Alt Film Guide
Classic movies. Gay movies. International cinema. Socially conscious & political cinema.
Home Classic Movies George Pal: Visual Effects Artist + The Time Machine Director Remembered

George Pal: Visual Effects Artist + The Time Machine Director Remembered

The War of the Worlds Gene Barry Ann Robinson
George Pal
The War of the Worlds with Gene Barry and Ann Robinson (top); George Pal ca. early 1950s (bottom).

“George Pal: Discovering the Fantastic,” a centennial celebration hosted by director Joe Dante, will take place on Wednesday, Aug. 27, at 7:30 p.m. at the Academy of Motion Picture Arts and SciencesSamuel Goldwyn Theater in Beverly Hills. The event will feature a panel discussion with several Pal collaborators, as well as a screening of two Pal “Puppetoons,” Rhythm in the Ranks (1941) and John Henry and the Inky Poo (1946), and the sci-fi classic The War of the Worlds (1953), which Pal produced and Byron Haskin directed. (Now, “hokey” doesn’t begin to describe The War of the Worlds; even so, it’s eons better than the abysmally awful Steven Spielberg version starring Tom Cruise.)

Barbara Eden in 7 Faces of Dr. LaoBarbara Eden (Greta Heinrich in The Wonderful World of the Brothers Grimm and Angela Benedict [left] in 7 Faces of Dr. Lao), Ann Robinson (Sylvia Van Buren in The War of the Worlds; top photo, with Gene Barry), Russ Tamblyn (Tom Thumb in tom thumb, bottom photo), Alan Young (Woody in Tom Thumb and David/James Filby in The Time Machine), Bob Baker (Puppetoon animator), and Jim Danforth (special effects on The Wonderful World of the Brothers Grimm and 7 Faces of Dr. Lao) will take part in an onstage discussion following screenings of new prints of Rhythm in the Ranks (below) and John Henry and the Inky Poo. Both efforts earned Pal two of his seven Oscar nominations in the Cartoon Short Subject category. The shorts were restored by the UCLA Film & Television Archive in cooperation with the Academy Film Archive.

Rhythm in the Ranks by George Pal

The War of the Worlds Byron HaskinsFrom the Academy press release: “George Pal’s fantasy films as a producer, director and animator featured a wide range of subjects and styles that cleverly bridged artistic imagination with technical ingenuity despite limited budgets. Pal’s Hollywood career began with Puppetoons – animated shorts that featured stop-motion wooden puppets in fairy tale worlds – and continued with live-action feature films that created indelible images of ‘futuristic’ space flights, invading Martians, journeying through time, and a one-of-a-kind traveling circus. His pioneering efforts in visual effects spectacles inspired the films that are today’s box office blockbusters.”

Missing from most of today’s films, however, is the sense of magic found in Pal’s filmization of H. G. Wells’ The Time Machine (adapted by David Duncan), one of my favorite movies when I was a boy. Rewatching it a couple of years ago, I was immensely pleased to discover that Rod Taylor’s intelligent manliness, Yvette Mimieux’s Eloic loveliness, the Morlocks’ fearsomeness, and Pal’s magic touch had not faded in the least.

The Samuel Goldwyn Theater is located at 8949 Wilshire Boulevard in Beverly Hills. For more information, call (310) 247-3600.

For more information on George Pal and his films, visit www.oscars.org/events.

Photos: Courtesy of the Margaret Herrick Library

Russ Tamblyn tom thumb

Recommended for You

Leave a Comment

*IMPORTANT*: By using this form you agree with Alt Film Guide's storage and handling of your data (e.g., your IP address). Make sure your comment adds something relevant to the discussion: Feel free to disagree with us and write your own movie commentaries, but *thoughtfulness* and *at least a modicum of sanity* are imperative. Abusive, inflammatory, spammy/self-promotional, baseless (spreading mis- or disinformation), and just plain deranged comments will be zapped. Lastly, links found in submitted comments will generally be deleted.

1 comment

ConnieHinesDorothyProvine -

I would’ve given anything to get to meet Barbara Eden.

Reply

This website uses cookies to improve your experience. If you continue browsing, that means you've accepted our Terms of Use/use of cookies. You may also click on the Accept button on the right to make this notice disappear. Accept Read More