Trouble Is My Business (2018) movie review: Tongue-in-cheek film noir homage evokes memories of classic Hollywood crime dramas.
Robert Mitchum
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Robert Mitchum Movies: The Yakuza surprising casting and effectively cast against type in David Lean’s troubled Ryan’s Daughter with Sarah Miles.
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Teresa Wright in ‘The Best Years of Our Lives’: Mammoth Blockbuster was Career Highlight as stardom slipped shortly afterwards.
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Polly Bergen, actress in Hollywood and on Broadway, was on Richard Nixon’s extended Enemies List, along with other liberal Democrat celebrities.
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Pretty Poison with Tuesday Weld and Anthony Perkins: Noel Black-directed cult crime classic. Cult movie classic Pretty Poison filmmaker Noel Black has died Noel Black, best remembered for the 1968…
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Janet Leigh movies: The Manchurian Candidate 1962, with Frank Sinatra. Janet Leigh would have turned 85 on Friday, July 6. In her honor, Turner Classic Movies is showing eight Janet…
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Kirk Douglas is Turner Classic Movies’ Star of the Month of September. Though hardly a great film actor – or even a good one – Douglas has had one of…
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Blade Runner (1982) movie review: Ridley Scott and Harrison Ford’s dystopian sci-fi thriller is a modern classic. But does it merit that label?
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Matte Painting artwork + Robert Mitchum Interviews with Roger Ebert in which The Night of the Hunter actor disses Steve McQueen and Robert Wise.
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Clint Eastwood in Dirty Harry. Don Siegel Movies: From Alien Pods to Clint Eastwood From March 17 through April 13, New York City’s Film Forum (website) will be screening a…
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An experimental cult classic and a Glenn Ford star vehicle are among new DVDs featuring long-unseen titles with a little-known John Wayne connection.
Polly Bergen movies: She was the ‘first woman U.S. president,’ a near-rape victim in Cape Fear and Doris Day’s rival in uneven film career.
Jane Greer in Out of the Past: Femme fatale in classic film noir. Today is neither Jane Greer’s birth nor death anniversary. Even so, Turner Classic Movies is devoting Saturday evening/night…
Robert Siodmak’s 1957 political drama The Devil Strikes at Night asks whether serial killers are any worse than socially sanctioned mass murderers.