‘Dear John’ movie: Shirtless Channing Tatum & Amanda Seyfried beats James Cameron blockbuster
Feb. 8 update: Starring Channing Tatum and Amanda Seyfried, Lasse Hallström’s romantic tearjerker Dear John topped the domestic box office this weekend (Feb. 5–7), collecting a surprising $32.4 million according to studio estimates released on Sunday.
Adapted by Jamie Linden (We Are Marshall) from Nicholas Sparks’ novel about the long-distance love affair between a young couple kept apart by terrorists, wars, and tears, Dear John scored $10,913 per theater at 2,969 locations.
Besides Channing Tatum as a hunky soldier and Amanda Seyfried as his dainty paramour, Dear John also features Richard Jenkins, Henry Thomas, D.J. Cotrona, and Cullen Moss.
‘Titanic’ vs. ‘Avatar’: Most weekends at top of domestic box office chart
Avatar, the no. 1 movie in the U.S. and Canada since its debut in late Dec. ’09 – eight weeks ago – trailed Dear John at a distant second, scoring $23.6 million at 3,000 locations.
Avatar is down 25 percent compared to the previous weekend, which may be partly explained by the Super Bowl having been held on Sunday. James Cameron’s environmentally conscious sci-fi adventure has generally lost between 10 and 20 percent of its business each week.
Twelve years ago, Cameron’s eventual Best Picture Oscar winner Titanic, toplining Leonardo DiCaprio and Kate Winslet as a young couple kept apart by class, iceberg, and frigid waters, remained at the top of the domestic chart for a total of 15 weekends.
‘Avatar’ back on top?
How well Dear John will keep up remains to be seen. In other words: inveterate Avatarites shouldn’t despair, as the 3D sci-fier may recoup its top position in the near future.
Or it may not. Next weekend offers Benicio Del Toro and Anthony Hopkins in Joe Johnston’s The Wolfman; Garry Marshall’s Valentine’s Day, featuring an all-star cast that includes Julia Roberts, Taylor Lautner, and Bradley Cooper; and Chris Columbus’ fantasy adventure Percy Jackson & the Olympians: The Lightning Thief, with Logan Lerman.
Thursday, Feb. 12, update: Although dethroned over the weekend, Avatar has maintained the domestic box office lead since Monday, Feb. 8. Also of note, on Tuesday, Feb. 9, Avatar earned $1.85 million, marking the first time since its release 55 days earlier that it earned less than $2 million on a day.
‘From Paris with Love’: John Travolta-Jonathan Rhys Meyers thriller bombs
According to estimates provided by Box Office Mojo, new entry From Paris with Love was no Dear John, bringing in a mere $8.1 million in third place over the weekend.
Pierre Morel’s $52 million-budgeted thriller toplining two-time Oscar nominee John Travolta (Saturday Night Fever, 1977; Pulp Fiction, 1994) and Match Point and The Tudors star Jonathan Rhys Meyers is playing at 2,722 locations, flopping with a mediocre $2,983 average.
Directed by Martin Campbell and starring Mel Gibson, Edge of Darkness pulled in $7 million at no. 4 – a steep 59 percent drop from the previous weekend. The $80 million revenge thriller also featuring Ray Winstone and Danny Huston has earned a very disappointing $29 million after ten days.
Next in line was Dwayne Johnson’s kiddie flick Tooth Fairy, co-starring veteran Julie Andrews (The Americanization of Emily, Darling Lili). Tooth Fairy had a – relatively speaking – surprisingly low attendance drop-off rate from last weekend: 35 percent. The fantasy comedy earned $6.5 million for a total of $34.3 million after about two weeks.
‘When in Rome’ falls apart while Oscar nominations, expansion boost ‘Crazy Heart’
At no. 7, The Book of Eli raked in $4.8 million (down 46 percent). The post-apocalyptic drama featuring Denzel Washington has reached $82.1 million to date.
Breaking into the Top Ten, Scott Cooper’s Crazy Heart, which Fox Searchlight expanded to 819 theaters following Jeff Bridges’ Best Actor Academy Award nomination, was the no. 8 movie on the domestic box office chart. Crazy Heart took in $3.6 million for a good $4,457 per theater and a total of $11.1 million. Maggie Gyllenhaal costars.
Rounding out the Top Twelve were:
- Legion was next with $3.4 million.
Director: Scott Stewart.
Cast: Paul Bettany. Lucas Black. Dennis Quaid.
- Sherlock Holmes with $2.63 million.
Director: Guy Ritchie.
Cast: Robert Downey Jr. Jude Law. Rachel McAdams. Mark Strong.
- The Blind Side with $2.6 million.
Director: John Lee Hancock.
Cast: Sandra Bullock. Tim McGraw.
- Up in the Air with $2.35 million.
Director: Jason Reitman.
Cast: George Clooney. Vera Farmiga. Anna Kendrick.
Gone from the Top Twelve:
- It’s Complicated.
Director: Nancy Meyers.
Cast: Meryl Streep. Steve Martin. Alec Baldwin. John Krasinski. Lake Bell. Mary Kay Place.
- The Lovely Bones.
Director: Peter Jackson.
Cast: Saoirse Ronan. Mark Wahlberg. Rachel Weisz. Susan Sarandon.
Oscar nominations’ box office effect
The 2010 Oscar nominations announcement coupled with an increase in number of screens have helped – smaller – movies as diverse as:
- Best Actor nominee Jeff Bridges’ Crazy Heart: $3.6 million; 580 added venues (up 58 percent).
- Best Actress nominee Carey Mulligan’s An Education: $915,000; 686 added venues (up 668 percent).
- Best Actor nominee Colin Firth’s A Single Man: $631,000; 137 added venues (up 14 percent).
- Best Actress nominee Gabourey Sidibe’s Precious: $440,000; 447 added venues (up 104 percent).
- Best Actress nominee Helen Mirren’s The Last Station: $371,000; 42 added venues (up 337 percent).
- Michael Haneke’s Best Foreign Language Film nominee The White Ribbon: $132,000; 4 added venues (up 13 percent).
Curiously, Up in the Air is playing at 117 more screens than last weekend. Even so, the comedy-drama featuring three Oscar nominees in the acting categories (George Clooney, Vera Farmiga, Anna Kendrick) was down 17 percent – a relatively small drop, but a drop all the same.
Starring Best Actress nominee Sandra Bullock, The Blind Side lost 11 locations and had a small 14 percent drop.
As for “the rest,” the Oscars seem to have made little – if any – difference to the weekend box office performance of multiple nominee Avatar (up for Best Picture/Best Director), The Young Victoria (with Emily Blunt in the title role), The Princess and the Frog, Sherlock Holmes, The Lovely Bones, and Nine.
‘Dear John’ easily tops Friday box office
Feb. 5, ’10: After seven weekends, Avatar‘s reign at the domestic box office may finally be over: an estimated $6.2 million on Friday vs. $13.8 million for Lasse Hallström’s tearjerker Dear John on Day One.
Avatar had a small but not insignificant 17 percent drop from the previous Friday; even if the film rallies on Saturday – as it surely will – James Cameron’s 3D sci-fi adventure should finish the weekend with at most $23-27 million. Outstanding for a movie on its eighth weekend – but it’ll land Avatar in the second slot all the same.
Twelve years ago, Titanic remained on top for a total of 15 weekends.
Starring Amanda Seyfried and Channing Tatum, Dear John chronicles the long-distance affair between two star-crossed lovers. Reviews have generally been anything but positive, but perhaps moviegoers who read Nicholas Sparks don’t read film critics.
On Day One, the John Travolta-Jonathan Rhys Meyers thriller From Paris with Love earned a lowly $3 million. Following in fourth place was Mel Gibson’s revenge thriller Edge of Darkness, with $2.31 million, a steep 59 percent drop from the previous Friday. Total to date: $24.4 million.
At no. 5, the Kristen Bell-Josh Duhamel romantic comedy When in Rome earned 2 million, a 54 percent drop from last week. Total to date: a paltry $17.39 million.
Oscar injects ‘Crazy Heart’ with new blood
On Friday, the only “biggie” (on the box office chart) that has clearly benefited from the Oscar nominations hype was Crazy Heart, which earned nods for Jeff Bridges, supporting actress Maggie Gyllenhaal, and T Bone Burnett and Ryan Bingham’s song “The Weary Kind.”
The other Oscar nominees among the chart’s top 15 movies – Avatar, The Blind Side, Up in the Air, The Lovely Bones, Sherlock Holmes – all earned less than last Friday.
Vera Farmiga, George Clooney in Up in the Air (Dale Robinette / Paramount); Meryl Streep, Steve Martin in It’s Complicated (Melinda Sue Gordon / Universal) (bottom)
On Tuesday, James Cameron’s Avatar once again topped the North American box office chart, with $2.688 million, a minuscule 0.4 percent drop from the day before, according to figures provided by Boxofficemojo.com. The Academy Award nominations announced early that day apparently didn’t have much of an effect on the film’s grosses, unless the attendance drop was going to be much steeper. However, that hasn’t been the case in the last several weeks.
At a distant second, Mel Gibson’s revenge thriller Edge of Darkness gained 5 percent, with $1.384 million and a $452 per screen average. The film’s total to date is $19.9 million. The Josh Duhamel-Kristen Bell romantic comedy When in Rome, came in third place with $872K, an 11.2 percent increase, and $355 per screen. Total: $14 million.
At #4, Denzel Washington’s post-apocalyptic drama The Book of Eli grossed $729K (2 percent drop), followed by Legion with $592K (5.3 percent drop). Dwayne Johnson’s Tooth Fairy was #6 with $456K (14 percent drop). Total to date: $27 million after 12 days.
Rounding out the top twelve were Meryl Streep’s romantic comedy It’s Complicated ($367K, with a solid 21 percent increase), Robert Downey Jr’s Sherlock Holmes ($345K), Peter Jackson’s The Lovely Bones ($332K), George Clooney’s Up in the Air ($201K, with a remarkable 44.8 percent increase), Sandra Bullock’s The Blind Side ($288K, a 26.7 percent increase), Jeff Bridges’ Crazy Heart ($225K, a 20.3 percent increase), and Alvin and the Chipmunks: The Squeakquel ($187K, a 15.2 percent drop).
Did the Oscar nominations help out? Sure they did – a little. Movies already on their way out of the top ten had the most gain. Although It’s Complicated was totally shut out, Meryl Streep is in the running for Julie & Julia, which is no longer playing. The Oscar publicity surrounding Streep’s name most likely was responsible for Nancy Meyers’ comedy selling more tickets. Up in the Air and The Blind Side were both nominated for best picture, while George Clooney, Sandra Bullock, and Jeff Bridges are all in the running as well.
Further down the chart, Colin Firth’s A Single Man ($68K) gained 27.3 percent from the previous day, while Gabourey Sidibe’s Precious ($37K) gained 77.5 percent. Firth is up for a best actor Oscar; Precious received six nominations, including Best Picture.
It should be noted that several movies at the bottom of the box office chart (The Men Who Stare at Goats, Law Abiding Citizen, That Evening Sun, The Road) posted increases on Tuesday, even though they had nothing whatsoever to do with the Oscars.
Overall, the domestic box office increased by a mere 2.4 percent from the day before – and showed an 11.8 percent drop from the previous Tuesday.
Colin Firth in A Single Man
All but two movies on the top-twelve domestic box office chart posted losses on Wednesday, according to Box Office Mojo. Obviously, the effects of Tuesday’s minor Oscar bump didn’t linger very long.
Avatar had one of the smallest drops, 1.5 percent, down to $2.647 million for a total of $603.7 million after 48 days. James Cameron’s sci-fier was followed by Mel Gibson’s revenge thriller Edge of Darkness, which lost 19.9 percent from the previous day, with grosses of $1.1 million. At #3, the Josh Duhamel-Kristen Bell romantic comedy When in Rome, earned 706K, a 19 percent drop.
Denzel Washington’s post-apocalyptic drama The Book of Eli came in fourth, with $668K (8.3 percent drop), followed by Legion with $520K (12.1 percent drop) and Dwayne Johnson’s fantasy comedy Tooth Fairy with $401K (12 percent drop).
Rounding out the top twelve were Meryl Streep’s It’s Complicated ($335.5K), Robert Downey Jr’s Sherlock Holmes ($335.1K), Sandra Bullock’s The Blind Side ($302K, a 4.8 percent increase), Peter Jackson’s The Lovely Bones ($291K), George Clooney’s Up in the Air ($289K), and Jeff Bridges‘ Crazy Heart ($238K, a 5.4 percent increase).
The Oscar announcement was likely the reason for the small increases posted by both The Blind Side (total to date: $238.7m) and Crazy Heart (total to date: $7.3m).
Best Actor nominee Colin Firth’s A Single Man also posted a small 5.4 percent gain, earning $72K (total to date: $5.2 million). And we may be seeing more Oscar bumps this weekend.
Photo: A Single Man (Eduard Grau / The Weinstein Company)
On Monday (Feb 2), Avatar earned $2.7 million at the North American box office, falling below the $900 per screen mark ($879 to be exact), according to Box Office Mojo. That represents a relatively small 14.3 percent drop from the previous Monday. After 46 days out, Avatar‘s domestic total is $598.4 million.
Once Tuesday figures are tallied, Avatar will have passed James Cameron’s own Titanic at the domestic box office (not accounting for inflation or higher 3D/IMAX ticket prices). The Leonardo DiCaprio-Kate Winslet romantic melodrama grossed $600.4 million in the U.S. and Canada in 1998.
This past weekend, Avatar broke the $2 billion mark in worldwide earnings. The low value of the American dollar and higher ticket prices have helped its overseas revenues significantly.
Photo: Avatar (WETA / 20th Century Fox)
James Cameron’s Avatar led the pack at the domestic box office on Monday, with $2.7 million, as per Box Office Mojo.
Mel Gibson’s comeback vehicle Edge of Darkness came at a distant second, with $1.31 million and a $430 per screen average. The revenge thriller opened with $17.1 million, several million dollars below what some had been predicting. Directed by Martin Campbell, Edge of Darkness is Gibson’s first film since M. Night Shyamalan’s 2002 horror/sci-fi Signs.
The Josh Duhamel-Kristen Bell romantic comedy When in Rome, came in third place with $779K and $317 per screen. Denzel Washington’s The Book of Eli was #4 with $744,000, followed by the supernatural adventure Legion with $625K.
Rounding out the top twelve were Dwayne Johnson’s Tooth Fairy ($527K), Robert Downey Jr’s Sherlock Holmes ($339K), Peter Jackson’s The Lovely Bones ($308,000), Meryl Streep’s It’s Complicated ($303K), Sandra Bullock’s The Blind Side ($227K), Alvin and the Chipmunks: The Squeakquel ($220,000), and George Clooney’s Up in the Air ($201,000).
Photo: Edge of Darkness (Warner Bros.)
Channing Tatum and Amanda Seyfried Dear John image: Scott Garfield / Dear John, LLC / Relativity Media / Screen Gems.
Melissa Mars, John Travolta, and Jonathan Rhys Meyers From Paris with Love image: Nico Torres / Lionsgate.
Shirtless Channing Tatum Dear John image: Scott Garfield / Dear John, LLC / Relativity Media / Screen Gems.