Les Misérables reviews: Mixed bag
The 2012 Les Misérables reviews are beginning to pour in. The trailers look great, but some reviewers found the film itself quite a bit less so.
Particularly surprising was Todd McCarthy’s dismissive Les Misérables review in The Hollywood Reporter, as McCarthy has often effusively praised big Hollywood productions that perhaps merited a tad (or a lot) less effusiveness.
“A gallery of stellar performers wages a Sisyphean battle against musical diarrhea and a laboriously repetitive visual approach in the big screen version of the stage sensation Les Misérables. … Director Tom Hooper has turned the theatrical extravaganza into something that is far less about the rigors of existence in early 19th century France than it is about actors emoting mightily and singing their guts out. As the enduring success of this property has shown, there are large, emotionally susceptible segments of the population ready to swallow this sort of thing, but that doesn’t mean it’s good.”
Tom Hooper: ‘Maximalist approach’
Curiously, whereas McCarthy bitterly complains about the director’s camera set ups, Variety‘s Justin Chang felt much the opposite:
“In visual terms, Hooper adopts a maximalist approach, attacking the material with a vigor and dynamism that suggest his Oscar-winning direction on The King’s Speech was just a warm-up. At every turn, one senses the filmmaker trying to honor the material and also transcend it, to deliver the most vibrant, atmospheric, physically imposing and emotionally shattering reading of the show imaginable.”
“… For all its expected highs, the adaptation has been managed with more gusto than grace; at the end of the day, this impassioned epic too often topples beneath the weight of its own grandiosity.”
Anne Hathaway: ‘Frightened to refuse [her] an award’
Regarding Anne Hathaway’s performance as Fantine – remember, the singing in Les Misérables was recorded live – The Guardian‘s Catherine Shoard writes:
“She turns [‘I Dreamed a Dream’] into a symphony of phlegmy upset, climaxing in a panic attack of bloke woe (‘He took my childhood in his stride / But he was gone when autumn came’). It’s a performance of monumental welly, one you’d be too plain frightened to refuse an award.”
So, will Anne Hathaway’s all-but-inevitable Best Supporting Actress Oscar, SAG Award, and Golden Globe be the result not of admiration, but of sheer terror?
Shoard sums up her Les Misérables review with the following:
“But the experience of actually sitting through Les Mis, all 160 minutes of it, can feel less like an awards bash than an epic wake, at which the band is always playing and the women are forever wailing. By the end, you feel like a piñata on the dance floor: empty, in bits, the victim of prolonged assault by killer pipes.”
That’s something to look forward to on Christmas Day in a handful of countries, including the United States and Canada. Audiences in most other major markets will have to wait for Les Misérables’ killer-pipe assault until early 2013.
Not an awards season favorite so far
Les Misérables was totally bypassed by the New York Film Critics Circle Awards, though Anne Hathaway was a top contender for Best Supporting Actress. (The eventual winner was Sally Field for Steven Spielberg’s Lincoln.) Hathaway was also the Los Angeles Film Critics Association‘s runner-up to Amy Adams (The Master).
The National Board of Review, for their part, listed Tom Hooper’s musical as one of the year’s Top Ten Films and selected the Les Misérables ensemble as the best of the year.
Based on Claude-Michel Schönberg, Alain Boublil, and Jean-Marc Natel’s stage musical adaptation of Victor Hugo’s 1862 novel, Les Misérables was officially written for the screen by Schönberg, Boublil, Herbert Kretzmer (who penned the English-language version of the French-language musical), and William Nicholson.
The massive cast includes:
- Hugh Jackman as Jean Valjean, a former French prison system inmate who spent nearly two decades behind bars after stealing a loaf of bread.
- Best Actor Oscar winner Russell Crowe (Gladiator, 2000) as the implacably righteous Inspector Javert.
- Best Actress Oscar nominee Anne Hathaway (Rachel Getting Married, 2008) as the ill-fated Fantine.
- Amanda Seyfried as Cosette.
- Eddie Redmayne as Marius.
- Sacha Baron Cohen as M. Thenardier.
- Helena Bonham Carter as Madame Thenardier.
- Aaron Tveit as Enjolras.
- Samantha Barks as Eponine.
Previous Les Misérables movie versions
Among the previous film versions (and one variation) of Les Misérables, a favorite topic in both France and Hollywood, are the following:
- Les Misérables (1925).
Director: Henri Fescourt.
Cast: Gabriel Gabrio. Jean Toulout. Sandra Milovanoff.
- Les Misérables (1935).
Director: Richard Boleslawski.
Cast: Fredric March. Charles Laughton. Rochelle Hudson. Florence Eldridge. Cedric Hardwicke. John Beal. Frances Drake. Marilyn Knowlden.
- Les Misérables / I miserabili (1948).
Director: Riccardo Freda.
Cast: Gino Cervi. Hans Hinrich (as Giovanni Hinrich). Valentina Cortese.
- Les Misérables (1952).
Director: Lewis Milestone.
Cast: Michael Rennie. Robert Newton. Debra Paget. Sylvia Sidney. Edmund Gwenn. Cameron Mitchell. Elsa Lanchester. James Robertson Justice.
- Les Misérables (1958).
Director: Jean-Paul Le Chanois.
Cast: Jean Gabin. Bernard Blier. Danièle Delorme. Bourvil. Béatrice Altariba. Silvia Monfort. Serge Reggiani. Fernand Ledoux.
- Les Misérables (1982).
Director: Robert Hossein.
Cast: Lino Ventura. Michel Bouquet. Évelyne Bouix. Jean Carmet. Louis Seigner. Fernand Ledoux.
- Les Misérables (1995) – a variation on the tale, mixing Victor Hugo’s novel with events in the life of a Frenchman in the first half of the 20th century.
Director: Claude Lelouch.
Cast: Jean-Paul Belmondo. Annie Girardot. Michel Boujenah. Micheline Presle. Jean Marais. Robert Hossein. Philippe Léotard.
- Les Misérables (1998).
Director: Bille August.
Cast: Liam Neeson. Geoffrey Rush. Uma Thurman. Claire Danes. Hans Matheson.
Besides, Norman Jewison’s 1999 flop The Hurricane, starring Best Actor Oscar nominee Denzel Washington as imprisoned boxer Rubin ‘Hurricane’ Carter, borrowed elements from Victor Hugo’s novel.
Images of Eddie Redmayne, Amanda Seyfried, and Anne Hathaway in Les Misérables 2012: Universal Pictures.
“Les Misérables Reviews: Mixed Opinions About Maximalist Approach to Killer Pipes” last updated in July 2018.
The 10th Anniversary concert set the bar very high. I don’t think this is going to come near that given the singing talent of the actors. If it doesn’t have Colm Wilkinson, Philip Quast, Ruth Henshall, Lea Salonga, Michael Ball it’s not going to be worth my time.
They should have done away with the musical and tried to dramatize the movie.
It’s nice to know that critics only have their opinions to share & not everyone agrees with their negative or “mixed” reviews. Maybe it’s good, for a change, to have a different approach, like a “live musical recording,” to Victor Hugo’s story. Don’t get me wrong, I love the quality of the singers voices in the original musicals but I want to hear & see something different. The musical was based off of Victor Hugo’s book, which is a fact, not an opinion. And there was nothing grandeur about French society during the 1800-1850’s. So the actors in this movie may not posses the “perfect” talent for singing but can portray just how awful it was to live & work in France during this time. Maybe Hooper wanted you to feel as the character’s did from Hugo’s book…you know, like they were “victims of killer pipe assaults.” Also, do you think you could write your own opinion (after actually reading Victor Hugo’s book, watching any of the numerous musicals for Les Miserables & watching the 2012 Film) instead of telling us what Catherine Shoard, Todd McCarthy, & Justin Chang thought?