Box Office: 1947 Is Banner Domestic Year & 2009 Sets International Record ‘Harry Potter’ No. 1 Worldwide

Hooray for Hollywood: Box office records broken internationally

(See previous post: “Box Office Records: Manufactured or Real?”) Jan. 2 update: A total of $10.7 billion. That’s the 2009 international box office gross of Hollywood’s six major studios according to early estimates published in The Hollywood Reporter. That’s also an all-time record and an increase of 7 percent from 2008.

Tellingly, only three of 2009’s Top Ten domestic grossers – The Hangover, Star Trek, and Monsters vs. Aliens – earned more money in the U.S. and Canada than internationally.

Worldwide, the biggest box office hit of 2009 was Warner Bros.’ Harry Potter and the Half-Blood Prince, which took in $929.4 million. More than two-thirds of that amount ($627.4 million) came from outside the U.S. and Canada. Directed by David Yates, Harry Potter and the Half-Blood Prince toplines Daniel Radcliffe, Rupert Grint, and Emma Watson.

In second place was 20th Century Fox’s animated Ice Age: Dawn of the Dinosaurs, with $887.6 million. Of this total, $691 million (77.9 percent) – more than any other 2009 release – came courtesy of the international market.

In third, Michael Bay’s Transformers: Revenge of the Fallen raked in $835 million; $432.9 million (51.8 percent) internationally. In the cast: Megan Fox, Shia LaBeouf, and Josh Duhamel.

James Cameron’s Avatar – which opened near the end of the year – came in fourth, with $760 million (not including the last few days in December); $476.2 million (62.7 percent) internationally.

China’s biggest box office hit ever

Roland Emmerich’s 2012 was no. 5 with $734 million – $572.8 million, or 78 percent, internationally, where the disaster flick became China’s biggest box office hit ever. In the cast: John Cusack, Amanda Peet, Chiwetel Ejiofor, and Thandie Newton.

Rounding out 2009’s Top Ten Worldwide:

• Pete Docter’s Up with $683 million ($390 million, or 57.1 percent, internationally). The voice cast includes Edward Asner and Christopher Plummer.
• The (non-major) Summit Entertainment release The Twilight Saga: New Moon with $665.4 million ($381.5 million, or 57.3 percent, internationally).
• The Ron Howard-Tom Hanks collaboration Angels & Demons, with $485.9 million ($352.6 million, or 72.6 percent, internationally).

• Todd Phillips’ The Hangover with $459.4 million ($182.1 million, or 39.6 percent, internationally). In the cast: Bradley Cooper, Zach Galifianakis, Ed Helms, and Justin Bartha.
• The Ben Stiller flick Night at the Museum: Battle of the Smithsonian, with $412.7 million ($235.4 million, or 57.1 percent, internationally).

Hollywood majors boosted by foreign markets

Looking at these numbers, it’s obvious that the major U.S. studios currently earn most of their money overseas – at least at the box office.

Among the Top Ten worldwide 2009 releases, the only one that made more money domestically than abroad was Todd Phillips’ comedy The Hangover. Even then, nearly 40 percent of its grosses originated outside the U.S. and Canada.

That’s why one shouldn’t underestimate the importance of the international market when it comes to what movies get produced and/or distributed by U.S. studios.

For instance, with the exception of The Twilight Saga: New Moon, in which Kristen Stewart plays the central role, and perhaps Ice Age: Dawn of the Dinosaurs (no actual humans), last year’s biggest worldwide blockbusters were all focused on male characters (whether live or animated). And as to be expected, action and special effects were most everywhere on screen.

Now, no matter how remarkable these record-breaking figures, they should be placed in context. For starters, the U.S. dollar has lost quite a bit of its value in a number of key movie markets, which means larger dollar amounts after the conversion of local currencies.

Also, the Hollywood studios won’t see all those billions pouring into their coffers, as local distributors, exhibitors, and governments will grab a sizable chunk of the grosses.

Cinema life elsewhere: Local box office hits

If you live in the U.S. and/or read only American publications, it’ll be hard to believe that there are lots of people making movies outside of both Hollywood and the United States. Even so, these movies do get made and some of them are very successful.

Via boxofficemojo.com, here is a list of a few key box office countries and their biggest local hits of the past year:

• Brazil: If I Were You 2, $32 million.
• China: The Founding of a Republic, $60.7 million.
• France*: Le Petit Nicolas, $48.3 million.
• Germany: Vicky the Viking, $13.55 million.
• India: Love Aaj Kal, $16.19 million.
• Italy: Christmas in Beverly Hills, $29.91 million.
• Japan: Rookies: Sotsugyô, $87.99 million.
• Mexico: Another Chicken Movie, $8.58 million.
• Russia/CIS: Dark Planet, $21.83 million.
• South Korea: Tidal Wave, $67.98 million.
• Spain: Agora, $30.2 million.
• Sweden: The Girl with the Dragon Tattoo, $16.37 million domestically; approx. $95 million worldwide.
• United Kingdom (not including Warner Bros.’ British-based Harry Potter and the Half-Blood Prince): Slumdog Millionaire, $52.21 million.

* Includes former colonies Algeria, Tunisia, and Morocco, in addition to tiny Monaco.

Australia wasn’t included on the list above because its 2009 box office chart was wholly dominated by U.S. products.

Avatar trailer features one single “name” star: James Cameron (and his movies). Actors – including three-time Oscar nominee Sigourney Weaver – are seen and heard, but their names go unmentioned. On-screen stars or no, Avatar has bounced back to the top of the chart this Christmas weekend, as more box office records have been broken.

‘Avatar’ bounces back to the top as Christmas weekend breaks box office records

Dec. 28 update: After falling behind Guy Ritchie’s Sherlock Holmes on Christmas Day (and after falling behind Alvin and the Chipmunks: The Squeakquel on Wednesday), Avatar ended up victorious at the Christmas weekend box office as per figures found at Box Office Mojo.

Avatar earned pretty much exactly what had been expected: $75.6 million. Its total domestic take currently stand at $212.7 million.

Chiefly thanks to Avatar, Sherlock Holmes’ $65.4 million and Alvin and the Chipmunks: The Squeakel‘s $50.2 million – and let’s not ignore Meryl Streep’s It’s Complicated with $22.5 million in fourth place – the 2009 Christmas weekend reached nearly $260 million at the domestic box office. An official record.

According to Box Office Mojo’s chart, the previous record-holder was the July 18–20 ’08 weekend – with $253.5 million – when The Dark Knight led the pack with $158.4 million.

In third place is the The Twilight Saga: New Moon opening weekend (Nov. 20–22 ’09), when the second Twilight installment brought in $142.8 million, helping the weekend total reach $250 million.

The runners-up were the weekends topped by two Johnny Depp star vehicles: Pirates of the Caribbean: Dead Men’s Chest and Pirates of the Caribbean: At World’s End in, respectively, July 2006 and May 2007.

More box office records – but ‘Avatar’ not involved

Dec. 27 update: James Cameron’s Avatar was the no. 2 movie at the domestic box office on Christmas Day, trailing Guy Ritchie’s Sherlock Holmes. Christmas figures were highly impressive: Sherlock Holmes took in $24.8 million, while Avatar (with higher ticket prices, but fewer venues) grossed $23.5 million.

Sherlock Holmes has thus shattered Christmas Day box office records. The previous record-holder was the Jennifer Aniston-Owen Wilson sentimental crowd-pleaser Marley & Me, which raked in $14.5 million last year.

The fact that this year’s Christmas fell on a Friday, a typical movie-going day, seems to have given a boost to the box office.

When box office records aren’t really record-setting

Dec. 26: Earlier this week, it was announced with much fanfare that despite these painful economic times the movie business is having a record year, with more than $10.6 billion earned at the domestic box office in 2009.

Outside the U.S. and Canada, the box office gross reached $15 billion, up about 5 percent from 2008, though that figure can be partly explained by the U.S. dollar’s dramatic tumble in a number of major film markets.

As found in the New York Times, domestic attendance figures for 2009 are the highest in five years, with 1.42 billion tickets sold in the United States and Canada at an average price of $7.46.

Now, although the $10 billion earned domestically would be an impressive figure for a number of U.S. industries (definitely not for military contractors), it’s an official box office record only because ticket prices have been going up nearly every year.

In fact, Hollywood could go on breaking box office records annually if ticket prices were hiked up a certain percentage each calendar year so as to offset any expected drop (or lack of increase) in ticket sales.

The inflation factor & ticket sales

At the domestic box office, Hollywood.com estimates that in 2009 ticket sales are up 5 percent in relation to 2008. Yet, as made clear in the New York Times, “when adjusted for inflation, 2002 had sales of $11.21 billion, while the totals for 2001, 2003 and 2004 also exceed this year’s tally.”

Putting things in perspective: as found at Box Office Mojo, 1.403 billion tickets have been sold in 2009, while in 2002 that figure reached 1.575 billion.

And that’s how this year’s widely heralded domestic box office record-breaking feat is made to look considerably less smashing.

Welcome Stranger with Bing Crosby, Joan Caulfield, and Robert Shayne. Shortly after the end of WWII, 1947 turned out to be a banner year for Hollywood, as more than 3.5 billion movie tickets were sold in the U.S. alone. Elliott Nugent’s Paramount comedy Welcome Stranger, which brought back together Going My Way stars Bing Crosby and Barry Fitzgerald – and Blue Skies stars Crosby and Joan Caulfield – was one of the year’s top hits, perhaps the top one, depending on the source. (Official figures from that period are hard to come by.) Anyhow, when discussing box office records, 1946 was indisputably the best year ever, with 4.067 billion tickets sold in the U.S.

Domestic box office banner year: 1947

Putting things in even better perspective: As per the National Association of Theater Owners, an estimated 70 million people went to the movies every week in the United States (population: 144 million) in 1947.*

That means approximately 3.664 billion tickets† were sold even without state-of-the-art special effects, multiplexes, and megabudget sequels.

The top movies of 1947?

Nearly all were big-studio star vehicles. Few of these movies boasted special effects (Green Dolphin Street has a major earthquake), offering instead – in middle-to-lowbrow, highly commercial fashion – a mix of romance, adventure, drama, music, and comedy.

It was a vastly different type of audience then – hardly more sophisticated, but certainly older. Besides, television was just starting out, and there was no digital cable, DVD, pay-per-view options, all-sports channels, or online porn flicks and sex chat rooms to keep people away from movie houses.

Top 20 films of 1947

Below is the list of the Top 20 films of 1947, via boxofficereport.com. Their source is unclear – quite possibly Variety, which used to publish annual box office lists.

In any case, take this particular list as an “approximation.”

• Welcome Stranger.
  Cast: Bing Crosby. Joan Caulfield. Barry Fitzgerald. Wanda Hendrix.
• The Bachelor and the Bobby-Soxer.
  Cast: Cary Grant. Myrna Loy. Shirley Temple.
• The Egg and I.
  Cast:Claudette Colbert. Fred MacMurray. Marjorie Main.
• Unconquered.
  Cast:Gary Cooper. Paulette Goddard. Boris Karloff.
• Life with Father.
  Cast:William Powell. Irene Dunne.
• Forever Amber.
  Cast:Linda Darnell. Cornel Wilde. Richard Greene. George Sanders.
• Road to Rio.
  Cast: Bing Crosby. Bob Hope. Dorothy Lamour.
• Green Dolphin Street.
  Cast:Lana Turner. Van Heflin. Richard Hart. Donna Reed.
• Mother Wore Tights.
  Cast:Betty Grable. Dan Dailey. Mona Freeman.
• Cass Timberlane.
  Cast: Spencer Tracy. Lana Turner.
• California.
  Cast:Barbara Stanwyck. Ray Milland.
• Gentleman’s Agreement.
  Cast:Gregory Peck. Dorothy McGuire. John Garfield. Celeste Holm. Anne Revere. June Havoc. Jane Wyatt.
• Dear Ruth.
  Cast:William Holden. Joan Caulfield. Mona Freeman.
• The Perils of Pauline.
  Cast:Betty Hutton. John Lund.
• The Hucksters.
  Cast:Clark Gable. Deborah Kerr. Ava Gardner. Sydney Greenstreet. Adolph Menjou.
• Captain from Castile.
  Cast:Tyrone Power. Jean Peters. Cesar Romero.
• The Sea of Grass.
  Cast: Spencer Tracy. Katharine Hepburn. Melvyn Douglas.
• Variety Girl.
  Cast: Olga San Juan. Mary Hatcher. Star Trek‘s DeForest Kelley. Cameos: Barbara Stanwyck. Alan Ladd. Veronica Lake. Paulette Goddard. Gail Russell. Lizabeth Scott. Gary Cooper. William Holden. Sonny Tufts. Burt Lancaster. Diana Lynn. Sterling Hayden. And numerous other Paramount stars.
• This Time for Keeps.
  Cast:Esther Williams. Jimmy Durante. Johnnie Johnston.
• Fiesta.
  Cast: Esther Williams. Ricardo Montalban. Cyd Charisse.

Bear in mind that late 1946 releases – such as David O. Selznick’s King Vidor-(co-)directed blockbuster Duel in the Sun – aren’t included on the list above. For the record, the color Western starred Jennifer Jones, Gregory Peck, and Joseph Cotten.

* Figures vary depending on the source. The Wall Street Journalestimated that 78.2 million Americans went to the movies every week in 1947.

† U.S. box office records were truly shattered in 1946, when 4.067 billion tickets were sold.

See also: Another domestic record broken?

Daniel Radcliffe Harry Potter and the Half-Blood Prince image: Warner Bros.

Avatar trailer: 20th Century Fox.

Image of Robert Shayne, Bing Crosby, and Joan Caulfield in the 1947 box office hit Welcome Stranger: Paramount Pictures.

“Box Office: 1947 Is Banner Domestic Year & 2009 Sets International Record Harry Potter No. 1 Worldwide” last updated in March 2018.