James Franco tattoos in Spring Breakers. The 2013 LAFCA has named two Best Supporting Actor winners: James Franco for his portrayal of a Florida rapper and drugs & arms trafficker in Harmony Korine’s Spring Breakers and Jared Leto for his performance as a fictional HIV-positive trans woman and AIDS medication smuggler in Jean-Marc Vallée’s real-life-inspired drama Dallas Buyers Club. Perhaps it’s a mere coincidence, but both winners fully transformed their physical appearance – see above the James Franco tattoos and gold-plated teeth; Jared Leto reportedly lost about 30 lbs. – to make their social outsiders look more realistic.
Los Angeles Film Critics Awards 2013: Surprises include James Franco tattoos and gold teeth, trio of ties
The Los Angeles Film Critics Association (LAFCA) announced earlier today, Dec. 8, their list of 2013 winners and runners-up. As usual, there were a number of surprises, chiefly among them James Franco (see below) and Shane Carruth’s little-seen sci-fi indie drama Upstream Color, selected as the runner-up for Best Editing. (Check out the full list of Los Angeles Film Critics winners further below.)
A Best Actor Academy Award nominee for Danny Boyle’s 2010 drama 127 Hours and one of the co-hosts (with Anne Hathaway) of one of the most widely lambasted Oscar ceremonies ever, Franco tied with Jared Leto (see further below) in the Best Supporting Actor category.
Sporting gold-plated teeth and countless tattoos, James Franco plays Alien, a St. Petersburg, Florida, rapper, gangster, and drugs & arms dealer who becomes enmeshed with bikini-clad girls gone wild Vanessa Hudgens, Selena Gomez, and Ashley Benson in Harmony Korine’s (sort of) cautionary tale Spring Breakers.
With nearly $32 million worldwide, as per Boxofficemojo.com, the film has turned out to be a modest commercial success in relation to its (reported) $5 million budget (not including marketing and distribution expenses).
James Franco’s fellow winner was Jared Leto, who plays an HIV-positive trans woman in Jean-Marc Vallée’s real-life-inspired AIDS comedy-drama Dallas Buyers Club – which recently (may have) caused a furor at a Frozen screening in Florida.
A previous tie in the Best Supporting Actor category took place in 1998, when Bill Murray (Rushmore & Wild Things) and Billy Bob Thornton (A Simple Plan) were both singled out.
Sandra Bullock in Gravity. A surprisingly mainstream favorite at the 2013 Los Angeles Film Critics Awards, Alfonso Cuarón’s Earth orbit-set adventure drama Gravity stars Sandra Bullock and George Clooney as two U.S. astronauts whose space shuttle is destroyed by debris from a Russian satellite – which goes to show that human trash is a danger to survival even in outer space. The duo must then find a way to remain alive in their gravity-, air-, food-, and water-less environment until they find a way back home. The cliché-ridden screenplay, notable only in that it focuses on the female character’s ingenuity (and boundless luck), was written by Cuarón and his son, Jonás Cuarón.
LAFCA’s favorites: Gravity, Her
But really, the biggest surprise of all was that the Los Angeles Film Critics came up with no less than three ties. Besides two Best Supporting Actor winners, there were also two Best Actresses (more details further below) and, most notably, two Best Pictures: Alfonso Cuarón’s Gravity and Spike Jonze’s Her.
That’s the LAFCA Awards’ first Best Picture tie since its very first year, when Milos Forman’s One Flew Over the Cuckoo’s Nest tied with Sidney Lumet’s Dog Day Afternoon back in 1975.
In all, Gravity was the Los Angeles Film Critics’ favorite, topping three other categories: Best Director, Best Cinematography (Emmanuel Lubezki), and Best Editing (Alfonso Cuarón & Mark Sanger).
Sandra Bullock, touted as a potential Best Actress Oscar nominee, and George Clooney star in this handsome but conventional Warner Bros.-distributed Hollywood flick that has become a worldwide commercial and critical hit – however absurdly, Gravity has even been compared to Stanley Kubrick’s 2001: A Space Odyssey. The screenplay was penned by Cuarón and his son, Jonás Cuarón.
Another Warners domestic release, Her also earned K.K. Barrett the Best Production Design award, in addition to being the runner-up in the Best Director, Best Screenplay (Jonze), and Best Music Score (Arcade Fire and Owen Pallett) categories.
In the film, Joaquin Phoenix plays a lonely, introverted man who begins a relationship of sorts with a computer operating system voiced by Scarlett Johansson. Amy Adams, Kristen Wiig, Chris Pratt, and Olivia Wilde are some of Her’s other players.
Curiously, Her was the second Joaquin Phoenix star vehicle in a row to perform quite well with LAFCA voters. Last year, Paul Thomas Anderson’s The Master topped four categories: Best Director, Best Actor (Phoenix), Best Supporting Actress (Amy Adams), and Best Production Design (Jack Fisk & David Crank), in addition to being the runner-up in the Best Picture, Best Cinematography, and Best Music Score categories.
LAFCA Best Picture tie & the Academy Awards
For those who see this LAFCA Best Picture tie as some sort of Oscar Omen:
- One Flew Over the Cuckoo’s Nest became the first movie since Frank Capra’s It Happened One Night in early 1935 to win Academy Awards for Best Picture (Saul Zaentz & Michael Douglas), Best Actor (Jack Nicholson), Best Actress (Louise Fletcher), Best Director, and Best Adapted Screenplay (Lawrence Hauben & Bo Goldman).
- In the key Oscar categories, Dog Day Afternoon had to content itself with nominations for Best Picture (Martin Bregman & Martin Elfland), Best Actor (Al Pacino), Best Supporting Actor (Chris Sarandon), and Best Director, in addition to winning for Best Original Screenplay (Frank Pierson).
Just bear in mind that neither Gravity nor Her has any chance whatsoever of repeating One Flew Over the Cuckoo’s Nest’s Oscar feat.
Another eye-popping LAFCA surprise
Nearly as eye-popping as the James Franco tattoos, was the Los Angeles Film Critics’ choice of Best Animated Feature: Stéphane Aubier, Benjamin Renner, and Vincent Patar’s French-Belgian co-production Ernest & Celestine, about the unlikely friendship between a mouse and a bear, and the rejection they must endure from species-conscious mice and bears.
The LAFCA’s runner-up was Hayao Miyazaki’s The Wind Rises, the National Board of Review and the New York Film Critics’ winner.
So far this awards season, animated Hollywood movies – e.g., Frozen, Cloudy with a Chance of Meatballs 2, The Croods – no matter how successful at the North American box office, have been summarily bypassed.
Adèle Exarchopoulos in Blue Is the Warmest Color, with Léa Seydoux. Because of its long and near-explicit lesbian sex scenes, Abdellatif Kechiche’s Palme d’Or-winning Blue Is the Warmest Color has stirred up quite a bit of controversy, including accusations that the director – much to his ire – exploited his two actresses. Clearly, the Los Angeles Film Critics felt otherwise, as they have chosen Kechiche’s coming-of-age drama as their Best Foreign Language Film. Besides, costar Adèle Exarchopoulos was one of their Best Actress winners – the other one was the more Hollywood-friendly Cate Blanchett for another movie with “blue” in the title, Woody Allen’s Blue Jasmine.
Adèle Exarchopoulos & Cate Blanchett: ‘Blue’ is the luckiest color as Los Angeles Film Critics come up with second consecutive Best Actress tie
Another non-Hollywood Los Angeles Film Critics Association selection was Best Actress co-winner Adèle Exarchopoulos, cited for her performance as a blossoming adolescent who develops a complex emotional and sexual bond with butch, blue-haired aspiring painter Léa Seydoux in Abdellatif Kechiche’s controversial Cannes Film Festival Palme d’Or winner Blue Is the Warmest Color.
In addition, the lesbian romantic drama based on Julie Maroh’s graphic novel took home the LAFCA’s Best Foreign Language Film award.
As it happens, Blue Is the Warmest Color, which was also named the New York Film Critics Circle’s Best Foreign Language Film, can’t be shortlisted in that Academy Award category due to eligibility issues. France’s Oscar submission this year was Gilles Bourdo’s Renoir.
At the LAFCA, blue was also the luckiest color, at least in the Best Actress category: Cate Blanchett was Exarchopoulos’ co-winner, for her performance in Woody Allen’s Blue Jasmine, in which she plays a character somewhat similar to A Streetcar Named Desire’s Blanche Dubois – a role that earned Vivien Leigh the Best Actress Academy Award back in early 1952.
The Cate Blanchett and Adèle Exarchopoulos tie was the Los Angeles Film Critics’ second in a row in the Best Actress category. Last year, they couldn’t decide between veteran Emmanuelle Riva for Michael Haneke’s Amour or (relative) newcomer Jennifer Lawrence for David O. Russell’s Silver Linings Playbook.
Best Actress Oscar chances?
Emmanuelle Riva, in movies since the late 1950s (e.g., Alain Resnais’ Hiroshima Mon Amour), went on to receive her first Best Actress Oscar nomination. But Jennifer Lawrence – young, a former model, and the star of Gary Ross’ blockbuster The Hunger Games – turned out to be the eventual winner.
Adèle Exarchopoulos may be young and pretty, but she has two major disadvantages when it comes to winning – or even being nominated for – an Oscar:
a) Unlike Cate Blanchett and other likely nominees (e.g., Sandra Bullock, Judi Dench) she’s not Hollywood (or even marginally Hollywood).
b) Academy members generally have an aversion to films dealing with sex (e.g., Lust, Caution; Shame).
Of course, the non-Hollywood Emmanuelle Riva did at least land a nomination. So, despite all the lesbian sex, Exarchopoulos does have a chance.
As for Cate Blanchett, she’s not only a shoo-in nominee but also the likely winner. If so, that’ll be her second Oscar statuette, following her win in the Best Supporting Actress category for Martin Scorsese’s The Aviator (2004), in which she plays multiple Oscar winner Katharine Hepburn.
LAFCA’s Best Actress ties & Oscar-unlucky
Here are the other LAFCA ties in the Best Actress category:
- Holly Hunter (Broadcast News) and Sally Kirkland (Anna) in 1987.
- Michelle Pfeiffer (The Fabulous Baker Boys) and Andie MacDowell (Sex, Lies, and Videotape) in 1989.
- Fernanda Montenegro (Central Station) and Ally Sheedy (High Art) in 1998.
Of these, only Andie MacDowell and Ally Sheedy failed to be shortlisted for the Academy Awards.
Since 1990, only six LAFCA Best Actress winners have failed to receive an Academy Award nomination; four of these were performers in non-American films, three of which in a language other than English. Here are the six actresses:
- Ally Sheedy for Lisa Cholodenko’s High Art (1998)
- Vera Farmiga for Debra Granik’s Down to the Bone (2005)
- Sally Hawkins for Mike Leigh’s Happy-Go-Lucky (2008).
- Yolande Moreau for Martin Provost’s Séraphine (2009).
- Kim Hye-ja for Bong Joon-ho’s Mother (2010).
- Yoon Jeong-hee for Lee Chang-dong’s Poetry (2011).
Oscar eligibility may have been an issue with some of these titles.
Also, the LAFCA’s 1991 Best Actress winner Mercedes Ruehl – for Terry Gilliam’s The Fisher King – took home that year’s Best Supporting Actress Oscar.
Bruce Dern in Nebraska: Best Actor at the Los Angeles Film Critics Awards. Shot in black and white (by Phedon Papamichael) from a screenplay by Bob Nelson, Alexander Payne’s road movie Nebraska stars veteran Bruce Dern – whose career dates back to an uncredited small role in Elia Kazan’s Wild River – as an elderly, hard-drinking Billings, Montana, resident traveling with his estranged son (Will Forte) to Lincoln, Nebraska, so they can claim a million-dollar sweepstakes prize the elderly man believes he has won.
Veteran Bruce Dern is Los Angeles Film Critics’ Best Actor
There was no tie in the Los Angeles Film Critics’ Best Actor category. The solo winner was Hollywood veteran Bruce Dern (Family Plot, Coming Home), playing a Montana man traveling to collect a cash prize in Nebraska in Alexander Payne’s road movie Nebraska. This marked the 77-year-old Dern’s first LAFCA win.
Something similar happened at the New York Film Critics awards, as 77-year-old Robert Redford was their Best Actor for J.C. Chandor’s All Is Lost – the veteran Redford’s first-ever NYFCC win.
A Best Supporting Actor Academy Award nominee for Hal Ashby’s Coming Home (1978), Bruce Dern is a shoo-in 2014 Best Actor nominee. Nebraska has already earned him the Best Actor prize at the Cannes Film Festival.
Will Forte and LAFCA Best Supporting Actress runner-up June Squibb are Dern’s Nebraska costars.
Who’s more offbeat? Los Angeles vs. New York film critics
In recent years, the Los Angeles Film Critics have gone their own way in several key categories, making the sort of daring and/or international choices that the now chiefly mainstream, Hollywood star-struck New York Film Critics Circle used to make three or four decades ago.
Here are a few examples of the NYFCC’s offbeat/international choices back in their heyday:
- Best Directors Costa-Gavras (Z, 1969), Bob Rafelson (Five Easy Pieces, 1970), Stanley Kubrick (A Clockwork Orange, 1971), Ingmar Bergman (Cries and Whispers, 1972), François Truffaut (Day for Night, 1973), Federico Fellini (Amarcord, 1974), Robert Altman (Nashville, 1975).
- Best Actresses Liv Ullmann (Cries and Whispers and The Emigrants, 1972; Scenes from a Marriage, 1974; Face to Face, 1976), Isabelle Adjani (The Story of Adele H., 1975), Ingrid Bergman (Autumn Sonata, 1978), Glenda Jackson (Stevie, 1981), Peggy Ashcroft (A Passage to India, 1984), Norma Aleandro (The Official Story, 1985).
- Best Actors Marlon Brando (Last Tango in Paris, 1973), John Gielgud (Providence, 1977).
- Best Supporting Actresses Valentina Cortese (Day for Night, 1973), Mona Washbourne (Stevie, 1981).
For comparison’s sake, this year’s NYFCC winners in the Best Film, Best Director, and the four acting categories were: David O. Russell’s Sony Pictures-distributed, all-star crime comedy-drama American Hustle; Robert Redford; Cate Blanchett; Jennifer Lawrence; Jared Leto; and, the lone non-Hollywood name, British director Steve McQueen for 12 Years a Slave – which has an American setting, and features the likes of Brad Pitt and international star-in-the-making Michael Fassbender.
As for the Los Angeles Film Critics, besides Best Actress winners Sally Hawkins, Yolande Moreau, Kim Hye-ja, Yoon Jeong-hee, Emmanuelle Riva, and this year’s Adèle Exarchopoulos, recent offbeat LAFCA picks include:
- Michael Haneke’s Amour, last year’s Best Film.
- Also in 2012, Best Director Paul Thomas Anderson for the box office disappointment The Master.
- Olivier Assayas’ Carlos, which three years ago was as a runner-up for both Best Film (trailing David Fincher’s The Social Network) and Best Actor (Edgar Ramírez, trailing Colin Firth for The King’s Speech), while Assayas shared with Fincher the Los Angeles Film Critics’ Best Director award.
Los Angeles Film Critics’ 2013 selections more mainstream than usual
But in a year when something as earthbound as Gravity wins four awards, it was inevitable that there would be few out-there choices. Even Spike Jonze’s Her, despite its offbeat basic premise, is a Warner Bros. release. There’s a limit to how far a big-studio-distributed movie will take even the most daring of ideas.
So, 2013’s other (somewhat) offbeat Los Angeles Film Critics winners were:
- Best Supporting Actress Lupita Nyong’o for Steve McQueen’s 12 Years a Slave.
- Best Screenplay winner Before Midnight – the Before Sunrise (1995) and Before Sunset (2004) sequel written by Richard Linklater, Julie Delpy, and Ethan Hawke.
Also worth noting, there was some overlapping between the choices of the Los Angeles and New York film critics, such as Best Supporting Actor Jared Leto and Sarah Polley’s documentary Stories We Tell, about the complex relationship between her parents (including a surprising revelation).
See below the full list of this year’s Los Angeles Film Critics winners.
Los Angeles Film Critics’ 2013 winners
Best Picture (tie): Gravity & Her
Best Foreign-Language Film: Blue Is the Warmest Color
Runner-up: The Great Beauty – Dir.: Paolo Sorrentino
Best Actress (tie): Cate Blanchett, Blue Jasmine; Adèle Exarchopoulos, Blue Is the Warmest Color
Best Actor: Bruce Dern, Nebraska
Runner-up: Chiwetel Ejiofor, 12 Years a Slave
Best Supporting Actress: Lupita Nyong’o, 12 Years a Slave
Runner-up: June Squibb, Nebraska
Best Supporting Actor (tie): James Franco, Spring Breakers; Jared Leto, Dallas Buyers Club
Best Director: Alfonso Cuarón, Gravity
Runner-up: Spike Jonze, Her
Best Screenplay: Richard Linklater, Julie Delpy & Ethan Hawke, Before Midnight
Runner-up: Spike Jonze, Her
Best Animated Film: Ernest & Celestine
Runner-up: The Wind Rises
Best Documentary: Stories We Tell
Runner-up: The Act of Killing – Dir.: Anonymous, Christine Cynn & Joshua Oppenheimer
Best Cinematography: Emmanuel Lubezki, Gravity
Runner-up: Bruno Delbonnel, Inside Llewyn Davis
Best Film Editing: Alfonso Cuarón & Mark Sanger, Gravity
Runner-up: Shane Carruth & David Lowery, Upstream Color
Best Music Score: T Bone Burnett, Inside Llewyn Davis
Runner-up: Arcade Fire & Owen Pallett, Her
Best Production Design: K.K. Barrett, Her
Runner-up: Jess Gonchor, Inside Llewyn Davis
New Generation Award: Producer Megan Ellison (2013 credits include American Hustle & Her)
Douglas Edwards Independent/Experimental Film/Video Award: Cabinets of Wonder: Films and a Performance by Charlotte Pryce
Special Citation: Creative team of 12 Years a Slave
Legacy of Cinema: The Criterion Collection
Los Angeles Film Critics Awards’ bypassed movies
Whether because competition was tight, or they weren’t all that well liked, or not many critics got the chance/bothered to check them out, among the notable awards season titles missing from the Los Angeles Film Critics’ list of winners and runners-up were:
- David O. Russell’s American Hustle
- John Wells’ August: Osage County
- Paul Greengrass’ Captain Phillips
- Thomas Vinterberg’s The Hunt
- Jeff Nichols’ Mud
- Asghar Farhadi’s The Past
- Martin Scorsese’s The Wolf of Wall Street
“Los Angeles Film Critics Awards 2013” notes
Los Angeles Film Critics Association website.
Max von Sydow and Liv Ullmann The Emigrants image: Svensk Filmindustri.
Joaquin Phoenix Her image: Warner Bros.
James Franco Spring Breakers image: A24.
Sandra Bullock Gravity image: Warner Bros.
Léa Seydoux and Adèle Exarchopoulos Blue Is the Warmest Color image: IFC Films.
Bruce Dern Nebraska image: Paramount Vantage.
*Last modified in May 2025.