Controversial political thriller ‘Zero Dark Thirty’ tops NYFCC Awards + Rachel Weisz is surprising Best Actress
Notwithstanding some U.S. Republicans’ accusations that the Barack Obama administration revealed top-secret information to director Kathryn Bigelow and screenwriter Mark Boal, the New York Film Critics Circle (NYFCC) has chosen the political thriller Zero Dark Thirty, about the hunt for and eventual assassination of Osama bin Laden, as the Best Picture of 2012. Zero Dark Thirty also earned honors for its director and for cinematographer Greig Fraser.
Bigelow had previously received NYFCC recognition three years ago for another movie in which the U.S. government’s so-called “war on terror” plays a role, The Hurt Locker. The widely acclaimed Iraq War drama went on to win the Best Picture and Best Director Academy Awards as well.
Curiously, Greig Fraser’s two other 2012 efforts, the popular Snow White and the Huntsman and the unpopular Killing Them Softly, went unheralded. As a rule, the New York Film Critics list their winners’ multiple “quality” efforts, e.g., last year’s Best Supporting Actress Jessica Chastain was cited for three films: Tate Taylor’s The Help, Terrence Malick’s The Tree of Life, and Jeff Nichols’ Take Shelter.
But the biggest surprise at this year’s NYFCC Awards was their Best Actress pick: Rachel Weisz, for her work in Terence Davies’ little-seen drama The Deep Blue Sea. More on that further below.
‘Zero Dark Thirty’ cast
Besides Jessica Chastain as a dogged CIA analyst, the Zero Dark Thirty cast includes the following:
Jason Clarke. Chris Pratt. Joel Edgerton. Kyle Chandler. Mark Strong. Jennifer Ehle. Edgar Ramírez.
Mark Duplass. James Gandolfini. Stephen Dillane. Taylor Kinney. Callan Mulvey. Nash Edgerton.
Frank Grillo. Aron Eastwood. Christopher Stanley. Simon Abkarian. Wahab Sheikh. Jeremy Strong.
Zero Dark Thirty opens domestically on Dec. 19.
See the full list of the 2012 New York Film Critics winners further below. See further below our – mostly off-target – NYFCC Awards predictions & two 2012 Osama bin Laden movies.
‘Lincoln’ fêted while Steven Spielberg once again bypassed
The NYFCC’s other major 2012 winner was Steven Spielberg’s well-received historical drama Lincoln, which collected three awards:
- Best Actor Daniel Day-Lewis for his portrayal of U.S. President Abraham Lincoln.
- Best Supporting Actress Sally Field for her performance as Lincoln’s wife, Mary Todd Lincoln.
- Best Screenplay for Tony Kushner for his adaptation of segments from Doris Kearns Goodwin’s book Team of Rivals: The Political Genius of Abraham Lincoln.
Somewhat strangely, two-time Best Director Oscar winner Steven Spielberg has never topped that particular NYFCC category, even though two of his films, Schindler’s List (1993) and Saving Private Ryan (1998), were given the New York Film Critics’ top prize. The Best Director winners were, respectively, Jane Campion for The Piano and Terrence Malick for another World War II drama, The Thin Red Line.
Daniel Day-Lewis ties NYFCC Best Actor record
When the New York Film Critics are enthusiastic about someone, they’re truly, madly, deeply enthusiastic.
With his Lincoln victory, Daniel Day-Lewis has become the second actor ever to win four Best Actor NYFCC Awards. Day-Lewis’ previous wins were for:
- Jim Sheridan’s My Left Foot (1989).
- Martin Scorsese’s Gangs of New York (2002).
- Paul Thomas Anderson’s There Will Be Blood (2007).
If that weren’t all, in 1986 Day-Lewis was also voted Best Supporting Actor for James Ivory’s A Room with a View and Stephen Frears’ My Beautiful Laundrette.
For comparison’s sake: at the Oscars, Daniel Day-Lewis has a mere two Best Actor wins to date, for My Left Foot and There Will Be Blood.
His four-peating NYFCC Best Actor predecessor is Jack Nicholson, who won two additional awards in the supporting category. For the record, Nicholson’s four Best Actor wins were for the following:
- Hal Ashby’s The Last Detail and Roman Polanski’s Chinatown (1974).
- Milos Forman’s One Flew Over the Cuckoo’s Nest (1975).
- John Huston’s Prizzi’s Honor (1985).
- Hector Babenco’s Ironweed, George Miller’s The Witches of Eastwick, and, strangely, James L. Brooks’ Broadcast News (1987), in which Nicholson has a mere cameo.
He topped the Best Supporting Actor category for his work in Dennis Hopper’s Easy Rider (1969) and James L. Brooks’ Terms of Endearment (1983).
Since 1990, only two NYFCC Best Actor winners have failed to land a matching Oscar nod:
- David Thewlis for Mike Leigh’s Naked (1993).
- Paul Giamatti for Alexander Payne’s Sideways (2004).
Sally Field: NYFCC ‘victory gap’ record-breaker
Sally Field’s NYFCC win was a surprise, albeit a “safe” one. After all, even though Field is hardly a favorite in the Best Supporting Actress category, when discussing the ever-more mainstream New York Film Critics – notwithstanding their penchant for honoring supporting actresses in indie fare – no win for a well-received Steven Spielberg movie could be considered a truly surprising surprise.
A veteran with about half a century of show business experience (not to mention the fact that her mother, Margaret Field, was also a film actress), Sally Field had one previous New York Film Critics win: Best Actress for Martin Ritt’s Norma Rae (1979), which also earned her a matching Academy Award. (Field won a second Best Actress Oscar for Robert Benton’s Places in the Heart, 1984.)
For curiosity’s sake: Field’s NYFCC “victory gap,” is the longest ever among actresses: 33 years. The previous record holder was Julie Christie, with 32 years between John Schlesinger’s Darling (1965) and Alan Rudolph’s Afterglow (1997), both in the Best Actress category.
In all, Christie retains the record for longest NYFCC “victory span” among actresses, from Darling to her Best Actress award for Sarah Polley’s Away from Her (2007): 42 years.
This awards season’s top Best Supporting Actress candidates are Anne Hathaway for Tom Hooper’s Les Misérables and Amy Adams for Paul Thomas Anderson’s The Master. In fact, Hathaway did get close to winning on the NYFCC’s first ballot, but eventually fell behind after successive voting rounds.
Best Actress Rachel Weisz: NYFCC’s most surprising choice
First-time NYFCC Best Actress winner Rachel Weisz was a – truly – unexpected choice for her star turn in Terence Davies’ little-seen romantic drama The Deep Blue Sea. (Not that much of a surprise: The Bourne Legacy and Dream House went unmentioned.)
Based on Terence Rattigan’s 1952 play, The Deep Blue Sea revolves around the extra-marital affair between the wife of a judge and a Royal Air Force pilot. On the London stage, future Best Supporting Actress Oscar winner Peggy Ashcroft (A Passage to India, 1984) and Kenneth More were the two lovers. Margaret Sullavan starred opposite Jimmy Hanley on Broadway the following year.
In 1955, More reprised his role in the hard-to-find (in good condition) British-made film version directed by Anatole Litvak, and costarring Vivien Leigh as the adulteress and Eric Portman as her husband.
In Terence Davies’ version, Rachel Weisz’s costars are The Avengers’ Tom Hiddleston as the lover and Simon Russell Beale as the husband.
Nearly seven years ago, Rachel Weisz took home a Best Supporting Actress Oscar for Fernando Meirelles’ The Constant Gardener. That awards season, the NYFCC opted for Maria Bello in David Cronenberg’s A History of Violence.
Best Supporting Actor Matthew McConaughey: Oscar chances fuzzy
The New York Film Critics’ moderately surprising Best Supporting Actor winner was Matthew McConaughey for two movies: Steven Soderbergh’s sleeper domestic hit Magic Mike and Richard Linklater’s succès d’estime Bernie.
McConaughey has been an awards season top contender from the get-go, but other favorites in that category include heavyweights Philip Seymour Hoffman for The Master, Tommy Lee Jones for Lincoln, and either Leonardo DiCaprio or Christoph Waltz for Quentin Tarantino’s Django Unchained.
In fact, Matthew McConaughey’s Oscar chances remain iffy. In the last two decades, seven NYFCC Best Supporting Actor winners failed to be shortlisted for the Academy Awards, among them Bill Murray (Rushmore), Harry Belafonte (Kansas City), and last year’s Albert Brooks (Drive).
Two documentary wins: ‘The Central Park Five’ & ‘How to Survive a Plague’
Best known for several elegiac television documentaries about U.S. history, Ken Burns, along with daughter Sarah and David McMahon, directed The Central Park Five, the New York Film Critics’ Best Non-Fiction Film.
The documentary tackles an ugly episode in New York City history, when the city’s police, justice system, and media made a mockery of the democratic process by vilifying one Hispanic and four black teenagers accused of raping a white woman in Central Park in 1989. The men, who, according to reports, had a (way) less than pristine past, were found guilty. More than a decade later, a serial rapist (and DNA match) confessed to the crime.
Another documentary, David France’s How to Survive a Plague, became the first non-fiction film to top the NYFCC’s Best First Feature category since its inception in 1997. The Gotham Award-winning and Spirit Award-nominated effort credits ACT UP and TAG (Treatment Action Group) for strong-arming the United States’ recalcitrant scientific and political establishments – that includes the pharmaceutical industry and government bureaucrats under its thumb – to turn AIDS into a (mostly) manageable disease.
As the year’s most high-profile feature debut, Benh Zeitlin’s Beasts of the Southern Wild had been the odds-on favorite – and the NYFCC’s top initial choice – in the Best First Feature category.
‘Amour’ tops foreign-language ghetto + box office flop ‘Frankenweenie’ tops Best Animated Feature category
Michael Haneke’s Palme d’Or– and multiple European Film Award-winning French-German-Austrian drama Amour, about an elderly Paris couple (veterans Jean-Louis Trintignant and Emmanuelle Riva) coping with illness and encroaching death, was the NYFCC’s Best Foreign Language Film.
Haneke’s old-age drama will likely earn Academy Award nominations for its screenwriter-director and for leading lady Riva, besides being the odds-on favorite for the Best Foreign Language Film Oscar and in various categories of the French Academy’s Prix César. The New York Film Critics, however, felt that one single non-English-language-category mention for Amour was enough, and that was that.
And finally, the NYFCC’s Best Animated Feature was Tim Burton’s Frankenweenie, a major box office disappointment for the Walt Disney Studios. The Annie Award nominee tells the story of a boy, Victor Frankenstein, who attempts to bring his dead dog back to life. In the voice cast:
Charlie Tahan. Catherine O’Hara. Martin Short. Conchata Ferrell. Tom Kenny. Atticus Shaffer. Robert Capron.
Best Supporting Actor Oscar winner Martin Landau (Ed Wood, 1993).
Two-time Oscar nominee Winona Ryder (as Best Supporting Actress for The Age of Innocence, 1993; as Best Actress for Little Women, 1994).
Last year, the NYFCC opted not to hand out the Best Animated Feature award.
Four of the 2011 New York Film Critics Circle winners went on to take home Oscars:
- Best Picture The Artist.
- Best Foreign Language Film A Separation.
- Best Actress Meryl Streep (The Iron Lady).
- Best Director Michel Hazanavicius (The Artist).
The only two NYFCC 2011 winners totally bypassed by the Academy were the aforementioned Albert Brooks (Best Supporting Actor for Drive) and Werner Herzog’s documentary Cave of Forgotten Dreams, which had been submitted for – and bypassed by – the Oscars in 2010.
Even in the Best First Feature category – which has no Oscar match – winning film Margin Call ended up receiving a Best Original Screenplay Oscar nod for director/screenwriter J.C. Chandor.
Immediately below is the list of this year’s NYFCC winners.
New York Film Critics winners
Best Picture: Zero Dark Thirty.
Best Foreign Language Film: Amour.
Best Actress: Rachel Weisz, The Deep Blue Sea.
Best Actor: Daniel Day-Lewis, Lincoln.
Best Supporting Actress: Sally Field, Lincoln.
Best Supporting Actor: Matthew McConaughey, Magic Mike & Bernie.
Best Director: Kathryn Bigelow, Zero Dark Thirty.
Best Screenplay: Tony Kushner, Lincoln.
Best Cinematography: Greig Fraser, Zero Dark Thirty.
Best Non-Fiction Film: The Central Park Five.
Best Animated Feature: Frankenweenie.
Best First Feature: How to Survive a Plague.
NYFCC Awards Predictions: Best Supporting Actress Amy Adams
Below are our predictions for the 2012 New York Film Critics Circle (NYFCC) Awards, ranging from Hollywoodites Amy Adams and Jennifer Lawrence to Michael Haneke and Amour.
For Best Supporting Actress, we’re betting that the NYFCC will choose Amy Adams for three movies: the well-received box office disappointment The Master, Robert Lorenz’s not-so-well-received box office flop Trouble with the Curve, and Walter Salles’ upcoming (in the U.S.) all-star indie On the Road.
Why Amy Adams?
Well, not only Adams is a well-known and well-liked performer, but she also has three movies this year. That helps. Last year, Jessica Chastain won for three titles: The Help, Take Shelter, and The Tree of Life. (Admittedly, Chastain was seen in something like 378 movies in 2011. The NYFCC listed only three of them.)
Something else that may help is that two of Amy Adams’ movies – The Master and On the Road – aren’t big studio releases. For whatever reason, in the last two decades or so the otherwise mainstream-ish NYFCC has tended to pick Best Supporting Actress performances in smaller and/or independent movies, e.g.:
- Mo’Nique, Precious (2009).
- Penélope Cruz, Vicky Cristina Barcelona (2008).
- Maria Bello, A History of Violence (2005).
- Patricia Clarkson, Far from Heaven (2002).
- Helen Mirren, Gosford Park (2001).
- Lisa Kudrow, The Opposite of Sex (1998).
- Gong Li, Farewell My Concubine (1993).
- Judy Davis, Barton Fink and Naked Lunch (1991).
Something else: The Master is a Weinstein Company release. That can help immensely, as Harvey Weinstein and his people are the most awards-season-savvy of the last quarter of a century.
These are the key reasons why we didn’t select everybody’s favorite, Anne Hathaway, even though she has two strong and radically different 2012 movies: The Dark Knight Rises and Les Misérables – both big-studio releases.
Best Supporting Actor Philip Seymour Hoffman
For Best Supporting Actor we’re betting on Philip Seymour Hoffman for The Master. Hoffman’s L. Ron Hubbard- like character is the sort of dark, shady characterization that the New York Film Critics tend to appreciate.
Recent NYFCC Best Supporting Actor winners whose characters’ concept of ethical behavior was a tad twisted include:
- Albert Brooks, Drive (2011).
- Mark Ruffalo, The Kids Are All Right (2010).
- Christoph Waltz, Inglourious Basterds (2009).
- Josh Brolin, Milk (2008).
- Javier Bardem, No Country for Old Men (2007).
- Jackie Earle Haley, Little Children (2006).
- Clive Owen, Closer (2004).
- Dennis Quaid, Far from Heaven (2002).
At this stage, The Dark Knight Rises’ Tom Hardy, touted as the movie villain to end all movie villains, seems to have fallen off the awards-season radar.
Best Actress Jennifer Lawrence & Best Actor Joaquin Phoenix
The time when the New York Film Critics Circle dared to pick truly offbeat choices – for a U.S.-based organization, that is – seems to be long gone in most categories. In the last three decades or so, only sporadically has the NYFCC strayed from honoring what amounts to mainstream – or at best “mainstream-friendly” – U.S./English-language fare.
So, we’re betting on Jennifer Lawrence because she has two well-received performances in two well-received – and radically different – movies. (House at the End of the Street is definitely out of the running.) Besides, having The Weinstein Company plugging one of her entries (Silver Linings Playbook) is surely no hindrance.
In the NYFCC’s Best Actor category, will Lincoln star Daniel Day-Lewis pull a Jack Nicholson and four-peat?
Could be, but we’re betting instead on the more offbeat Joaquin Phoenix for The Master – even though in the last five years the NYFCC has opted for established stars, generally in mainstream movies:
- Daniel Day-Lewis, There Will Be Blood.
- Sean Penn, Milk.
- George Clooney, Fantastic Mr. Fox & Up in the Air.
- Colin Firth, The King’s Speech.
- Brad Pitt, Moneyball & The Tree of Life.
NYFCC: Aversion to foreign-language fare
Could the New York Film Critics Circle go “foreign-language” this year in their choices for any of the acting categories?
In spite of Amour, that’s, to put it mildly, unlikely.
The last winners in the acting categories for a performance in a non-English-language film were:
- Best Actress Norma Aleandro for Luis Puenzo’s The Official Story (1985).
- Best Supporting Actress Gong Li for Chen Kaige’s Farewell My Concubine (1993).
- Best Supporting Actor Charles Boyer for Alain Resnais’ Stavisky (1974).*
- Best Actor … no one. Not a single one.
Ironically, Trintignant, Riva, and Huppert have a better shot at an Oscar nomination than at the NYFCC Awards.
* Best Supporting Actor NYFCC winner Christoph Waltz speaks various languages in Quentin Tarantino’s Inglourious Basterds (2009), but that’s still an English-language movie made by a Hollywood filmmaker.
Best Director Michael Haneke?
We’re going out on a precarious limb to bet on Amour‘s Michael Haneke for Best Director even though no filmmaker has won an NYFCC Award for a non-English-language film since Ingmar Bergman for Fanny and Alexander back in 1983. (Michel Hazanavicius doesn’t count. True, The Artist is a French-Belgian production, but the Hollywood-set, mostly silent comedy-drama’s one single line of dialogue is in English.)
The Master, which at this stage needs all the awards season help it can get to end up among the (up to) ten Best Picture Oscar nominees, is our Best Picture prediction. The top runners-up are Lincoln, Zero Dark Thirty, and Life of Pi.
Wrapping this up, here are five 2012 NYFCC Awards shoo-ins (or apparent shoo-ins):
- Best Foreign Language Film: Amour.
- Best Non-Fiction Film: The Central Park Five.
- Best First Feature: Beasts of the Southern Wild.
- Best Cinematography: Claudio Miranda, Life of Pi.
- Best Screenplay: Tony Kushner, Lincoln.
New York Film Critics Circle website.
Jessica Chastain Zero Dark Thirty image: Columbia Pictures.
Daniel Day-Lewis and Sally Field Lincoln image: DreamWorks Pictures / Walt Disney Studios / 20th Century Fox.
Rachel Weisz The Deep Blue Sea image: Music Box Films.
Image of Jean-Louis Trintignant, Emmanuelle Riva, and Michael Haneke on the Amour set: Sony Pictures Classics.
Amy Adams The Master image: The Weinstein Company.
Jennifer Lawrence Silver Linings Playbook image: The Weinstein Company.
“NYFCC Awards: Rachel Weisz Is Major Surprise + Sally Field Breaks & Daniel Day-Lewis Ties Record” last updated in February 2019.
The nomination I most want to see is Melanie Lynskey in the running for the Best Actress In A Leading Role for ‘Hello I Must Be Going’. This would improve her chances of finally being picked up on Hollywood’s radar as a bonifide A-list movie star of the future. Such an occurrence is long overdue.
I agree I hope she gets a nomination just so she can get more recognition even if it is just a popularity contest. But I do think she is a very talented actress who should win best actress for like you said a true meaty role like her one in Serena
according to wikipedia, daniel day-lewis has won 5 nyfcc awards. 4 for best actor : ‘my left foot’, ‘gangs of new york’, ‘there will be blood’, ‘lincoln’ and 1 for best supporting actor for both ‘a room with a view’ and ‘my beautiful laundrette’ .
Thanks and that’s correct. The text has been amended.
Last vote was between Weisz, Watts, Greta Werwig and Winstead, Weisz and Watts got the majority but Weisz won
Daniel Day Lewis always wins. Right?
This is what I’ve read. Lawrence and Chastain were tied after three ballots. However at the fourth ballot the order became Weisz, Lawrence, Riva. Notice who is missing? I’d have to see all the ballots, but it sure seems like the Chastain voters pulled out on the fourth ballot and threw their support to another candidate. (Weisz). Was this because they were facing an irrevocable impasse and needed a compromise candidate to get it finished or was this a spoiler vote where the losing side tries to derail a main rival to their own favorite? The shadow knows. But Weisz was not a legitimate winner. Nice mess they made of things.
Thank you for the info. But however inane, this sort of “consensus voting” is hardly unusual. Goes all the way back to 1939 (or perhaps 1935, the first year of the NYFCC). In ’39, they couldn’t decide between “Gone with the Wind” and “Mr. Smith Goes to Washington.” So they picked “Wuthering Heights” as the Best Picture of the year.
Hm. Weisz won raves for her performance, even if the film was mediocre itself. Lawerence won raves, but there have been a few vocal detractors and even a lot of the praise has mentioned that the role was more supporting than lead. Frankly, if one had to chose between Weisz in a strong, layered role or Lawrence in what really should have been considered a supporting role, I’d pick Weisz. Lawrence is a very talented actress, but she and SLP have been over hyped a bit. I don’t understand how anyone can objectively state that she gave a better performance than Cotillard, Riva, Mirren, or even Watts, Chastain, Weisz, and Emaytzy Corineldi (can never spell her name right). Chastain has shown incredibly range in her previous roles, and apparently she is fantastic in Zero Dark Thirty. I’d rather see Lawrence get nominated and win for a true leading role, like her role in next year’s Serena.
As a result, Best Actress goes to the real talent Rachel Weisz (The Deep Blue Sea) and not the hypes. Congratulations!
yes, Chastain was totally omitted, maybe she wont be nominated but she is a great actress, NYC has an independent opinion and that is good, Golden Globes and also Oscars are convergent with the buzz
Chastain gave a forgettable performance, I guess her chances for an Oscar nomination are diminishing, the same with Lawrence, this Weisz award opens the door for more contenders
I do not know because their nomination are based on predictions and as you can see they do not always work
“Mediocre” or no, expect them both to land Academy Award nominations.
It was the National Society. But what they did was intentionally vote for a dark horse film to hurt the momentum of SPR.
I wasn’t there of course. So maybe they literally thought it was the best performance. But it is so out of left field that it raises suspicion. Because Zero Dark Thirty wins the best film award Chastain gets a boost. The only thing that would hurt her would be if a major competitor (Lawrence, Cottilard) won instead. Because of the film award, the Chastain supporters had a motive in throwing the award to a dark horse if Chastain did not seem likely to win. I’m betting that’s what happened. Pretty sad and unprofessional, but that’s the industry. But maybe I’m just too cynical. But the irony is that I follow films as an escape from politics and what not and it turns out to be just as ugly.
very bad prediction, winner was Rachel Weisz
Rub it in…
I rememeber what this same group did regarding Saving Private Ryan. They gave the best film nod to that George Clooney/Jennifer Lopez film.
Is the Weisz film eligible for the Oscars? It was released in the UK in 2011.
“The Deep Blue Sea” opened in the US in March. It should be eligible for the 2013 Oscar.
Also, regarding “Out of Sight,” you may be thinking of the National Society of Film Critics. (Admittedly, there’s quite a bit of overlap with NYFCC.)
Both Lawrence and Chastain are mediocre choices, Lawrence is a supporting role and Chastain looks like a ghost in the movie
“Mediocre” or no, expect them both to land Academy Award nominations.
They went for a real dark horse, Weisz.
Let me guess. There was initial realization that Lawrence was going to win. So the devilishly clever film critics (take a long moment to get the laughter out) decided to pool together to upend her. Hence a winner out of the clear blue sky.
I could be wrong, but they have done this before. Which is why it’s hard to take film awards seriously.
Early favorites can end up in third or fourth place if some critics gang together to defeat that individual or movie.
Back in 1998 the NYFCC couldn’t decide between Fernanda Montenegro for “Central Station” or Ally Sheedy for “High Art.” So what do they do? They give their Best Actress Award to Cameron Diaz for “There’s Something About Mary.”
Phoenix was interesting and perhaps in a year with weaker competition…
But Day Lewis was sublime.
The only way DDL loses is if……………well there is no reasonable scenario.
Toss up between Hathaway and Adams as they both have been nominated, not won, but have already paid some dues in their careers.
Hey! Richard M. Are you talking about Kristen Stewart ? Right.
Definitely should go to Joaquin Phoenix for his absolutely incredible performance in The Master.
Jennifer Lawrence is the overwhelming favorite. I like Jessica Chastain but JL a very talented young actress whose performances in every one of her films is just amazing. Its her time! She deserves it. Her age should not be held against her..
The apoplectic hype for a 22-year old mediocre starlet who has yet to pay her dues and learn how to act is just absurd.