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Home Classic MoviesTCM Marlon Brando Movies: Guys and Dolls + Apocalypse Now

Marlon Brando Movies: Guys and Dolls + Apocalypse Now

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Eva Marie Saint, Marlon Brando in On the WaterfrontFriday, Aug. 29, on Turner Classic Movies: Marlon Brando.

Some find Brando the greatest film actor ever. One assumes those people have never watched a movie with Edward G. Robinson, Pierre Brasseur, Claude Rains, or Max von Sydow.

Ramon Novarro Beyond Paradise

Anyhow, Brando could be effective – even highly effective. He was excellent in A Streetcar Named Desire and did capable work in Queimada, The Godfather, and Last Tango in Paris.

He could also be godawful: Désirée, The Young Lions, Viva Zapata!, and, especially, as the biker in dire of a reality check in The Wild One.

He delivers a mannered performance as the longshoreman hero in On the Waterfront, the film that earned him his first Best Actor Academy Award. (The second one was for The Godfather.) On the Waterfront, about the aforementioned longshoreman and his fight against corrupt union bosses (he must come out and accuse them), also won Oscars for Best Film, Best Director (Elia Kazan, who’d denounced alleged Communist sympathizers to the House Un-American Activities Committee), Best Story and Screenplay (Budd Schulberg, who’d also named names), Best Supporting Actress (Eva Marie Saint, who delivers the film’s best performance), Best Black-and-White Cinematography (superb work by Boris Kaufman), Best Black-and-White Art Direction (Richard Day), and Best Editing (Gene Milford).

Now, when this movie watcher thinks of Julius Caesar I think of Greer Garson, Deborah Kerr, James Mason – even Louis Calhern. It’s as if Marlon Brando had never set foot in MGM’s Ancient Rome.

In Pictures Will Talk, a biography of Joseph L. Mankiewicz, author Kenneth L. Geist writes that when “Brando finally invited Mankiewicz to his apartment […] to play him the tape-recorded results of a month’s intensive study of every recorded Shakespearean actor from Barrymore to Olivier,” Mankiewicz remarked that the actor sounded “exactly like June Allyson.” It’s too bad that Brando didn’t retain Allyson’s throaty inflections when Julius Caesar was made; had he done so, his Oscar-nominated Mark Antony would have been more memorable.

The Chase is a heavy drama that was despised by critics at the time. Unsurprisingly, Brando delivers a mannered performance, but Jane Fonda and Robert Redford are surprisingly good. Director Arthur Penn would bounce back the following year with Bonnie and Clyde.

Guys and Dolls is proof positive that Brando was no singer (his role had been intended for Gene Kelly) and that Joseph L. Mankiewicz was no director of musicals.

The Formula is a pedestrian – if timely – mystery melodrama about giant corporations, greed, and gas; while Francis Ford Coppola’s Apocalypse Now is one of those Greatest Films Ever Made that left this viewer hugely disappointed. Martin Sheen, however, is a revelation as the American military man who, while losing his mind, hunts down an American military man who had long lost his mind after gone native in Vietnam. Based on Joseph Conrad’s Heart of Darkness.

Marlon Brando movies: TCM Aug. 29 schedule

3:00 AM The Fugitive Kind (1960)
A drifter ignites passions among the women of a Mississippi town. Cast: Marlon Brando, Anna Magnani, Joanne Woodward. Maureen Stapleton. Victor Jory. Director: Sidney Lumet. Black and white. 121 mins. Letterbox Format

5:00 AM The Chase (1966)
A convict’s escape ignites passions in his hometown. Cast: Marlon Brando, Jane Fonda, Robert Redford. James Fox. Angie Dickinson. E.G. Marshall. Janice Rule. Miriam Hopkins. Director: Arthur Penn. Color. 133 mins. Letterbox Format

7:15 AM Julius Caesar (1953)
An all-star adaptation of Shakespeare’s classic about Julius Caesar’s assassination and its aftermath. Cast: Marlon Brando, James Mason, John Gielgud. Deborah Kerr. Greer Garson. Director: Joseph L. Mankiewicz. Black and white. 121 min.

9:30 AM The Teahouse of the August Moon (1956)
An Okinawan translator introduces U.S. occupation forces to the joys of local life. Cast: Marlon Brando, Glenn Ford, Machiko Kyo. Eddie Albert. Director: Daniel Mann. Color. 123 mins. Letterbox Format

11:30 AM Guys and Dolls (1955)
A big-city gambler bets that he can seduce a Salvation Army girl. Cast: Marlon Brando, Frank Sinatra, Jean Simmons. Vivian Blaine. Director: Joseph L. Mankiewicz. Color. 149 mins. Letterbox Format

2:00 PM Brando (2007)
The two-part original documentary on the larger-than-life actor’s life on-screen and off. Features interviews with Robert Duvall, James Caan, Jane Fonda, Al Pacino and Martin Scorsese. Black and white. 162 mins. Letterbox Format

5:00 PM On the Waterfront (1954)
A young stevedore takes on the mobster who rules the docks. Cast: Marlon Brando, Eva Marie Saint, Rod Steiger. Lee J. Cobb. Karl Malden. Director: Elia Kazan. Black and white. 108 mins. Letterbox Format

7:00 PM Mutiny on the Bounty (1962)
Lavish remake of the classic tale of the villainous Captain Bligh who drives his crew to revolt during a South Seas expedition. Cast: Marlon Brando, Trevor Howard, Richard Harris. Director: Lewis Milestone. Color. 185 mins. Letterbox Format

10:15 PM Apocalypse Now (1979)
An Army captain travels to Cambodia during the Vietnam War to terminate a renegade officer. Cast: Martin Sheen, Marlon Brando, Robert Duvall. Fredric Forrest. Sam Bottoms. Laurence Fishburne. Dennis Hopper. Harrison Ford. G.D. Spradlin. Scott Glenn. Director: Francis Ford Coppola. Color. 153 mins. Letterbox Format

1:00 AM The Formula (1980)
A detective is in jeopardy after discovering a synthetic formula for gasoline. Cast: George C. Scott, Marlon Brando, Marthe Keller. Director: John Avildsen. Black and white. 118 mins. Letterbox Format

Marlon Brando movie schedule (PDT) and synopses from the TCM website:

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Joao Soares -

Lol! Having June Allyson as Mark Anthony is indeed an irresistible proposition — it’s keeping a big smile on my face.

Andre -


I promise I’ll take another look at “Julius Caesar.” Though I still think that June Allyson would have made a darn good Mark Anthony.

Joao Soares -

Let me disagree vehemently on “Julius Caesar” – I thought Brando’s Mark Anthony was powerful to the point of raising your hair (during his speech to the romans). On most of the other counts, well, I’d agree. Especially on “The Wild One” (what were they thinking??) and “Guys and Dolls”, where I’ve eliminated from my memory that it was directed by one of my all-time favorites, Joseph L. Mankiewicz.


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