The Other Woman movie with Cameron Diaz, Kate Upton, and Leslie Mann. The Other Woman movie box office: Cameron Diaz & Leslie Mann comedy to top North American box office…
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John Carter of Mars: Taylor Kitsch and Lynn Collins in the box office bomb John Carter. March 20 update: Disney has announced that John Carter‘s disappointing box office returns means…
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Sex-Starved housewives and Gay Iranian refugees + veteran New Wave actress Marina Vlady: Sundance Film Festival highly eclectic film line-up.
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Spider-Man 3 (movie 2007) review: Tobey Maguire is in great shape, but despite its qualities this latest Spiedy title is hindered by too many villains and subplots. Sam Raimi directed.
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Independent Spirit Awards’ winners: Crowd-pleasers and box office hits dominate the so-called ‘indie alternative’ to the mainstream Oscars.
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Awards season news: In an ungodly twist of fate, Jesus + Jason + Napoleon have all lost out to Spider-Man, while Kate Winslet has nabbed a surprise win.
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NSFC Awards surprise: A Clint Eastwood melodrama is the unexpectedly mainstream winner of the generally more ‘esoteric’ U.S.-based critics group.
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New York Film Critics Awards: Alexander Payne’s California-set road movie Sideways named Best Film. Imelda Staunton and gay noir Bad Education among other winners.
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Los Angeles Film Critics Association Awards: Alexander Payne’s California-set road movie Sideways was the big winner. Imelda Staunton and Liam Neeson topped the acting categories.
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National Board of Review Awards: The J.M. Barrie movie Finding Neverland was named the year’s best release. Annette Bening and Laura Linney were among the other winners.
Cars: Pixar Annie Awards’ winner featuring voices of Owen Wilson + Paul Newman is overshadowed as DreamWorks Animation release wins in more categories.
Critics’ favorites: A crowd-pleasing Wine Country road movie and a polemical political documentary are the top selections this awards season, while Imelda Staunton is the Best Actress fave.
Sideways (movie 2004) review: Alexander Payne’s road movie comedy suffers from a much too ardent desire to pander to its audience - to the detriment of its characters.