Silent Film Actress Anita Page Turns 98: Starred in First Talking Best Picture Academy Award Winner

by Andre Soares

Silent film actress Anita Page turns 98: Featured in first all-talking Best Picture Academy Award winner

Author Allan Ellenberger, currently working on a biography of Miriam Hopkins (Best Actress Academy Award nominee for Becky Sharp), pays tribute to Anita Page, The Last Surviving Silent Film Star. Page, among whose leading men were William Haines, Ramon Novarro, John Gilbert, Buster Keaton, and Lon Chaney, turned 98 two days ago, August 4, 2008. (Image: Anita Page ca. 1930.)

Anita Page is also historically important for being one of the stars – alongside Bessie Love and Charles King – of the first talkie to win a Best Picture Academy Award: Harry Beaumont's 1929 MGM musical The Broadway Melody, billed as an all-talking, all-singing, all-dancing event.

In Allan's article, which includes quotes from those present at Anita Page's 83rd birthday bash, he talks about being “invited to join her family, friends and former co-stars at what was then called the St. James Hotel, on the renowned Sunset Strip. Once known as the Sunset Towers, it was at one time the home to countless Hollywood stars and executives, including Anita's first husband, composer Nacio Herb Brown, who lived in the penthouse.”

The guest list that evening included the likes of Cesar Romero, Milton Berle, Hugh Hefner, Margaret O'Brien, Betty Garrett, and Mel Torme.

Anita Page movies

Though creaky and cliched, The Broadway Melody remains the only “prestige” Anita Page movie. Her other films were “programmers” – neither A nor B films that studios regularly cranked out so as to keep their contract players busy.

The most important of those are the trio of movies in which Anita Page was featured opposite Joan Crawford: Our Dancing Daughters (1928), Our Modern Maidens (1929), and Our Blushing Brides (1930). As a result of the success of the first entry, Crawford became a top MGM star; Anita Page, however, remained stuck in “leading lady” roles – in her particular case, innocuous parts that allowed her to look pretty while taking a back seat to her leading men.

Here are a few titles: While the City Sleeps (1928), with Lon Chaney; The Flying Fleet (1929), with Ramon Novarro; Speedway (1929) and Navy Blues (1929), with William Haines; Free and Easy (1930), with Buster Keaton; Gentleman's Fate (1931), with John Gilbert; the Constance Bennett star vehicle The Easiest Way (1931), in which Page, by then reduced to secondary roles, is featured opposite newcomer Clark Gable; and, once again in a supporting part, the popular low-brow comedy Reducing (1931), starring Marie Dressler and Polly Moran.

Anita Page publicity shot: Metro-Goldwyn-Mayer.

You may also like

Leave a Comment

IMPORTANT: By using this form you agree with the storage and handling of your data by Alt Film Guide. Also, *thoughtfulness* and *at least a modicum of sanity* are imperative. Abusive/bigoted, trollish/inflammatory, baseless (spreading misinformation, whether intentionally or not), spammy, and/or just plain deranged comments will be zapped. And finally, links found in submitted comments will generally be deleted.

1 comment

Barbara Effros -

Just discovered your blog - wow! Am a fan of early silent movies and researching the music of the
the 20's and 30's. My Grandfather, Bob Effros played trumpet in early films and cartoons. When I was young met the awesome Anita Page.

I wanted to post here to thank you for all of your marvelous content. Will read much more!

Reply

This website uses cookies to improve your experience. If you continue browsing, that means you've accepted our Terms of Use/use of cookies. You may also click on the Accept button on the right to make this notice disappear. Accept Read More