***We're looking for contributors***

         

'The Aviator' Movie Review: Leonardo DiCaprio & Cate Blanchett Miscast in Heavy-Handed Biopic

The Aviator movie Leonardo DiCaprio Howard Hughes bizarre billionaire bloated biopicThe Aviator movie with Leonardo DiCaprio as Howard Hughes: Bizarre billionaire bloated biopic.

'The Aviator' movie review: Leonardo DiCaprio is excellent – but not as Howard Hughes

Imagine Citizen Kane directed by the Steven Spielberg of The Color Purple, Schindler's List, Amistad, and Saving Private Ryan. The final result would look something like a Barry Levinson film – for instance, the superficial and phony Bugsy. Or, an even more appropriate example, the superficial, phony, and bloated The Aviator.

Except, of course, that Levinson is not the man responsible for the 2004 mega-production starring Leonardo DiCaprio as the eccentric (i.e., mentally unbalanced), billionaire ladies' man Howard Hughes. Strangely enough, that man is Martin Scorsese, the director of hard-hitting films such as Taxi Driver, Goodfellas, and Gangs of New York.

What's not good for the Spruce Goose…

Scorsese, a fan of Old Hollywood, apparently wanted to have some fun with the reported $110 million budget (approx. $138 million in 2016) made available to him. The director no doubt had a ball while making The Aviator, but whether he was able to impart that joie de filmmaking to most moviegoers is debatable.

Clocking in at 169 minutes, The Aviator tries to stay aloft, but like Howard Hughes' much-too-big and much-too-heavy Spruce Goose (a.k.a. The Hercules), this cinematic jumbo can only keep itself in the air for a few minutes at a time. Central miscasting, a yearning to turn the conflicted protagonist into a (somewhat) conventional film hero, and an excess of glitz – so we won't notice the story's lack of substance – force The Aviator down each time after take-off.

Hollywood movie psychology

Director Martin Scorsese and screenwriter John Logan begin their tale by having us witness the boy Howard Hughes (Jacob Davich), after having finished his bath, being dried by his weird-looking mom (Amy Sloan). That moment turns out to be a simple-minded and, really, unnecessary “explanation” for the adult Hughes' obsession with the opposite sex. Things don't get much more shaded after that.

By the late 1920s, Jacob Davich has grown into Leonardo DiCaprio, who happens to be one of the best actors around, but who looks like he would be more comfortable starring in “The Orson Welles Story.” Although DiCaprio's performance in and of itself is flawless, he simply doesn't look the part of the up-and-coming movie magnate and inveterate seducer.

For instance, when paired with Best Supporting Actress Academy Award winner Cate Blanchett's (absurdly mannered) Katharine Hepburn, DiCaprio looks like her overgrown adopted son. He's just as helpless next to Kate Beckinsale's Ava Gardner and Kelli Garner's Faith Domergue.

Hypochondriacal sex animal

Not helping matters, Logan's screenplay fails to delve into Howard Hughes' intricate psyche. As a result, it's mystifying to see how Hughes could be a hypochondriacal freak – e.g., even afraid of touching door handles lest he catch a bug – while at the same time be ever so willing to exchange bodily fluids with stars and starlets alike.

Just as mind-boggling is how Hughes' lapse into depression following a horrific plane crash in the mid-1940s is instantly cured after Ava Gardner shows up to give him a life-changing shave.

Billionaire Frank Capra-ish movie hero

Later in the film, issues such as Hughes' immeasurable power (and his hunger for more, more, more) and his unsavory ties to the U.S. government are surreptitiously brushed aside so Logan and Scorsese can focus instead on a movie battle between hero (Hughes) and villain (crooked Republican senator Ralph Owen Brewster, gutsily played by Best Supporting Actor Oscar nominee Alan Alda).

Even Howard Hughes' voyeuristic Western The Outlaw, whose chief focus is on Jane Russell's cleavage, offers more depth.

Ironically, as far as I'm concerned the best moment in The Aviator isn't the (admittedly impressive) aerial battle at the beginning of the film or the plane crash later on, but the brief footage from Howard Hughes' own Hell's Angels – a movie made more than 80 years ago for about 1/10th (inflation-adjusted) of The Aviator's budget.

The Aviator (2004)

Dir.: Martin Scorsese.

Scr.: John Logan.

Cast: Leonardo DiCaprio (as Howard Hughes). Cate Blanchett (as Katharine Hepburn). Kate Beckinsale (as Ava Gardner). Alan Alda (as Senator Ralph Owen Brewster).
Alec Baldwin (as Pan Am honcho Juan Trippe). Kelli Garner (as Faith Domergue). Gwen Stefani (as Jean Harlow). Ian Holm. Adam Scott. Jude Law (as Errol Flynn).
Frances Conroy (as Katharine Hepburn's mother). Willem Dafoe. Jacob Davich (as the boy Howard Hughes). Edward Herrmann (as censor Joseph Breen). Danny Huston.
John C. Reilly (as Howard Hughes' business empire CEO Noah Dietrich). Stanley DeSantis (as Louis B. Mayer). Matt Ross. Brent Spiner. Amy Sloan (as Howard Hughes' mother).
Kenneth Welsh (billed as Kenneth Walsh; plays Katharine Hepburn's father). Sam Hennings. Rufus Wainwright. Kevin O'Rourke (as Spencer Tracy). Chris Ufland.
Uncredited: Lawrence of Arabia and Murder on the Orient Express editor Anne V. Coates (as one of Howard Hughes' film editors).

The Aviator movie Leonardo DiCaprio Cate Blanchett miscast Howard Hughes Katharine HepburnThe Aviator movie with miscast Leonardo DiCaprio as Howard Hughes and an equally miscast Cate Blanchett as eventual four-time Best Actress Oscar winner Katharine Hepburn.

'The Aviator' movie synopsis

Having finished his bath, the boy Howard Hughes (Jacob Davich) is being dried by his seemingly off-kilter mom. She wants to make sure he can spell the word “quarantine.”

Cut to the late 1920s. Howard Hughes is now a wealthy young Texan (Leonardo DiCaprio) – thanks to his deceased father's money – living in Hollywood while directing the World War I aviation drama Hell's Angels. When Hughes decides to shoot a spectacular air fight sequence, he does his own stunts up there in the sky.

High-pitch-voiced ladies' man

Fearless in the air, Hughes is also fearless on the ground – at least as far as women are concerned. He picks up waitresses and actresses with equal aplomb, or lack thereof, considering his high-pitched voice that is made even more grating by a nasal Southern twang. The women, however, don't seem to mind. Hughes is both boyish and filthy rich, and a dashing aviator, to boot.

Film star Katharine Hepburn (Cate Blanchett) is one of the women who are enchanted by Hughes' daring. They play golf together, eat together, fly together, and presumably do together those other things that lovers do – despite the inconvenience that Hughes has developed an aversion to being touched by anyone for fear of catching germs.

Yet Hughes is not averse at risking his life in other ways, as he becomes a record-smashing flying ace. He also gets TWA off the ground much to the dismay of rival Juan Trippe (Alec Baldwin), the head of Pan Am.

Censorship + planes & actresses

When World War II begins, the aviator/filmmaker Hughes is busy fighting the film censorship board in order to release his outrageous Western The Outlaw, all the while working at the helm of his ever-growing business empire. One of his major clients is the U.S. government, for whom Hughes promises millions worth of military goods.

And of course, his life is also filled with women such as actresses Ava Gardner (Kate Beckinsale) and Faith Domergue (Kelli Garner), with whom the ever more peculiar billionaire has simultaneous affairs.

In the late 1940s, a horrific plane crash leaves Howard Hughes in a state of shock. The dashing risk-taker starts going bonkers and becomes a recluse, but he is eventually saved by none other than Ava Gardner, who gives him a really clean shave.

At that time, a major battle erupts between Pan Am, represented by corrupt Republican senator Ralph Owen Brewster (Alan Alda), and the Hughes empire, represented by Hughes himself. The senator accuses the aviator of having cheated the U.S. government; the go-getting Hughes must now defend himself or face ruin.

The Aviator trailer with Leonardo DiCaprio as movie hero Howard Hughes, determined to fight corrupt Alan Alda and romance red-headed Cate Blanchett.

'The Aviator': Oscar movies

Martin Scorsese's The Aviator was nominated for 11 Academy Awards, winning in five categories.

    Five Academy Award wins

  • Best Supporting Actress
    Cate Blanchett.
  • Best Cinematography
    Robert Richardson.
  • Best Film Editing
    Thelma Schoonmaker.
  • Best Art Direction
    Dante Ferretti (art director). Francesca Lo Schiavo (set decorator).
  • Best Costume Design
    Sandy Powell.
  • Six Academy Award nominations

  • Best Picture
    Prod.: Michael Mann. Graham King.
    Winner: Million Dollar Baby.
    Prod.: Clint Eastwood. Albert S. Ruddy. Tom Rosenberg.
  • Best Director
    Martin Scorsese.
    Winner: Clint Eastwood for Million Dollar Baby.
  • Best Actor
    Leonardo DiCaprio.
    Winner: Jamie Foxx for Ray.
  • Best Supporting Actor
    Alan Alda.
  • Winner: Morgan Freeman for Million Dollar Baby.
  • Best Original Screenplay
    John Logan.
    Winner: Michel Gondry, Pierre Bismuth, and Charlie Kaufman for Eternal Sunshine of the Spotless Mind.
  • Best Sound Mixing
    Tom Fleischman. Petur Hliddal.
    Winner: Scott Millan, Greg Orloff, Bob Beemer, and Steve Cantamessa for Ray.

 

Images of The Aviator movie with Leonardo DiCaprio as Howard Hughes and Cate Blanchett as Katharine Hepburn: Miramax / Warner Bros.

The Aviator trailer: Miramax / Warner Bros.

The Aviator movie cast info via the IMDb.


         
If you liked the article 'The Aviator' Movie Review: Leonardo DiCaprio & Cate Blanchett Miscast in Heavy-Handed Biopic, please recommend it to your friends and/or follow Alt Film Guide on social media. See share/follow buttons above.

Continue Reading: 'Batman v Superman: Dawn of Justice' Review: DC Movies' Grim Self-Importance

Previous Post: Merle Oberon: From Mystery Past & Hollywood Stardom to Shah of Iran Connection

'The Aviator' Movie Review: Leonardo DiCaprio & Cate Blanchett Miscast in Heavy-Handed Biopic © 2004–2017 Alt Film Guide and/or author(s).
Text NOT to be reproduced without prior written consent.

Leave a comment about ''The Aviator' Movie Review: Leonardo DiCaprio & Cate Blanchett Miscast in Heavy-Handed Biopic'

UPDATED COMMENTING RULES: Our articles and/or other people's comments infuriate you?

Well, here's the good news: It's perfectly okay to disagree with our own and/or other commenters' views and opinions.

But ... *thoughtfulness* and *at least a modicum of sanity* are imperative.

In other words: Add something reasonable & coherent to the discussion.

Spammy, abusive, bigoted, baseless (spreading misinformation), trollish/inflammatory, and/or just plain demented comments will be zapped and offenders may be banned.

Also, bear in mind that links found in comments will generally be deleted.

Most recent comments listed on top.

7 Comments to 'The Aviator' Movie Review: Leonardo DiCaprio & Cate Blanchett Miscast in Heavy-Handed Biopic

  1. Joseph Kearny

    Agreed. It's dreadful. Is box office clout the reason Scorsese keeps miscasting DiCaprio? He was also bad and wrong for The Departed another dreadful Scorsese film. Blanchett is nothing like Hephurn.

  2. Bill B.

    I mostly agree. I think the movie very phony looking, superficial, way too long and extremely overrated. DiCaprio, not among my favorite actors, is simply totally miscast here & is in over his head, though I think Blanchette is okay in a tough to tackle role. I am among the few that is not among the Scorsese worshipers. Needless to say, he is very talented, but as the years roll by, he seems to admire his own work so much that he can't seem to cut making nearly all of his more recent films overlong to the point that they wear out their welcome well before their actual ending. I long for him to return to his early creativity.

  3. Gustavo

    The anti-Spielberg bias of this site is seriously affecting the quality of the work in display here. This text is nothing but a provocation full of strawman fallacies - Spielberg has never made a biopic, or any kind of movie, remotely similar to The Aviator in style or even content.

  4. Maxim

    The opening of this review is as unfair as it is misguided (and the use of the word “would” borders on a provocation). Spielberg does not deal in superficiality or needless glitz. His dramatic work delivers on multiple levels, not the least of which is realism and substance. And imaging him taking on a big figure, be it Kane or upcoming Lincoln, carries nothing if not a promise of thoroughness and greatness. The cheap shots are just that and, frankly, any review that feels it needs to grab attention in such a hyperbolic and inflexible way does little to make the review appear worth taking seriously.

    And that's not going into how it sells the wonderfully unpredictable Barry Levenson short. Ever seen The Diner or Avalon?

  5. Nathan Donarum

    I think Raging Bull is probably Scorsese's best film, at least in terms of his directorial achievement. It's really a brilliant character study. I need to watch it again as well, but I was blown away the first time I saw it.

  6. Nathan Donarum

    I'm actually surprised that I agree with a lot of the points you make here. I actually enjoyed The Aviator quite a lot. But then again I admit to being biased when it comes to Scorsese, who's admittedly my favorite filmmaker of all time. I also agree with you that DiCaprio is one of the most talented actors today. Which makes it difficult for me to admit that this movie does, in fact, have a number of (if we're being honest) pretty obvious flaws. I especially take your point about understanding Hughes psyche to heart. I think this is perhaps the key flaw of the movie, but a flaw that for me doesn't derail what is otherwise an entertaining film.

    Scorsese has a tendency to explore characters who are on the outside, who don't completely fit in with their environment, with the people around them. One need look no further than Travis Bickle. Even Henry Hill, who it could be argued was completely a part of his world, makes it clear that he can't be: he's half Irish, and can never be a made man.

    Now look at Howard Hughes, who is again of that type. Perhaps it would have been a more compelling and more Scorsesian film if we got a movie about Hughes from a more psychological point of view. But regardless, I think Scorsese weaves a grand story, and personally, I found the 169 minutes more than bearable. I think the point overall is that, as you say, Scorsese was seeing what he could do with a huge budget. Even if it's not a complete success, nor one of his best movies, I still find it to be more entertaining than the majority of junk Hollywood craps out on a weekly basis.

  7. Leonardo

    I watched The Departed at the movies by myself, leaving my husband at home with our two girls. He is a wonderful actor without over exposing himself. I like that very much about him, not to mention he is hot.