***We're looking for contributors***

'Uncle Boonmee,' Juliette Binoche & Best Actor Tie: Cannes Film Festival Winners

Uncle Boonmee Who Can Recall His Past Lives
Of Gods and Men, Xavier Beauvois
A Screaming Man
Apichatpong Weerasethakul Thai drama Uncle Boonmee Who Can Recall His Past Lives (top); Xavier Beauvois' Of Gods and Men (middle); Mahamat-Saleh Haroun's A Screaming Man (bottom)

Apichatpong Weerasethakul's Uncle Boonmee Who Can Recall His Past Lives, a dreamlike Thai drama about a man dying of kidney failure that left many puzzling over its meaning, won the Palme d'Or at the 2010 Cannes Film Festival.

“I would like to thank my mother and my father, who 30 years ago, they took me to a little cinema in our little town, and I was so young and didn't know what it was on the screen,” Weerasethakul said upon accepting his award. “I didn't know the concept of cinema. With this award, I think I know a little more what cinema is, but it still remains a mystery. I think this mystery keeps us coming back here and to share our world.”

Weerasethakul also thanked “all the spirits and ghosts in Thailand,” who made it “possible for me to be here,” and said he liked Official Competition jury president Tim Burton's hairdo.

Weerasethakul had previously won the Jury Prize (third place) in 2004 for Tropical Malady, and the top prize at the Un Certain Regard sidebar for his Sud sanaeha in 2002.

The Grand Prize (despite its “grand” name, it's a runner-up award) went to Xavier Beauvois' Of Gods and Men, starring Lambert Wilson and Michael Lonsdale. The film tells the story of seven French monks beheaded during Algeria's civil war in 1996, focusing on their inner conflicts instead of the violence around them. Yesterday, Of Gods and Men won the prize from the Ecumenical Jury.

Mahamat-Saleh Haroun's tragic Un homme qui crie / A Screaming Man, about a father who loses his job as a swimming pool attendant to his son amid the onset of Chad's civil war, won the Jury Prize.

Totally shut out of the main competition prizes were Rachid Bouchareb's controversial Hors-la-loi / Outside the Law, Mike Leigh's very well-received Another Year, Bertrand Tavernier's La princesse de Montpensier / The Princess of Montpensier, Wang Xiaoshuai's Chongqing Blues, Ken Loach's Route Irish, Nikita Mikhalkov's The Exodus: Burnt by the Sun 2, and Doug Liman's Fair Game.

This year, the Cannes festival has been criticized for the disappointing quality of many of the films in the official competition.

Photos: Cannes Film Festival

Juliette Binoche, William Shimell, Certified Copy
Javier Bardem, Biutiful
Elio Germano, Our Life
Juliette Binoche, William Shimell in Abbas Kiarostami's Certified Copy (top); Javier Bardem in Alejandro González-Inarritu's Biutiful (middle); Elio Germano in Daniele Luchetti's Our Life (bottom)

Juliette Binoche and Javier Bardem, both of whom have already received Academy Awards in the past, took home the acting awards for their performances in, respectively, Abbas Kiarostami's Certified Copy and Alejandro González-Inarritu's Biutiful. Neither victory came as a surprise. (Binoche was even the festival's poster girl this year.)

More surprising was that Bardem shared the Best Actor trophy with Elio Germano for his performance as a young widower in Daniele Luchetti's La nostra vita / Our Life.

In her speech, Binoche, who in Certified Copy plays a woman in a difficult romantic relationship while spending time in Italy, thanked her director – “What a joy, what a joy, what a joy to work with you, Abbas” – and pleaded for the release of Iranian filmmaker Jafar Panahi, who has been incarcerated because he's considered a threat to Iran's Islamic regime.

“I hope he will be here himself next year,” Binoche remarked. “It's hard to be an artist and an intellectual, and the country needs you.”

Bardem, who plays a dying father involved in criminal activities in Biutiful, later explained at a news conference that “I'm very happy that we are sharing the best actor, so less people lose. It's very hard for people to lose in the sense of, in a festival, you can't really say what's best. I mean, it's nine people's opinion, and I've been on the jury here, and I can assure you that it's very, very difficult to put nine people in agreement to like anything.”

During his acceptance speech, Bardem thanked his off-screen companion Penélope Cruz, who, according to the New York Times, “promptly began to cry.”

Photos: Cannes Film Festival

On Tour Mathieu Amalric
Yun Junghee Poetry Lee Chang-dong
Monica del Carmen, Gustavo Sanchez Parra Leap Year
Barking Island Chienne d'histoire
Mathieu Amalric's On Tour (top); Yun Junghee in Lee Chang-dong's Poetry (middle); Monica del Carmen, Gustavo Sanchez Parra in Michael Rowe's Leap Year (lower middle); Serge Avedikian's Barking Island (bottom)

Mathieu Amalric, best known for his work as an actor in films such as The Diving Bell and the Butterfly and A Christmas Tale, won the Cannes Film Festival's Best Director award for Tournée / On Tour – that in addition to its surprising International Critics' Prize victory. On Tour received its share of negative reviews when it opened near the beginning of the festival.

In the film, Amalric plays the manager of a troupe of American burlesque strippers touring France.

The screenplay award went to Lee Chang-dong for the South Korean drama Poetry, in which a grandmother (Yun Junghee) facing the onset of Alzheimer's begins to see life anew after she enrolls in a poetry class.

The Camera d'Or award for a first-time filmmaker went to Michael Rowe's Año bisiesto / Leap Year. Co-written by Rowe and Lucia Carreras, the Mexico City-set romantic/sex drama stars Monica del Carmen as a lonely woman who has set up a date with fate and Gustavo Sánchez Parra as the man who is willing to help her out.

Serge Avedikian's Chienne d'histoire / Barking Island won the Palme d'Or for Best Short Film. Frida Kempff's Micky Bader / Bathing Micky was given the Jury Prize.

Photos: Cannes Film Festival

The Painting Sellers Juho Kuosmanem

Finnish filmmaker Juho Kuosmanen's Taulukauppiaat / The Painting Sellers (above) topped the Cinéfondation Awards at the 2010 edition of the Cannes Film Festival. The Painting Sellers follows a trio of salespeople on the road and out of luck even though it's Christmastime. Worse yet, they have to come to terms with their budding friendship.

Runners-up were Vincent Cardona's Coucou-les-nuages / Anywhere Out of the World, followed by Vatche Boulghourjian's The Fifth Column tied with Dane Komljem's I Already Am Everything I Want to Have.

Cinéfondation was created in 1998 “to inspire and support the next generation of international filmmakers.”

Photo: Cannes Film Festival

Tournee On Tour Mathieu Amalric

Surprisingly, Mathieu Amalric's Tournée / On Tour, the tale of a French manager and his American burlesque performers touring France and one of the least liked films at this year's Official Competition for the Palme d'Or, bagged the International Federation of Film Critics (FIPRESCI) Prize for best film in the official line-up.

According to a statement made by FIPRESCI jury president Alin Tasciyan, this year the awards were handed out to “the future, new auteurs and masters.” That may explain Amalric's win, as he's best known for his work in front of the cameras, e.g., The Diving Bell and the Butterfly, Kings and Queen.

FIPRESCI's Un Certain Regard award went to Hungarian filmmaker Agnes Kocsis' Pal Adrienn, about an obese nurse's search for her purported best friend at school.

According to the International Critics, the best debut in the Directors' Fortnight or Critics' Week was that of Olivier Laxe's Todos vos sodes capitans.

Photo: Cannes Film Festival

HaHaHa Hong Sangsoo
October Diego Vega Daniel Vega
Eva Bianco, Adela Sanchez, Victoria Raposo, The Lips
HaHaHa (top); October (middle); The Lips (bottom)

Hong Sangsoo's HaHaHa, winner of the top prize at the Cannes Film Festival's Un Certain Regard sidebar, revolves around a conversation between a Korean movie director and his good friend, a movie critic, who had both spent a summer night among the same group people – without knowing they were there at the same time.

The Un Certain Regard Jury Prize went to the Peruvian/Spanish/Venezuelan co-production Octubre / October, written and directed by Diego Vega and Daniel Vega. Octubre tells the story of a withdrawn pawnbroker whose neighbor tries to get him to open up emotionally. A newborn baby – possibly the outcome of a liaison between the pawnbroker and a local prostitute – helps the man's inner awakening.

Eva Bianco, Victoria Raposo and Adela Sanchez shared the Best Actress award for their work in Santiago Loza and Ivan Fund's Argentinean drama Los Labios / The Lips, about the complex relationships among three women who travel to a distant place to do welfare work.

No Best Actor winner was announced.

Photos: Cannes Film Festival

Of Gods and Men Xavier Beauvois

The Ecumenical Jury at the 2010 edition of the Cannes Film Festival – as to be expected – awarded its top prize to Xavier Beauvois' Des hommes et des Dieux / Of Gods and Men (above).

Starring Lambert Wilson and Michael Lonsdale, Of Gods and Men recounts the events that led to the horrific massacre of a group of Trappist monks in civil war-torn Algeria in the mid-'90s.

Ecumenical Special Mentions went to Mike Leigh's Another Year, starring Jim BroadBent and Ruth Sheen as an aging couple, and Lee Chang-dong's Poetry, in which an older woman starts to see life differently after she begins taking a poetry class.

Photo: Marie-Julie Maille / Armada Films/Why Not Productions

Lovelorn Becky Preston
Natalie Eleftheriadis Birthday
Becky Preston's Lovelorn (top); Natalie Eleftheriadis' Birthday (bottom)

The Cannes Independent Film Festival also announced its awards today. Winners at the 10-day festival dedicated to low-budget filmmaking included first-time British director Becky Preston's Lovelorn, shot for €200K and voted Best Film at the festival.

A psychological/supernatural drama, Lovelorn tells the story of a young man who, in his dream world, attempts to prevent death from taking away his comatose sister.

Other winners were Australian actress Natalie Eleftheriadis for her performance in the prostitution drama Birthday, Kenyan filmmaker Wanuri Kahiu for her post-apocalypse short Pumzi, and Cassie Jaye for her documentary Daddy I Do, about the pro-abstinence movement in United States. (Here's wondering if the documentary features disgraced pro-abstinence Republican congressman Mark Souder, a married man who had an affair with one of his aides.)

Photos: Cannes Independent Film Festival

If you liked the article 'Uncle Boonmee,' Juliette Binoche & Best Actor Tie: Cannes Film Festival Winners, please recommend it to your friends. See floating share buttons on the left.
Follow Alt Film Guide on Google+, Facebook, and Twitter.

Continue Reading: Gregg Araki 'Kaboom' Wins Cannes' First Queer Palm

Previous Post: 'The Living Wake' Interview: Director Sol Tryon on Working with Jesse Eisenberg

'Uncle Boonmee,' Juliette Binoche & Best Actor Tie: Cannes Film Festival Winners © 2004–2016 Alt Film Guide and/or author(s).
Text NOT to be reproduced without prior written consent.

Leave a comment about ''Uncle Boonmee,' Juliette Binoche & Best Actor Tie: Cannes Film Festival Winners'

Important: It's perfectly fine to disagree with our own and/or other commenters' views and opinions, but thoughtfulness and at least a modicum of sanity are imperative.

In other words: Spammy, rude/abusive, bigoted, baseless (spreading misinformation), trollish/inflammatory, and/or just plain demented comments will be zapped and offenders may be banned.

Additionally, bear in mind that a) harassment will not be tolerated b) links found in comments will generally be deleted.

Most recent comments listed on top.

2 Comments to 'Uncle Boonmee,' Juliette Binoche & Best Actor Tie: Cannes Film Festival Winners

  1. steve

    @Barry

    That info is available in the film's synopsis right here:

    http://www.imdb.com/title/tt1537401/

    On one of the most visited sites on the planet.

    But I'll fidget with the description a bit, just in case.

  2. Barry Watterson

    Do you think you could change your comments about the story of ano bisiesto/ Leap Year? Other reviews have alluded to what the main character has planned for Feb 29, but have restisted stating what it is. You give away the realisation/twist that drives the story. For me, the surprise has now gone and i know the end before i see the film.