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Avengers: Age of Ultron (2015) Movie Review: Marvel Universe Formula Getting Stale

Avengers: Age of Ultron Chris EvansAvengers: Age of Ultron movie with Chris Evans as Captain America. Avengers: Age of Ultron ultimately grossed $1.4 billion worldwide, with the international market more than doubling its domestic take.
  • Avengers: Age of Ultron (2015) movie review: The latest Marvel Cinematic Universe actioner works well enough as a “stand alone” entry; even so, the super-successful superhero franchise is beginning to feel stale.

Avengers: Age of Ultron movie review: The Marvel Cinematic Universe offers more of the same in this inevitable all-superhero sequel to their 2012 hit

Someday somebody is going to make a superhero tentpole movie that doesn’t involve the fate of the world or lay waste to vast chunks of God’s green earth. Writer-director Joss Whedon, he of the numbingly gargantuan action sequence, is not that somebody. And yet it would be unrealistic to blame him for not following up 2012’s The Avengers – the third highest-grossing film ever made (not factoring in inflation) – with My Dinner with Thor. It would also be a shame.

Whedon, by any fair accounting, marshaled enormous reserves of wit and flair to slam-dunk the first film, a mighty achievement considering he needed to establish the Avengers series as the all-important sun around which an entire solar system of individual comic book properties would revolve.

For the inevitable round two, Avengers: Age of Ultron, he gives us more of the same because something different is not worth the risk, especially when things worked out pretty okay the first time.

Spinning plates

But even if you can’t fault Joss Whedon, by the umpteenth energy blast and perfectly crafted witticism hurled during Age of Ultron’s 141 minutes, the law of diminishing returns begins casting its shadow and our minds fill with random questions like:

  • Why, for the second straight Avengers film, does the climactic battle include hundreds of evil, flying robots?
  • How many of Robert Downey Jr.’s one-liners were ad-libbed?
  • And, most pressingly, will there ever come a time when the Marvel Cinematic Universe becomes so bloated with product that we just tune out?

The answer to the last question is presumably, “Someday, yes.” Until then, we have Avengers: Age of Ultron, which, if nothing else, is a testament to Whedon’s ability to keep so many plates spinning.

In a tightly constructed script that speeds along with confidence and precision, there is nary a wasted utterance, each carefully engineered line of dialogue crafted to fill in backstory, provide motivation, elicit a chuckle, introduce a new character, name-drop an old character, or advance the plot.

Murky stew

That plot, sad to say, is a bit of a murky stew.

Our heroes span the globe trying to find the next someone or something, somewhere and somehow. So you may want to take notes, starting at the top, as Iron Man (Robert Downey Jr.), Captain America (Chris Evans), Hawkeye (Jeremy Renner), Thor (Chris Hemsworth), Black Widow (Scarlett Johansson), and The Hulk (Mark Ruffalo), lay siege to HYDRA’s Eastern European headquarters. Inside is a powerful scepter whose previous owner was Thor’s deliciously mischievous brother, Loki.

Loki himself is nowhere to be found in Avengers: Age of Ultron, a villainous void filled, to mail-order success, by the movie’s title robot (voiced with honey-thick, pithy annoyance by James Spader).

The accidental creation of the group’s billionaire narcissist, Tony Stark, Ultron’s motives for world destruction and penchant for Stark-like snark is Whedon at his most autopilot. He’s just another computer-generated bad guy whose primary responsibility is to put the Avengers through their paces before being spectacularly vanquished, a fate that can never befall our heroes when they’re contractually obligated to stick around for Captain America: Civil War and the two-part Avengers: Infinity Wars, which will keep the CGI flying and the money flowing through 2019.

Avengers: Age of Ultron Aaron Taylor-Johnson Elizabeth OlsenAvengers: Age of Ultron with Aaron Taylor-Johnson as Pietro Maximoff, a.k.a. Quicksilver, and Elizabeth Olsen as Wanda Maximoff, a.k.a. The Scarlet Witch.

Wide but shallow ideas

As the current caretaker of the series (soon to be replaced by Anthony and Joe Russo, architects of the legitimately good Captain America: The Winter Soldier), Whedon is a writer and director whose pool of ideas is unquestionably wide yet also shallow. He’s less a thinker than a teaser, throwing out an inexhaustible amount of ticklish ideas and tasty images that thrill from moment to moment then disappear from memory.

What the Russo brothers were up to by infusing The Winter Soldier with its ’70s-evoking, conspiratorial mistrust of government is beyond what Whedon is capable of here. His version, some mishegoss from Ultron about destroying mankind in order to save it, is about as thin as the paper the Avengers comics are printed on.

The same can be said for Whedon’s stab at character-deepening backstory, a promising development with too little follow-through.

Character development – sort of

One of the film’s new characters is Russian beauty Wanda Maximoff (Elizabeth Olsen), who has the ability to instill nightmares in the minds of her victims that dredge up their deepest fears. A mere touch to the head and Black Widow relives her childhood training as an assassin and Captain America shares a dance with former flame Peggy Carter (Hayley Atwell) at the V-Day celebration he never got to attend.

Wanda and her speed demon brother Pietro (Aaron Taylor-Johnson) especially have it in for Stark, the former military weapons manufacturer they hold responsible for the death of their parents.

The memorable moments from Avengers: Age of Ultron acknowledge that we’re a dozen deep in Marvel movies, so buying a ticket to the next in line will seem less of a cultural obligation if we care about the characters. In a clever second-act surprise, the Avengers go into hiding, but instead of hunkering down in a secret high-tech lab, they pull up a chair on Hawkeye’s farm, which includes a wife and children.

Whedon also slows down for some romance although it’s not entirely clear why Black Widow would be interested in the Hulk’s bespectacled alter ego, Bruce Banner (Mark Ruffalo, representing what little heart and melancholy the series can muster).

And in a particularly Whedon-esque poke at the male ego, Stark, Hawkeye, and a cameoing James “Rhodey” Rhodes (Don Cheadle) take turns trying to lift Thor’s hammer. (Note: Not as dirty as it sounds.)

Clobbering audiences

Elsewhere, to quote a Marvel creation who has been poorly treated on the big screen, “it’s clobbering time” – with the audience the ones getting clobbered.

Yes, Joss Whedon might find the coolest angle to shoot a kick or a punch, and he might provide Tony Stark with the wittiest post-fight bon mot, and he might have fanboys salivating as the Hulk and a ridiculous-looking, bulked-up Iron Man pummel each other through Johannesburg. But at no point is there a melee that takes place anywhere unique or surprising.

The big action finale, as thrilling as it is rote (right down to the crying little boy who needs a heroic, last-second save) is most notable for introducing The Vision (Paul Bettany), a floating, red-skinned something-or-other who at least adds some spice to an otherwise pro forma fade out.

Removed from its place in the impressive and downright historic Marvel Cinematic Universe, Avengers: Age of Ultron is a marvelous machine, filled with wit, energy, and good old-fashioned fun. If it had been the first Avengers movie, we’d be screaming for a sequel.

But the Avengers series isn’t intended solely to stand on its own. It’s a mothership made to spew out characters and storylines that, we’re now officially starting to worry, threaten to feel same old, same old. In that respect, the Avengers films play a great short game, but their long game is starting to wear thin.

Avengers: Age of Ultron (2015) cast & crew

Director: Joss Whedon.

Screenplay: Joss Whedon.
Based on characters created by Stan Lee & Jack Kirby.

Cast: Chris Evans, Chris Hemsworth, Mark Ruffalo, Jeremy Renner, Scarlett Johansson, Robert Downey Jr., Aaron Taylor-Johnson, Elizabeth Olsen, James Spader, Andy Serkis, Don Cheadle, Cobie Smulders, Hayley Atwell, Idris Elba, Anthony Mackie, Claudia Kim, Stellan Skarsgård, Thomas Kretschmann, Julie Delpy, Linda Cardellini, Samuel L. Jackson, Brian Schaeffer.
Cameos: Paul Bettany, Josh Brolin, Stan Lee.
Voice: Lou Ferrigno.

Cinematography: Ben Davis.

Film Editing: Jeffrey Ford & Lisa Lassek.

Music: Danny Elfman & Brian Tyler.

Production Design: Charles Wood.

Producer: Kevin Feige.

Production Companies: Marvel Studios | Walt Disney Pictures.

Distributor: Walt Disney Studios Motion Pictures.

Running Time: 141 min.

Country: United States.


Avengers: Age of Ultron (2015) Movie Review” endnotes

Avengers: Age of Ultron worldwide box office figure via boxofficemojo.com.

A semi-finalist for the Best Visual Effects Academy Award, Avengers: Age of Ultron failed to be shortlisted in any Oscar category.

Avengers: Age of Ultron movie credits via the British Film Institute (BFI) website.

Chris Evans, Aaron Taylor-Johnson, and Elizabeth Olsen Avengers: Age of Ultron movie images: Jay Maidment | Marvel Studios | Walt Disney Studios.

Avengers: Age of Ultron (2015) Movie Review: Marvel Universe Formula Getting Stale” last updated in September 2022.

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1 comment

rosie1843 -

The Marvel Cinematic Universe (MCU) began wearing thin with Season Two of “AGENTS OF S.H.I.E.L.D.”. And it is wearing slightly thinner with this second “AVENGERS” film. All courtesy of Joss Whedon and his production team.

I don’t like Season Two of “AGENTS OF S.H.I.E.L.D.”. But I did like this film, despite its flaws. But let’s face it . . . the magic is beginning to wear off. And the fact that we have to look forward to four or five more years of this is a little daunting.

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