'Another Year' Movie Reviews: Cannes Highlight or…?

Another Year Movie Lesley Manville Jim BroadbentAnother Year movie with Lesley Manville and Jim Broadbent.

'Another Year' movie: Cannes highlight or…?

Mike Leigh's latest movie, Another Year, which revolves around old age, death, and family ties, is in the running for the 2010 Cannes Film Festival Palme d'Or. For some, Leigh's drama is one of the festival highlights; for others, it's anything but.

But whether or not they've actually liked the film, Another Year movie reviewers seem to have been unanimous in their praise for its cast, which includes Ruth Sheen, Jim Broadbent, Imelda Staunton, Lesley Manville, and Oliver Maltman. Expect some form of recognition for Another Year at Cannes 2010's awards ceremony.

'Another Year' movie reviews: Mixed bag

Below you'll find a few Another Year movie review snippets.

“Mike Leigh's latest slice-of-British-life picture is titled Another Year, and many viewers will be grateful it's just the one. Acutely observed but gloomy and lacking narrative, it tells of 12 months in the life of a decent but dull suburban couple and their friends, most of whom you would go out of your way to avoid at a party. … It's a sedate film without drama that festival juries could well fall in love with, but moviegoers might decide that their own brand of misery is quite sufficient, thanks.” Ray Bennett in The Hollywood Reporter.

“For most of this long film, though, Leigh insists on building his actor's small revelations into the performance equivalent of arias: scenes that last 20 to 30 minutes. Subtlety evaporates into sameness … All the actors make the most of their time before the camera; and eventually a plot emerges, a narrative crescendo is reached. It's real life, processed for the cinema in Leigh's practiced style. But the real life it simulates is too often that of an evening that turns into an endless night, with friends one wishes might just get their coats and get out.” Mary Corliss in Time.

'Another Year' movie trailer.

“… [W]hen I say that I loved Another Year, the Leigh film that just premiered at Cannes, members of the Leigh cult should consider themselves warned: The movie has precious little in the way of shrieking, didactic working-class sanctimony, or cheaply lovable over-the-top gags.

“What it does have is an overwhelming bittersweet melancholy at the passing of life from middle age into … well, I guess you could call it late middle age, but then you'd be falling into the self-deceptive trap shared by the movie's characters, who will do anything to avoid the realization that the cold and nasty word for the condition they're heading towards is … old.” Owen Gleiberman at Entertainment Weekly.

“Age, happiness and the passing of time are the themes that percolate movingly through Mike Leigh's Another Year, his first film since 2008's punchy, upbeat Happy-Go-Lucky. It's a serious, meditative but powerful drama that explores a year in the life of a contented, endearing professional couple in their early sixties and the friends and family who cross their path.” Dave Calhoun in Time Out London.

January 2011 update: Featuring Jim Broadbent, Ruth Sheen, and Lesley Manville, the British-made Another Year scored $111,869 at six venues on its late December debut in the United States, with a solid – though hardly outstanding – $18,645 per-theater average.

Image of Lesley Manville and Jim Broadbent in Another Year and movie trailer: Simon Mein / Thin Man Films Ltd.

'You Will Meet a Tall Dark Stranger' reviews

Directed and written by Woody Allen, and starring Naomi Watts, Josh Brolin, Anthony Hopkins, Antonio BanderasFreida Pinto, Ewen Bremner, Gemma Jones, Anna Friel, Lucy Punch, and Pauline Collins,You Will Meet a Tall Dark Stranger received the mostly lukewarm-to-negative reviews that have been typical for Allen's films with the exception of Match Point and Vicky Cristina Barcelona released in the last 15 years or so.

You Will Meet a Tall Dark Stranger was screened out of competition at the Cannes Film Festival. Allen was present to answer questions from reporters, and according to Salon's Andrew O'Hehir, the 74-year-old filmmaker kept forgetting names of films and performers and looked older than Manoel de Oliveira (who's 101).

“Life! I do believe it's a grim, nightmarish, meaningless experience. One must have one's illusions to go on living,” Allen, chirpier than ever, is quoted as saying.

Below are snippets from several You Will Meet a Tall Dark Stranger reviews.

You Will Meet a Tall Dark Stranger will be released by Sony Pictures Classics in the United States in the fall.

“The grass is always greener in You Will Meet a Tall Dark Stranger, Woody Allen's roundelay of perplexed characters chasing illusions rather than reality. As a film from Allen's ongoing British/European period, where he spins out comic trifles or morality plays that drift seemingly free of national context, the comedy is more amusing than most, though it lacks the vibrant spirit of Vicky Cristina Barcelona. This is Woody in a bemused mood, devilishly complicating his characters' lives with follies and foibles of their own making until he ties each protagonist into a comic pretzel. Then he takes a tea break.” Kirk Honeycutt in The Hollywood Reporter.

“The atrociously titled You Will Meet a Tall Dark Stranger is one of Woody Allen's 'fables' — which could almost be code, at this point, for the flavorless, dry-cookie thing that results when he writes and directs a comedy on autopilot. The film is notable, if that's the word, for being the first movie Allen has made in London that is every bit as bad as his most awful New York comedies, like Anything Else and Melinda and Melinda.” Owen Gleiberman at Entertainment Weekly.

You Will Meet a Tall Dark Stranger is an old-fashioned roundelay in which old marriages crumble and new relationships begin, but one in which nobody gets what they want. Or rather, people who get what they want do so under false pretenses, because they are literally living a lie. This is a universe where emotional honesty is a liability that leads to loneliness and betrayal, while emotional fidelity is entirely out of the question.” Andrew O'Hehir at Salon.com.

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