DGA Awards vs. Best Director Oscar: Academy More Daring

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Ralph Fiennes in Oscar nominee (but not DGA nominee) Stephen Daldry’s The Reader.

In 1948, the 12-year-old Directors Guild of America (DGA), then known as the Screen Directors Guild (SDG), began handing out annual achievement awards. Three Best Director Oscar winners – Frank Capra, John Ford, and Norman Taurog – alongside George Sidney, Delmer Daves, H. Bruce Humberstone, Irving Pichel, and, ex-officio, Guild president George Marshall took part in the initial Awards Committee in the selection of the Directors Guild Award honorees. The DGA Awards’ first winner was Joseph L. Mankiewicz for A Letter to Three Wives, a critically acclaimed comedy-drama that would earn Mankiewicz a Best Director Academy Award the following year.

Before 1970 (awards handed out in 1971), the Guild’s list of finalists consisted of a variable number of directors, almost always more than five. From 1970 on, when the Directors Guild began restricting its list of motion picture nominees to five directors per year, a DGA nod has generally translated into an Academy Award nod.

There have been, however, quite a few exceptions to this rule. In fact, to date only five times have the DGA choices exactly matched the Academy’s shortlist: 1977, 1981, 1998, 2005, and 2009. (A DGA win has mostly – though not invariably – translated into an Oscar win as well; see discrepancies further below.)

Generally speaking, non-Hollywood and less commercial films tend to fare better with the Directors Branch of the Academy of Motion Picture Arts and Sciences (AMPAS) than with the Guild, partly because screeners aren’t allowed to be sent to DGA members (foreign and small independent films would thus be less readily available for viewing), but perhaps chiefly because of the DGA’s huge membership.

For comparison’s sake: the DGA boasts about 14,500 members while the Academy’s considerably more elitist Directors Branch has 367 (in Jan. 2012). The Guild’s membership includes motion picture and television directors, first and second assistant directors, unit production managers, technical coordinators, tape associate directors, stage managers, and production associates.

All things being equal, the larger the voting body the more mundane – or more mainstream, if you wish – are the choices. That also helps to explain why the likes of Federico Fellini, Ingmar Bergman, Atom Egoyan, Pietro Germi, Akira Kurosawa, Hiroshi Teshigahara, Lina Wertmüller, Louis Malle, Michelangelo Antonioni, Gillo Pontecorvo, David Lynch, François Truffaut, Jan Troell, Fernando Meirelles, Stanley Kubrick, Jane Campion, Robert Altman, Costa-Gavras, Pedro Almodóvar, and Krzysztof Kieslowski have received Best Director Oscar nods without any of them ever coming out on top. After all, every Academy member – currently about 6,000 of them – is entitled to vote for the winner in each category.

Since 1970, when the DGA instituted the five-nominee limit, a mere ten directors of (at least mostly) non-English-language films have received DGA nods: Lina Wertmüller (Seven Beauties, 1976), Wolfgang Petersen (Das Boot, 1982), Ingmar Bergman (Fanny and Alexander, 1983), Lasse Hallström (My Life As a Dog, 1987), Giuseppe Tornatore (Cinema Paradiso, 1990), Michael Radford (Il Postino / The Postman, 1995), Roberto Benigni (Life Is Beautiful, 1998), Ang Lee (Crouching Tiger, Hidden Dragon, 2000), Julian Schnabel (The Diving Bell and the Butterfly), and Danny Boyle (Slumdog Millionaire, 2008).

The above list can be expanded to twelve if you include Bernardo Bertolucci for Last Tango in Paris, which has a sizable amount of English dialogue, and Michel Hazanavicius’ French-made but Hollywood-set The Artist, which, with one brief exception, has no dialogue in any language.

During that same period (excepting 2011, as Oscar nominations will be announced only later this month), 21 directors of non-English-language films received Academy Award nominations. (Twenty-two if you include Bertolucci and Last Tango in Paris.)

Additionally, directors of English-language – but non-American – films tend to be better liked by Academy members as well. Examples (all British or part-British productions unless otherwise noted): Paul Greengrass (United 93), Atom Egoyan (The Sweet Hereafter, Canada), Peter Cattaneo (The Full Monty), Ken Russell (Women in Love), Jim Sheridan (My Left Foot and In the Name of the Father, U.K./Ireland), John Boorman (Hope and Glory), Chris Noonan (Babe, Australia), Peter Yates (The Dresser), Laurence Olivier (Hamlet), David Lean (Summertime), Hector Babenco (Kiss of the Spider Woman, Brazil), and Kenneth Branagh (Henry V), among others, were left out of the DGA shortlists but went on to receive Academy Award nominations.

Cult or “niche” faves like John Cassavetes (A Woman Under the Influence, 1974), David Lynch (Blue Velvet in 1986, Mulholland Dr. in 2001), Robert Altman (Short Cuts in 1993, Gosford Park in 2001), and Woody Allen (Interiors in 1978, Broadway Danny Rose in 1984, Bullets Over Broadway in 1994) are also better liked by the Academy’s Directors Branch (all of the aforementioned movies were nominated) than by the Directors Guild (none of the aforementioned movies was nominated).

The same can be said about controversial box office disappointments or modest performers like The Last Temptation of Christ (an Oscar nod for Martin Scorsese in 1988), The People vs. Larry Flynt (Milos Forman in 1996), Vera Drake (Mike Leigh in 2004), and The Reader (Stephen Daldry, 2008), none of which can be found on the DGA’s list of nominees.

On the other hand, DGA members are big fans of Steven Spielberg, who has garnered 10 nominations (versus six Best Director Oscar nods), including three wins (versus two Oscar wins).

That said, there have been a few instances when DGA members went for a less commercial name while the Academy’s Director’s branch opted for the big box office guy. The most egregious example is probably the Academy’s 1971 Best Director nod for Norman Jewison for his blockbuster musical Fiddler on the Roof, while the DGA nominated Robert Mulligan for his small-scale, coming-of-age romantic drama Summer of ’42.

In an even stranger twist, Directors Branch fave Woody Allen (six nominations, including one win) was somehow left out of the 1979 Oscar shortlist even though he did receive a DGA nod for Manhattan – regarded as one of his greatest films.

Since pre-1970 Directors Guild Award finalists often consisted of more than five directors, it was impossible to get an exact match for the DGA’s and the Academy’s lists of nominees. In the list below, the years before 1970 include DGA finalists (DGA) who didn’t receive an Academy Award nod and, if applicable, those Academy Award-nominated directors (AMPAS) not found in the – usually much lengthier – DGA list. The label “DGA/AMPAS” means the directors in question received nominations for both the DGA Award and the Academy Award.

The DGA Awards vs. Academy Awards list below goes from 1948 (the DGA Awards’ first year) to 1952. Follow-up posts will cover the ensuing decades. The number in parentheses next to “DGA” indicates that year’s number of DGA finalists if other than five.

It should be noted that for a number of years, the DGA/AMPAS eligibility periods didn’t exactly match. As a result, movies eligible for the DGA Awards one year would be eligible for the Oscars the next – or vice-versa.

For instance, Joseph L. Mankiewicz became the first DGA Award winner – for the year 1948 – for the drama A Letter to Three Wives, an early 1949 release that would earn him the Best Director Oscar for that year (at the 1950 Academy Awards ceremony). Also, Carol Reed’s The Third Man was shortlisted by the DGA in 1949, but its Oscar nomination came out in 1950. Additionally, José Ferrer won the 1950 Best Actor Oscar for Cyrano de Bergerac, which would earn director Michael Gordon a DGA Award nomination for the following year.

I should also note that Directors Guild members could vote for the Best Director Academy Award nominations until 1956. Discrepancies in the DGA/AMPAS nominations during that period, such as Oscar but not DGA nominations for John Huston (The African Queen and Moulin Rouge) and David Lean (Summertime), could be related to eligibility rules (all three previously mentioned titles, for instance, were either British or Anglo-American productions – though The Third Man was shortlisted by the DGA), screening availability (both Huston films were last-minute releases), or to different methods of tabulating votes. The Academy uses the notorious preferential voting system.

See list of DGA Awards vs. Academy Awards further below.

Catherine Zeta-Jones in Rob Marshall’s Chicago.

Since its inception in 1948, 51 out of 62 winners of the Directors Guild Award (DGA) have gone on to win a matching Best Director Academy Award (AMPAS). The eight exceptions are listed below.

In one of those instances, the same director/film won both awards but in different years. Joseph L. Mankiewicz won the 1948 DGA Award for A Letter to Three Wives, an early 1949 release. Eventually, Mankiewicz went on to win the 1949 Best Director Oscar for that film as well. (John Huston won the 1948 Best Director Academy Award for The Treasure of the Sierra Madre; Robert Rossen won the 1949 DGA Award for All the King’s Men, which also took home the Best Picture Oscar.)

It should be noted that to date Steven Spielberg (The Color Purple, 1985) and Ron Howard (Apollo 13, 1995) are the only two DGA Award winners who failed to receive a matching Best Director Oscar nomination.

In early 2003, something particularly curious took place. As usual, the DGA Award voters opted for the safe choice, Rob Marshall for the popular 2002 musical Chicago, which went on to win the Best Picture Oscar. Somewhat surprisingly, the Academy membership – well, at least enough of them to guarantee a victory – opted for a controversial choice: Roman Polanski, who couldn’t show up to accept his award because in the United States he was (and remains) a fugitive from the law.

1948

DGA
Joseph L. Mankiewicz – A Letter to Three Wives

AMPAS
John Huston – The Treasure of the Sierra Madre

1949

DGA
Robert Rossen – All the King’s Men

AMPAS
Joseph L. Mankiewicz – A Letter to Three Wives [see 1948]

1968

DGA
Anthony Harvey – The Lion in Winter

AMPAS
Carol Reed – Oliver!

1972

DGA
Francis Ford Coppola – The Godfather

AMPAS
Bob Fosse – Cabaret

1985

DGA
Steven Spielberg – The Color Purple

AMPAS
Sydney Pollack – Out of Africa [Spielberg wasn’t even nominated]

1995

DGA
Ron Howard – Apollo 13

AMPAS
Mel Gibson – Braveheart [Howard wasn’t even nominated]

2000

DGA
Ang Lee – Crouching Tiger, Hidden Dragon

AMPAS
Steven Soderbergh – Traffic

2002

DGA
Rob Marshall – Chicago

AMPAS
Roman Polanski – The Pianist

DGA Awards vs. Best Director Oscar nominations

1948

DGA (4)
Howard Hawks – Red River
Joseph L. Mankiewicz – A Letter to Three Wives* (see 1949 Oscar nominees)

AMPAS
John Huston – The Treasure of the Sierra Madre
Jean Negulesco – Johnny Belinda
Laurence Olivier – Hamlet

AMPAS/DGA
Anatole Litvak – The Snake Pit
Fred Zinnemann – The Search

* DGA Award eligibility extended into early 1949

1949

DGA (4)
Carol Reed – The Third Man* (see AMPAS 1950)
Mark Robson – Champion
Alfred L. Werker – Lost Boundaries

AMPAS
Joseph L. Mankiewicz – A Letter to Three Wives (see DGA 1948)
Carol Reed – The Fallen Idol
William A. Wellman – Battleground
William Wyler – The Heiress

AMPAS/DGA
Robert Rossen – All the King’s Men

* DGA Award eligibility extended into early 1950

1950

DGA (4)
Vincente Minnelli – Father’s Little Dividend

AMPAS
George Cukor – Born Yesterday
Carol Reed – The Third Man (see DGA 1949)

AMPAS/DGA
John Huston – The Asphalt Jungle
Joseph L. Mankiewicz – All About Eve
Billy Wilder – Sunset Blvd.

1951

DGA (12)
Laslo Benedek – Death of a Salesman
Michael Gordon – Cyrano de Bergerac
Alfred Hitchcock – Strangers on a Train
Henry King – David and Bathsheba
Mervyn LeRoy – Quo Vadis?
Anatole Litvak – Decision Before Dawn
George Sidney – Show Boat
Richard Thorpe – The Great Caruso

AMPAS
John Huston – The African Queen

DGA/AMPAS
Elia Kazan – A Streetcar Named Desire
Vincente Minnelli – An American in Paris
George Stevens – A Place in the Sun
William Wyler – Detective Story

1952

DGA (18)
Charles Crichton – The Lavender Hill Mob
George Cukor – Pat and Mike
Michael Curtiz – I’ll See You in My Dreams
Stanley Donen & Gene Kelly – Singin’ in the Rain
Hugo Fregonese – My Six Convicts
Howard Hawks – The Big Sky
Elia Kazan – Viva Zapata!
Henry King – The Snows of Kilimanjaro
Akira Kurosawa – Rashomon
Albert Lewin – Pandora and the Flying Dutchman
Vincente Minnelli – The Bad and the Beautiful
George Sidney – Scaramouche
Richard Thorpe – Ivanhoe
Charles Vidor – Hans Christian Andersen

AMPAS
John Huston – Moulin Rouge

DGA/AMPAS
Cecil B. DeMille – The Greatest Show on Earth
John Ford – The Quiet Man
Joseph L. Mankiewicz – 5 Fingers
Fred Zinnemann – High Noon

1953

DGA (12)
Melvin Frank & Norman Panama – Above and Beyond
Henry Koster – The Robe
Walter Lang – Call Me Madam
Joseph L. Mankiewicz – Julius Caesar
Daniel Mann – Come Back, Little Sheba
Jean Negulesco – Titanic
George Sidney – Young Bess

DGA/AMPAS
George Stevens – Shane
Charles Walters – Lili
Billy Wilder – Stalag 17
William Wyler – Roman Holiday
Fred Zinnemann – From Here to Eternity

1954

DGA (16)
George Cukor – A Star Is Born
Edward Dmytryk – The Caine Mutiny
Stanley Donen – Seven Brides for Seven Brothers
Melvin Frank & Norman Panama – Knock on Wood
Samuel Fuller – Hell and High Water
Henry King – King of Khyber Rifles
Alfred Hitchcock – Dial M for Murder
Anthony Mann – The Glenn Miller Story
Jean Negulesco – Three Coins in the Fountain
Don Siegel – Riot in Cell Block 11
Robert Wise – Executive Suite

DGA/AMPAS
Alfred Hitchcock – Rear Window
Elia Kazan – On the Waterfront
George Seaton – The Country Girl
William A. Wellman – The High and the Mighty
Billy Wilder – Sabrina

1955

DGA (12)
Richard Brooks – Blackboard Jungle
John Ford – The Long Gray Line
John Ford & Mervyn LeRoy – Mister Roberts
Henry Koster – A Man Called Peter
Daniel Mann – The Rose Tattoo
Mark Robson – The Bridges of Toko-Ri
Charles Vidor – Love Me or Leave Me
Billy Wilder – The Seven Year Itch

AMPAS
David Lean – Summertime

DGA/AMPAS
Elia Kazan – East of Eden
Joshua Logan – Picnic
Delbert Mann – Marty
John Sturges – Bad Day at Black Rock

1956

DGA (18)
John Ford – The Searchers
Alfred Hitchcock – The Man Who Knew Too Much
Alfred Hitchcock – The Trouble with Harry
John Huston – Moby Dick
Nunnally Johnson – The Man in the Gray Flannel Suit
Henry King – Carousel
Joshua Logan – Bus Stop
Daniel Mann – The Teahouse of the August Moon
Carol Reed – Trapeze
Robert Rossen – Alexander the Great
Roy Rowland – Meet Me in Las Vegas
George Sidney – The Eddy Duchin Story
Robert Wise – Somebody Up There Likes Me

DGA/AMPAS
Michael Anderson – Around the World in 80 Days
Walter Lang – The King and I
George Stevens – Giant
King Vidor – War and Peace
William Wyler – Friendly Persuasion

1957

DGA (17)
George Cukor – Les Girls
Stanley Donen – Funny Face
José Ferrer – The Great Man
John Huston – Heaven Knows, Mr. Allison
Elia Kazan – A Face in the Crowd
Stanley Kramer – The Pride and the Passion
Anthony Mann – Men in War
Leo McCarey – An Affair to Remember
Robert Mulligan – Fear Strikes Out
John Sturges – Gunfight at the O.K. Corral
Billy Wilder – Love in the Afternoon
Fred Zinnemann – A Hatful of Rain

DGA/AMPAS
David Lean – The Bridge on the River Kwai
Joshua Logan – Sayonara
Sidney Lumet – 12 Angry Men
Mark Robson – Peyton Place
Billy Wilder – Witness for the Prosecution

1958

DGA (14)
George Abbott & Stanley Donen – Damn Yankees!
Richard Brooks – The Brothers Karamazov
Delmer Daves – Cowboy
Edward Dmytryk – The Young Lions
Richard Fleischer – The Vikings
Alfred Hitchcock – Vertigo
Martin Ritt – The Long, Hot Summer
George Seaton – Teacher’s Pet
William Wyler – The Big Country

DGA/AMPAS
Richard Brooks – Cat on a Hot Tin Roof
Stanley Kramer – The Defiant Ones
Vincente Minnelli – Gigi
Mark Robson – The Inn of the Sixth Happiness
Robert Wise – I Want to Live!

1959

DGA (13)
Charles Barton – The Shaggy Dog
Frank Capra – A Hole in the Head
Richard Fleischer – Compulsion
John Ford – The Horse Soldiers
Howard Hawks – Rio Bravo
Alfred Hitchcock – North by Northwest
Leo McCarey – Rally ‘Round the Flag, Boys!
Otto Preminger – Anatomy of a Murder
Douglas Sirk – Imitation of Life

AMPAS
Jack Clayton – Room at the Top

DGA/AMPAS
George Stevens – The Diary of Anne Frank
Billy Wilder – Some Like It Hot
William Wyler – Ben-Hur
Fred Zinnemann – The Nun’s Story

1960

DGA (14)
Richard Brooks – Elmer Gantry
Vincent J. Donehue – Sunrise at Campobello
Lewis Gilbert – ink the Bismarck!
Walter Lang – Can-Can
Delbert Mann – The Dark at the Top of the Stairs
Vincente Minnelli – Bells Are Ringing
Vincente Minnelli – Home from the Hill
Carol Reed – Our Man in Havana
Alain Resnais – Hiroshima Mon Amour
Charles Walters – Please Don’t Eat the Daisies

AMPAS
Jules Dassin – Never on Sunday

DGA/AMPAS
Jack Cardiff – Sons and Lovers
Alfred Hitchcock – Psycho
Billy Wilder – The Apartment
Fred Zinnemann – The Sundowners

1961

DGA (21)
Marlon Brando – One-Eyed Jacks
Frank Capra – Pocketful of Miracles
Jack Clayton – The Innocents
Blake Edwards – Breakfast at Tiffany’s
Peter Glenville – Summer and Smoke
John Huston – The Misfits
Elia Kazan – Splendor in the Grass
Henry Koster – Flower Drum Song
Philip Leacock – Hand in Hand
Mervyn LeRoy – A Majority of One
Joshua Logan – Fanny
Anthony Mann – El Cid
Robert Mulligan – The Great Impostor
Daniel Petrie – A Raisin in the Sun
Robert Stevenson – The Absent Minded Professor
William Wyler – The Children’s Hour
Peter Ustinov – Romanoff and Juliet

AMPAS
Federico Fellini – La Dolce Vita

DGA/AMPAS
Stanley Kramer – Judgment at Nuremberg
Robert Rossen – The Hustler
J. Lee Thompson – The Guns of Navarone
Robert Wise & Jerome Robbins – West Side Story

1962

DGA (16)
Robert Aldrich – What Ever Happened to Baby Jane?
Ken Annakin, Andrew Marton & Bernhard Wicki – The Longest Day
Morton DaCosta – The Music Man
John Frankenheimer – Birdman of Alcatraz
John Frankenheimer – The Manchurian Candidate
John Huston – Freud
Stanley Kubrick – Lolita
Sidney Lumet – Long Day’s Journey Into Night
Lewis Milestone – Mutiny on the Bounty
Ralph Nelson – Requiem for a Heavyweight
Tony Richardson – A Taste of Honey
Peter Ustinov – Billy Budd

AMPAS
Frank Perry – David and Lisa

DGA/AMPAS
Pietro Germi – Divorce Italian Style / Divorzio all’italiana
David Lean – Lawrence of Arabia
Robert Mulligan – To Kill a Mockingbird
Arthur Penn – The Miracle Worker

1963

DGA
Ralph Nelson – Lilies of the Field

AMPAS
Otto Preminger – The Cardinal

DGA/AMPAS
Federico Fellini – 8½
Elia Kazan – America America
Tony Richardson – Tom Jones
Martin Ritt – Hud

1964

DGA
John Huston – The Night of the Iguana

AMPAS
Michael Cacoyannis – Zorba the Greek

DGA/AMPAS
George Cukor – My Fair Lady
Peter Glenville – Becket
Stanley Kubrick – Dr. Strangelove
Robert Stevenson – Mary Poppins

1965

DGA
Sidney J. Furie – The Ipcress File
Sidney Lumet – The Pawnbroker
Elliot Silverstein – Cat Ballou

AMPAS
David Lean – Doctor Zhivago
Hiroshi Teshigahara – Woman in the Dunes
William Wyler – The Collector

DGA/AMPAS
John Schlesinger – Darling
Robert Wise – The Sound of Music

1966

DGA (10)
John Frankenheimer – Grand Prix
Lewis Gilbert – Alfie
James Hill – Born Free
Norman Jewison – The Russians Are Coming the Russians Are Coming
Silvio Narizzano – Georgy Girl
Robert Wise – The Sand Pebbles

AMPAS
Michelangelo Antonioni – Blowup

DGA/AMPAS
Richard Brooks – The Professionals
Claude Lelouch – A Man and a Woman
Mike Nichols – Who’s Afraid of Virginia Woolf?
Fred Zinnemann – A Man for All Seasons

1967

DGA (10)
Robert Aldrich – The Dirty Dozen
James Clavell – To Sir, with Love
Stanley Donen – Two for the Road
Stuart Rosenberg – Cool Hand Luke
Joseph Strick – Ulysses

DGA/AMPAS
Richard Brooks – In Cold Blood
Norman Jewison – In the Heat of the Night
Stanley Kramer – Guess Who’s Coming to Dinner
Mike Nichols – The Graduate
Arthur Penn – Bonnie and Clyde

1968

DGA (10)
Paul Almond – Isabel
Jirí Menzel – Closely Watched Trains
Paul Newman – Rachel, Rachel
Roman Polanski – Rosemary’s Baby
Gene Saks – The Odd Couple
William Wyler – Funny Girl

AMPAS
Gillo Pontecorvo – The Battle of Algiers

DGA/AMPAS
Anthony Harvey – The Lion in Winter
Stanley Kubrick – 2001: A Space Odyssey
Carol Reed – Oliver!
Franco Zeffirelli – Romeo and Juliet

1969

DGA (10)
Richard Attenborough – Oh! What a Lovely War
Dennis Hopper – Easy Rider
Gene Kelly – Hello, Dolly!
Sam Peckinpah – The Wild Bunch
Larry Peerce – Goodbye, Columbus
Haskell Wexler – Medium Cool

AMPAS
Arthur Penn – Alice’s Restaurant

DGA/AMPAS
Costa-Gavras – Z
George Roy Hill – Butch Cassidy and the Sundance Kid
Sydney Pollack – They Shoot Horses, Don’t They?
John Schlesinger – Midnight Cowboy

1970

DGA
David Lean – Ryan’s Daughter
Bob Rafelson – Five Easy Pieces

AMPAS
Federico Fellini – Fellini Satyricon
Ken Russell – Women in Love

DGA/AMPAS
Robert Altman – M*A*S*H
Arthur Hiller – Love Story
Franklin J. Schaffner – Patton

1971

DGA
Robert Mulligan – Summer of ’42

AMPAS
Norman Jewison – Fiddler on the Roof

DGA/AMPAS
Peter Bogdanovich – The Last Picture Show
William Friedkin – The French Connection
Stanley Kubrick – A Clockwork Orange
John Schlesinger – Sunday Bloody Sunday

1972

DGA
George Roy Hill – Slaughterhouse-Five
Martin Ritt – Sounder

AMPAS
Joseph L. Mankiewicz – Sleuth
Jan Troell – The Emigrants

DGA/AMPAS
John Boorman – Deliverance
Francis Ford Coppola – The Godfather
Bob Fosse – Cabaret

1973

DGA
Sidney Lumet – Serpico

AMPAS
Ingmar Bergman – Cries and Whispers

DGA/AMPAS
Bernardo Bertolucci – Last Tango in Paris
William Friedkin – The Exorcist
George Roy Hill – The Sting
George Lucas – American Graffiti

1974

DGA
Sidney Lumet, Murder on the Orient Express
Francis Ford Coppola, The Conversation

AMPAS
John Cassavetes, A Woman Under the Influence
François Truffaut, Day for Night

DGA/AMPAS
Francis Ford Coppola, The Godfather Part II
Bob Fosse, Lenny
Roman Polanski, Chinatown

1975

DGA
Steven Spielberg, Jaws

AMPAS
Federico Fellini, Amarcord

DGA/AMPAS
Milos Forman, One Flew Over the Cuckoo’s Nest
Robert Altman, Nashville
Stanley Kubrick, Barry Lyndon
Sidney Lumet, Dog Day Afternoon

1976

DGA
Martin Scorsese, Taxi Driver

AMPAS
Ingmar Bergman, Face to Face

DGA/AMPAS
John G. Avildsen, Rocky
Sidney Lumet, Network
Alan J. Pakula, All the President’s Men
Lina Wertmüller, Seven Beauties

1977

DGA/AMPAS
Woody Allen – Annie Hall
George Lucas – Star Wars
Herbert Ross – The Turning Point
Steven Spielberg – Close Encounters of the Third Kind
Fred Zinnemann – Julia

1978

DGA
Paul Mazursky – An Unmarried Woman

AMPAS
Woody Allen – Interiors

DGA/AMPAS
Hal Ashby – Coming Home
Warren Beatty & Buck Henry – Heaven Can Wait
Michael Cimino – The Deer Hunter
Alan Parker – Midnight Express

1979

DGA
Woody Allen – Manhattan
James Bridges – The China Syndrome

AMPAS
Bob Fosse – All That Jazz
Édouard Molinaro – La Cage aux Folles

DGA/AMPAS
Robert Benton – Kramer vs. Kramer
Francis Ford Coppola – Apocalypse Now
Peter Yates – Breaking Away

1980

DGA
Michael Apted – Coal Miner’s Daughter

AMPAS
Roman Polanski – Tess

DGA/AMPAS
David Lynch – The Elephant Man
Robert Redford – Ordinary People
Richard Rush – The Stunt Man
Martin Scorsese – Raging Bull

1981

DGA/AMPAS
Warren Beatty – Reds
Hugh Hudson – Chariots of Fire
Louis Malle – Atlantic City
Mark Rydell – On Golden Pond
Steven Spielberg – Raiders of the Lost Ark

1982

DGA
Taylor Hackford – An Officer and a Gentleman

AMPAS
Sidney Lumet – The Verdict

DGA/AMPAS
Richard Attenborough – Gandhi
Wolfgang Petersen – Das Boot
Sydney Pollack – Tootsie
Steven Spielberg – E.T. the Extra-Terrestrial

1983

DGA
Lawrence Kasdan, The Big Chill
Philip Kaufman, The Right Stuff

AMPAS
Mike Nichols, Silkwood
Peter Yates, The Dresser

DGA/AMPAS
James L. Brooks, Terms of Endearment
Bruce Beresford, Tender Mercies
Ingmar Bergman, Fanny and Alexander

1984

DGA
Norman Jewison, A Soldier’s Story

AMPAS
Woody Allen, Broadway Danny Rose

DGA/AMPAS
Milos Forman, Amadeus
Robert Benton, Places in the Heart
Roland Joffé, The Killing Fields
David Lean, A Passage to India

1985

DGA
Steven Spielberg, The Color Purple
Ron Howard, Cocoon

AMPAS
Akira Kurosawa, Ran
Hector Babenco, Kiss of the Spider Woman

DGA/AMPAS
Sydney Pollack, Out of Africa
John Huston, Prizzi’s Honor
Peter Weir, Witness

1986

DGA
Randa Haines, Children of a Lesser God
Rob Reiner, Stand By Me

AMPAS
Roland Joffé, The Mission
David Lynch, Blue Velvet

DGA/AMPAS
Oliver Stone, Platoon
Woody Allen, Hannah and Her Sisters
James Ivory, A Room with a View

1987

DGA
James L. Brooks, Broadcast News
Steven Spielberg, Empire of the Sun

AMPAS
Norman Jewison, Moonstruck
John Boorman, Hope and Glory

DGA/AMPAS
Bernardo Bertolucci, The Last Emperor
Lasse Hallström, My Life as a Dog
Adrian Lyne, Fatal Attraction

1988

DGA
Robert Zemeckis, Who Framed Roger Rabbit

AMPAS
Martin Scorsese, The Last Temptation of Christ

DGA/AMPAS
Barry Levinson, Rain Man
Charles Crichton, A Fish Called Wanda
Mike Nichols, Working Girl
Alan Parker, Mississippi Burning

1989

DGA
Phil Alden Robinson, Field of Dreams
Rob Reiner, When Harry Met Sally…

AMPAS
Kenneth Branagh, Henry V
Jim Sheridan, My Left Foot

DGA/AMPAS
Oliver Stone, Born on the Fourth of July
Woody Allen, Crimes and Misdemeanors
Peter Weir, Dead Poets Society

1990

DGA
Barry Levinson, Avalon
Giuseppe Tornatore, Cinema Paradiso [the 1988 Best Foreign Language Film Oscar winner; ineligible for the 1990 Academy Awards]

AMPAS
Stephen Frears, The Grifters
Barbet Schroeder, Reversal of Fortune

DGA/AMPAS
Kevin Costner, Dances with Wolves
Francis Ford Coppola, The Godfather Part III
Martin Scorsese, Goodfellas

1991

DGA
Barbra Streisand – The Prince of Tides

AMPAS
John Singleton – Boyz n the Hood

DGA/AMPAS
Jonathan Demme – The Silence of the Lambs
Barry Levinson – Bugsy
Ridley Scott – Thelma & Louise
Oliver Stone – JFK

1992

DGA
Rob Reiner – A Few Good Men

AMPAS
Martin Brest – Scent of a Woman

DGA/AMPAS
Robert Altman – The Player
Clint Eastwood – Unforgiven
James Ivory – Howards End
Neil Jordan – The Crying Game

1993

DGA
Martin Scorsese, The Age of Innocence
Andrew Davis, The Fugitive

AMPAS
Jim Sheridan, In the Name of the Father
Robert Altman, Short Cuts

DGA/AMPAS
Steven Spielberg, Schindler’s List
Jane Campion, The Piano
James Ivory, The Remains of the Day

1994

DGA
Mike Newell, Four Weddings and a Funeral
Frank Darabont, The Shawshank Redemption

AMPAS
Woody Allen, Bullets Over Broadway
Krzysztof Kieslowski, Three Colors: Red

DGA/AMPAS
Robert Zemeckis, Forrest Gump
Robert Redford, Quiz Show
Quentin Tarantino, Pulp Fiction

1995

DGA
Ron Howard, Apollo 13
Ang Lee, Sense and Sensibility

AMPAS
Chris Noonan, Babe
Tim Robbins, Dead Man Walking

DGA/AMPAS
Mel Gibson, Braveheart
Mike Figgis, Leaving Las Vegas
Michael Radford, Il Postino

1996

DGA
Cameron Crowe – Jerry Maguire

AMPAS
Milos Forman – The People vs. Larry Flynt

DGA/AMPAS
Joel Coen – Fargo
Scott Hicks – Shine
Mike Leigh – Secrets & Lies
Anthony Minghella – The English Patient

1997

DGA
James L. Brooks – As Good as It Gets
Steven Spielberg – Amistad

AMPAS
Peter Cattaneo – The Full Monty
Atom Egoyan – The Sweet Hereafter

DGA/AMPAS
James Cameron – Titanic
Curtis Hanson – L.A. Confidential
Gus Van Sant – Good Will Hunting

1998

DGA/AMPAS
Roberto Benigni – Life Is Beautiful
John Madden – Shakespeare in Love
Terrence Malick – The Thin Red Line
Steven Spielberg – Saving Private Ryan
Peter Weir – The Truman Show

1999

DGA
Frank Darabont – The Green Mile

AMPAS
Lasse Hallström – The Cider House Rules

DGA/AMPAS
Spike Jonze – Being John Malkovich
Michael Mann – The Insider
Sam Mendes – American Beauty
M. Night Shyamalan – The Sixth Sense

2000

DGA
Cameron Crowe – Almost Famous

AMPAS
Stephen Daldry – Billy Elliot

DGA/AMPAS
Ang Lee – Crouching Tiger, Hidden Dragon
Ridley Scott – Gladiator
Steven Soderbergh – Erin Brockovich
Steven Soderbergh – Traffic

2001

DGA
Baz Luhrmann – Moulin Rouge!
Christopher Nolan – Memento

AMPAS
Robert Altman – Gosford Park
David Lynch – Mulholland Dr.

DGA/AMPAS
Ron Howard – A Beautiful Mind
Peter Jackson – The Lord of the Rings: The Fellowship of the Ring
Ridley Scott – Black Hawk Down

2002

DGA
Peter Jackson – The Lord of the Rings: The Two Towers

AMPAS
Pedro Almodóvar – Talk to Her / Hable con ella

DGA/AMPAS
Stephen Daldry – The Hours
Rob Marshall – Chicago
Roman Polanski – The Pianist
Martin Scorsese – Gangs of New York

2003

DGA
Gary Ross – Seabiscuit

AMPAS
Fernando Meirelles – City of God

DGA/AMPAS
Sofia Coppola – Lost in Translation
Clint Eastwood – Mystic River
Peter Jackson – The Lord of the Rings: The Return of the King
Peter Weir – Master and Commander: The Far Side of the World

2004

DGA
Marc Forster – Finding Neverland

AMPAS
Mike Leigh – Vera Drake

DGA/AMPAS
Clint Eastwood – Million Dollar Baby
Taylor Hackford – Ray
Alexander Payne – Sideways
Martin Scorsese – The Aviator

2005

DGA/AMPAS
George Clooney – Good Night, and Good Luck.
Paul Haggis – Crash
Ang Lee – Brokeback Mountain
Bennett Miller – Capote
Steven Spielberg – Munich

2006

DGA
Bill Condon – Dreamgirls
Jonathan Dayton & Valerie Faris – Little Miss Sunshine

AMPAS
Clint Eastwood – Letters from Iwo Jima
Paul Greengrass – United 93

DGA/AMPAS
Stephen Frears – The Queen
Alejandro González Iñárritu – Babel
Martin Scorsese – The Departed

2007

DGA
Sean Penn – Into the Wild

AMPAS
Jason Reitman – Juno

DGA/AMPAS
Paul Thomas Anderson – There Will Be Blood
Joel & Ethan Coen – No Country for Old Men
Tony Gilroy – Michael Clayton
Julian Schnabel – The Diving Bell and the Butterfly

2008

DGA
Christopher Nolan – The Dark Knight

AMPAS
Stephen Daldry – The Reader

DGA/AMPAS
Danny Boyle – Slumdog Millionaire
David Fincher – The Curious Case of Benjamin Button
Ron Howard – Frost/Nixon
Gus Van Sant – Milk

2009

DGA/AMPAS
Kathryn Bigelow – The Hurt Locker
James Cameron – Avatar
Lee Daniels – Precious
Jason Reitman – Up in the Air
Quentin Tarantino – Inglourious Basterds

2010

DGA
Christopher Nolan – Inception

AMPAS
Joel & Ethan Coen – True Grit

DGA/AMPAS
Darren Aronofsky – Black Swan
David Fincher – The Social Network
Tom Hooper – The King’s Speech
David O. Russell – The Fighter

2011

DGA
David Fincher – The Girl with the Dragon Tattoo

AMPAS
Terrence Malick – The Tree of Life

DGA/AMPAS
Woody Allen – Midnight in Paris
Michel Hazanavicius – The Artist
Alexander Payne – The Descendants
Martin Scorsese – Hugo

2012

DGA
Ben Affleck – Argo
Kathryn Bigelow – Zero Dark Thirty
Tom Hooper – Les Misérables
Ang Lee – Life of Pi
Steven Spielberg – Lincoln

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“DGA Awards vs. Best Director Oscar: Academy More Daring” notes

Ralph Fiennes The Reader image: The Weinstein Co.