- World War Z (2013) movie review: The ravenous zombified masses are the best thing about Marc Forster’s eye-popping but dramatically unsatisfying horror thriller starring box office draw Brad Pitt.
World War Z movie review: The voracious undead hordes are easily the best thing about Marc Forster’s grandiose but disjointed zombie horror flick
If there’s one thing harder to kill than a horde of zombies, it’s the unceasing horde of zombie movies, TV shows, books, and video games.
As recently reported by the U.S. Department of the Obvious, the undead continue to enjoy their extended cultural moment. Unlike the mercifully fading vampire phenomenon, audiences keep responding to the groaning, tattered living dead for reasons that go beyond any visual parallels to 9/11.
Aside from just being cool, zombies are an unsettling reminder of our mortality and the lack of control we have over whether we live or die. They’re also a handy allegorical device that has been used to represent unchecked consumerism, Cold War paranoia, anti-environmentalism, and class disparity.
For the Marc Forster-directed World War Z, certainly the grandest zombie enterprise ever, Paramount execs have another allegory in mind: They’re hoping the zombies who mindlessly stampede towards former U.N. investigator Gerry Lane represent throngs of moviegoers who’ll mindlessly stampede to their local multiplex to see Brad Pitt, the man portraying him.
This is likely in the short run, as World War Z is a propulsive, absorbing, visually striking enactment of a worldwide zombie uprising. Its staying power is the bigger question, since the movie lacks character investment, has a lousy ending, and plays like a succession of CGI action sequences strung together. Still, it’s surprising World War Z turned out this decent, considering its epically troubled birth.
The living dead more intriguing than the living
Indeed, the problems faced by World War Z are so well documented that Paramount smartly embraced a recent Vanity Fair piece chronicling how it got into such a $200 million mess in the first place. By all accounts, one major issue was the lack of a satisfying third act, which resulted in scrapping millions of dollars worth of complicated action footage and essentially rewriting and reshooting the film’s last twenty-odd minutes.
World War Z’s new third act, which includes a creepy crawl down the corridors of a World Health Organization facility in Wales, is its most suspenseful sequence, even if it’s too small-scale to work as an action movie finale.
Another pressing issue, one that could not be solved, is that director Marc Forster and his army of A-list writers (Matthew Michael Carnahan, Drew Goddard, and Damon Lindelof) put more thought into the dead characters than into the living ones.
Brad Pitt, who has never gotten top billing in a film like World War Z and would surely bring something interesting to the disaster hero archetype, is relegated to standard-issue, indestructible superman and apocalyptic tour guide. His relationship with wife Karin (a quietly emotive Mireille Enos), which could have provided a much-needed emotional backbone, is a non-starter since they’re separated throughout most of the movie, giving us no opportunity to learn or care about them.
If World War Z had hewed closer to Max Brooks’ source novel, it would probably have looked like Steven Soderbergh’s unadorned, compelling Contagion. But that won’t work during the high season of movie thrill rides, so Forster gets right to the action.
Stunning overhead shots, unimpressive eye-level appeal
After a generic table-setting breakfast scene, Gerry, Karin, and their two daughters find themselves in the middle of a major fracas, as thousands of spastic, ravenous zombies overwhelm the streets of downtown Philadelphia.
Stealing an abandoned RV, the Lanes hightail it to New Jersey and take refuge in an apartment complex until Gerry’s former U.N. boss, Thierry (Fana Mokoena), can transport them to the safety of an aircraft carrier miles offshore. While on the ship, Gerry reluctantly agrees to travel the globe investigating the plague’s origin after being told his family will be returned to shore if he doesn’t cooperate.
These early scenes establish the speed and sheer number of undead while unveiling some visual go-to’s developed by Marc Forster (of the dreadful Quantum of Solace) and DPs Robert Richardson (who started the project) and Ben Seresin (who finished it and received sole credit).
The most breathtaking are the overhead shots, oftentimes from a helicopter’s POV, showing thousands of zombies filling the streets like floodwater. They figure prominently in the movie’s best section, when Gerry travels to Israel to investigate why the Israelis sensed the coming zombie invasion early enough to build a wall around Jerusalem.
But since World War Z isn’t very interested in exploring the effects of a zombie takeover on social or religious order, the Israeli scenes, enlivened by eye-level shots of refugees trying to enter the walled city, are all we’ve got to imagine what the average person would experience. The Jerusalem sequence also supplies Gerry with a key ally, an Israeli soldier named Segen (fierce, earthy Daniella Kertesz) who accompanies him on a harrowing flight to the WHO complex in Wales.
A tale of two movies
Watching World War Z, one senses a disconnect between the more serious-minded disaster epic Brad Pitt and Marc Forster wanted to make and the movie they actually wound up with.
The dialogue never panders or winks, but it’s mostly investigatory chatter. The action is oftentimes thrilling, but the film’s PG-13 rating prohibits the satisfaction of seeing any zombie gore. And scenes of Gerry cautiously sneaking around darkened hallways generate a good amount of tension, but only remind us, to give one example, that James Cameron did it better in Aliens.
All that puts more burden on Brad Pitt, one of the World War Z producers and the only recognizable name in its cast. Although Tom Cruise is still the current gold standard in action heroics, his performances can feel programmed. Pitt is a three-time Oscar nominee for acting who can project ease, masculinity, and vulnerability in genres ranging from Westerns (The Assassination of Jesse James by the Coward Robert Ford) to heist comedies (Ocean’s Eleven-Thirteen) and sports dramas (Moneyball).
Whether Gerry is flipping pancakes for his daughters, saving Karin from looters at a supermarket, or skulking around the South Korean military base that may harbor Patient Zero, Pitt is so watchable it would be churlish to question why the government’s best hope for saving the world is some former employee.
If anyone has questions, it should be fans of Max Brooks’ novel. They’ll surely wonder why the source material was stripped of its political commentary and unique structure, and turned into a conventionally plotted action film.
It’s a fair question unless you’re one of the companies that spent over $200 million making the movie, in which case you may ask why they didn’t make some other zombie movie and leave World War Z alone. But these issues are best left to movie wonks and bean counters.
As long as Gerry keeps traveling the globe and delivering us to the next zombie onslaught, we’re pretty happy. If the clues never really add up, and the ending is both abrupt and unsatisfying, that’s a small price to pay for more zombies.
So be prepared to overlook some glaringly obvious problems and enjoy the ride. As it turns out, zombies are so resilient they can even survive World War Z.
World War Z (2013) cast & crew
Director: Marc Forster.
Screenplay: Matthew Michael Carnahan, Drew Goddard, and Damon Lindelof.
From a screen story by Matthew Michael Carnahan and J. Michael Straczynski, itself based on Max Brooks’ 2006 book World War Z: An Oral History of the Zombie War.
Cast: Brad Pitt, Mireille Enos, Daniella Kertesz, James Badge Dale, Ludi Boeken, Matthew Fox. Fana Mokoena, David Morse, Elyes Gabel, Pierfrancesco Favino, Peter Capaldi, Ruth Negga, Moritz Bleibtreu, Grégory Fitoussi.
Cinematography: Ben Seresin.
Film Editing: Roger Barton & Matt Chessé.
Music: Marco Beltrami.
Production Design: Nigel Phelps.
Producers: Brad Pitt, Dede Gardner, Jeremy Kleiner, and Ian Bryce.
Production Companies: Plan B Entertainment | 2Dux.
Distributor: Paramount Pictures.
Running Time: 116 min.
Country: United States.
“World War Z (2013) Movie Review” endnotes
World War Z movie box office information via boxofficemojo.com.
World War Z movie credits via the American Film Institute (AFI) website.
Matthew Fox and Brad Pitt World War Z movie images: Paramount Pictures.
“World War Z (2013) Movie Review: Brad Pitt + Breathtaking Zombies in Disjointed Horror Thriller” last updated in September 2022.
And don’t forget that critic Mark Keizer also has a weekly podcast, IGN Digigods, available on iTunes, their site, Digigods.com, and on Facebook.
Great review. I like this critic, I’ll follow your site from now on. I hope to catch the movie this weekend.