontaine would get the chance to play the “original” second Mrs. de Winter, Jane Eyre, in 20th Century Fox's 1943 film version of Charlotte Brontë's novel.** Orson Welles was cast as Rochester. Robert Stevenson (later of Mary Poppins fame) directed.

The most recent big screen version of the story, Cary Joji Fukunaga's well-received Jane Eyre, came out in 2011. Mia Wasikowska played the titular character opposite Michael Fassbender's brooding Rochester.

The movies' other Jane Eyre actresses include:

** The Joan Fontaine version of Jane Eyre reportedly opened in London in Dec. 1943. Its New York City premiere took place in Feb. 1944.

'Rebecca' 1940 cast

Besides Laurence Olivier, Joan Fontaine, and Judith Anderson,† the 1940 Rebecca featured a number of other British (or Irish) performers working in Hollywood at the time:

George Sanders. Nigel Bruce. Reginald Denny. C. Aubrey Smith. Gladys Cooper.

Melville Cooper. Leo G. Carroll. Leonard Carey. Lumsden Hare. Forrester Harvey.

And Alfred Hitchcock himself, in his requisite cameo – here as a man next to the phone booth where George Sanders has made a call.

In addition to Americans Florence Bates and Edward Fielding.

For the role of the second Mrs. de Winter, Joan Fontaine had to compete with the following:

  • Gone with the Wind star and Laurence Olivier companion Vivien Leigh.
  • 20th Century Fox star and future Best Actress Oscar winner Loretta Young (The Farmer's Daughter, 1947).
  • MGM star Margaret Sullavan (who had played the role in Orson Welles' radio version of the story).
  • Heather Angel (Berkeley Square, The Informer).
  • Anita Louise (A Midsummer Night's Dream, Green Light).
  • Newcomer – and future Best Supporting Actress Oscar winner – Anne Baxter (The Razor's Edge, 1946).

Fontaine's older sister Olivia de Havilland had also been in the running, but stepped aside once Fontaine became a contender. Curiously, de Havilland would eventually also star in a film adaptation of a Daphne Du Maurier novel, My Cousin Rachel in 1952.

Also considered for the role of Mrs. Danvers were:

Rebecca 1940 Laurence Olivier Joan Fontaine Jane Eyre and A Sucessora accusations of plagiarism'Rebecca' 1940 with Laurence Olivier and Joan Fontaine: Liberal borrowings from Charlotte Brontë's 'Jane Eyre' and Carolina Nabuco's 'A Sucessora' led to accusations of plagiarism.

11 Academy Award nominations

Robert E. Sherwood and frequent Alfred Hitchcock collaborator Joan Harrison were credited for the Rebecca screenplay, from an adaptation by Philip MacDonald and Michael Hogan. For their efforts, Sherwood and Harrison were shortlisted for the Best Screenplay Academy Award.

In all, Rebecca was nominated for 11 Oscars, winning 2: Best Picture and Best Black-and-White Cinematography (George Barnes). Alfred Hitchcock lost the Best Director Oscar to John Ford for The Grapes of Wrath, while Donald Ogden Stewart took home the Best Screenplay statuette for The Philadelphia Story.

Laurence Olivier, Joan Fontaine, and Judith Anderson lost out to, respectively, James Stewart (The Philadelphia Story), Ginger Rogers (Kitty Foyle), and Jane Darwell (The Grapes of Wrath).

Producer David O. Selznick's first film following the mega-blockbuster and multiple Oscar-winning Gone with the Wind, Rebecca was a United Artists release.

† Like Olivia de Havilland, Joan Fontaine was born to British parents in Japan. Judith Anderson was born and raised in Australia.

'Rebecca' 1940: Sole major film version of Daphne Du Maurier's novel

Apart from the 1940 Rebecca, there would be no other straight film adaptations of Daphne Du Maurier's novel. Biren Nag's 1964 Hindi-language horror thriller Kohraa (“The Fog”) was inspired by it, but featured several different – supernatural – plot elements.

There were two official adaptations of Rebecca made for British television:

  • In the 1979 four-part miniseries, Jeremy Brett and Joanna David starred as Maxim and the second Mrs. de Winter, while Anna Massey played Mrs. Danvers. Simon Langton directed from a screenplay by Hugh Whitemore.
  • In the 1997 two-part TV movie, Charles Dance and Emilia Fox (Joanna David's daughter) played the de Winter couple; Diana Rigg was Mrs. Danvers. Jim O'Brien directed from a screenplay by Arthur Hopcraft.

 

Distributor Celeste's Facebook page.

Source for the info about Heather Angel and Anita Louise testing for the role of the second Mrs. de Winter in the 1940 Rebecca: TCM's website.

Information regarding Miriam Hopkins and All This and Heaven Too: Allan Ellenberger's in-the-works Miriam Hopkins biography.

Images of Judith Anderson, Laurence Olivier, and Joan Fontaine in Rebecca 1940: United Artists.

If you liked the article 'Rebecca' 1940: Alfred Hitchcock Oscar Winner Returns to Brazilian Screens, please recommend it to your friends. See floating share buttons on the left.
Follow Alt Film Guide on Google+, Facebook, and Twitter.

Continue Reading: 'Don't Breathe' Movie: Fede Alvarez Impressive Horror Thriller

Previous Post: 'Star Trek Beyond' Review: Gay Sulu Problematic in New Series' 'Most Satisfying' Entry

'Rebecca' 1940: Alfred Hitchcock Oscar Winner Returns to Brazilian Screens © 2004–2016 Alt Film Guide and/or author(s).
Text NOT to be reproduced without prior written consent.

Leave a comment about ''Rebecca' 1940: Alfred Hitchcock Oscar Winner Returns to Brazilian Screens'

Important: It's perfectly fine to disagree with our own and/or other commenters' views and opinions, but thoughtfulness and at least a modicum of sanity are imperative.

In other words: Spammy, rude/abusive, bigoted, baseless (spreading misinformation), trollish/inflammatory, and/or just plain demented comments will be zapped and offenders may be banned.

Additionally, bear in mind that a) harassment will not be tolerated b) links found in comments will generally be deleted.

Most recent comments listed on top.