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Crime & Mystery & Film Noir & Thrillers: Articles


'Detroit' Movie: Kathryn Bigelow 1967 Riots Depiction 'Horribly Real' & 'Deeply Self-Serving'

Detroit movie street riot scene: The Hurt Locker and Zero Dark Thirty director Kathryn Bigelow tackles the 1967 Detroit riots in “horribly real” and “deeply self-serving” 2017 release marketed as a “dramatic thriller.” Kathryn Bigelow's 'Detroit' movie: Horribly real semidocumentary or self-serving Hollywood depiction of 1967 Detroit Rebellion? In the city of Detroit, from July 23 through July 27 of 1967, the people rebelled against the conditions of their existence. Some call this the 1967 Detroit Riot; it's also known as the 12th Street Riot and the 1967 Detroit Rebellion. I prefer the latter. During the rebellion, 43 people died – 33 of whom were black, 10 were white. Twenty-four of the black victims were shot by police officers and […]


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'Detroit' Movie: Kathryn Bigelow 1967 Riots Depiction 'Horribly Real' & 'Deeply Self-Serving'



Crime Novel Remembered: Everywoman Heroine & Bourgeois Values + 'Straight & Gay' Movie Versions

Crime novel The Blank Wall by Elisabeth Sanxay Holding. While her husband is away during World War II, housewife Lucia Holley – the sort of “Everywoman” who looks great in a two-piece bathing suit – does whatever it takes to protect the feeling of “normality” in her bourgeois, suburban household. The Blank Wall is a classic depiction of an attempted cover-up being much more serious than the actual crime. Sound bites: Remembering the classic crime novel 'The Blank Wall' and its two movie adaptations – 'The Reckless Moment' & 'The Deep End' Crime novel writer Elisabeth Sanxay Holding (1889–1955) is not a name familiar to many, and yet Raymond Chandler described her as “the top suspense writer of them all. […]


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Crime Novel Remembered: Everywoman Heroine & Bourgeois Values + 'Straight & Gay' Movie Versions



'Latin Lover' - The 2nd Valentino & 1st (and Best) Sam Spade: Q&A with Ricardo Cortez Biographer Dan Van Neste

“Latin Lover” Ricardo Cortez, who went on to play a series of all-American scoundrels and criminals, in addition to similar unsavory types of other nationalities. Although never as big a star as fellow silent era screen heartthrobs Rudolph Valentino, Ramon Novarro, and John Gilbert – or fellow Pre-Code era antiheroes Edward G. Robinson and James Cagney – Cortez had a long and, to some extent, prestigious film career, appearing in nearly 100 movies between 1923 and 1950. Among his directors were “Father of American Cinema” D.W. Griffith and Paramount's star filmmaker Cecil B. DeMille, in addition to eventual Oscar winners and nominees Frank Lloyd, Herbert Brenon, Gregory La Cava, William A. Wellman, Frank Capra, Walter Lang, Michael Curtiz, John Ford, […]


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'Latin Lover' - The 2nd Valentino & 1st (and Best) Sam Spade: Q&A with Ricardo Cortez Biographer Dan Van Neste