Academy showcases rare Harold Lloyd photographs
More than 100 rarely seen photographs of Harold Lloyd – along with Charles Chaplin and Buster Keaton, one of the top silent film comedy stars – will be showcased in the Academy of Motion Picture Arts and Sciences’ new exhibition, “Out on a Ledge: Photographs of a Comic Genius, from the Harold Lloyd Collection,” which kicks off on Friday, Sept. 15, ’06, in the Academy’s Grand Lobby Gallery on Wilshire Boulevard in Beverly Hills.
“Out on a Ledge” will present stills from 41 Harold Lloyd movies – both features and shorts – including A Sailor-Made Man (1921), Dr. Jack (1922), Why Worry? (1923), Girl Shy (1924), The Freshman (1925), For Heaven’s Sake (1926), The Kid Brother (1927), Speedy (1928), and Feet First (1930).
According to the Academy’s press release, the exhibit will feature images showing Lloyd both in front of and behind the camera. Most of the photos have never been displayed publicly.
Harold Lloyd movies
Best remembered for hanging by a clock hand in Safety Last (1923), Harold Lloyd starred in about 20 features and nearly 200 shorts between 1914 (or possibly 1913) and 1947. His peak years went from the Lonesome Luke shorts of the late 1910s to the beginning of the sound era in the early 1930s.
Between Movie Crazy (1932) and his final film, the Preston Sturges-directed flop The Sin of Harold Diddlebock / Mad Wednesday (1947), there were only three Lloyd movies: The Cat’s-Paw (1934), The Milky Way (1936), and Professor Beware (1938).
Little-known leading ladies
As was almost invariably the case with fellow comics Charles Chaplin and Buster Keaton, Lloyd’s leading ladies were minor, now largely forgotten actresses – e.g., Ann Christy, Jobyna Ralston, Barbara Kent, Mildred Davis (who became Lloyd’s wife in 1923).
Exceptions to the rule:
- Well-known supporting player Una Merkel (The Cat’s-Paw).
- Future West End star Constance Cummings (Movie Crazy).
- Lonesome Luke partner Bebe Daniels, who reached stardom in the 1920s.
Worshiped as a comic genius, Lloyd, much like Chaplin and Keaton, was the key creative force behind most of his starring vehicles. That helps to explain why his directors – e.g., Fred C. Newmeyer, Sam Taylor, Ted Wilde – are hardly remembered even among silent film aficionados.
Also like Buster Keaton, Lloyd was known for performing his own stunts. One marketing stunt, which had him posing for still photographs, resulted in his losing the thumb and index finger of his right hand after a bomb – mistaken for a prop – went off.
One of the founding members of the Academy of Motion Picture Arts and Sciences, he was awarded an Honorary Oscar in 1952 as a “master comedian and good citizen,” partly in recognition of his charity work chiefly connected with the Freemason group known as The Shriners. (According to some, also partly as a rebuff to the “left-leaning” Charles Chaplin, whose entry visa to the United States had been revoked at that time.)
Harold Lloyd died of prostate cancer at age 77 on March 8, 1971, in Beverly Hills.
3,000 still photographs
In 2002, Harold Lloyd’s granddaughter Suzanne Lloyd donated to the Academy’s Margaret Herrick Library nearly 3,000 “original still photographs and negatives and approximately 85 scrapbooks documenting Lloyd’s personal life and film career.” Curated by Robert Cushman, the upcoming exhibition has been culled from the collection.
“Out on a Ledge: Photographs of a Comic Genius, from the Harold Lloyd Collection,” will be on display through Sunday, Dec. 17, ’06. The Academy’s galleries are open Tue.-Fri., from 10 a.m. to 5 p.m., and weekends, noon to 6 p.m. Admission is free.
The Academy of Motion Picture Arts and Sciences is located at 8949 Wilshire Boulevard in Beverly Hills. For more information call (310) 247-3600.
‘Additional dialogue by Sam Taylor’
 Sam Taylor is best known for directing and penning the screen adaptation for the early Mary Pickford-Douglas Fairbanks talkie The Taming of the Shew (1929), which – according to mythmakers – featured the notorious credit “additional dialogue by Sam Taylor.”*
Ted Wilde was a nominee in the Best Director, Comedy Picture category in the first year of the Academy Awards. He lost to Lewis Milestone for Two Arabian Knights, starring William Boyd, Mary Astor, and Louis Wolheim.
That particular category was discontinued the following year.
* This particular Sam Taylor is not to be confused with playwright/screenwriter Samuel Taylor a.k.a. Samuel A. Taylor, whose credits include Billy Wilder’s Sabrina (1954), George Sidney’s The Eddy Duchin Story (1956), and Alfred Hitchcock’s Vertigo (1958).
Harold Lloyd Girl Shy image: Courtesy of A.M.P.A.S.
Academy of Motion Picture Arts and Sciences (A.M.P.A.S.) website.